Senior citizens in Pacific Palisades may recall seeing the handsome Bob LeMond playing golf at the Riviera Country Club in the 1950s and ’60s, but millions of Americans will remember his voice. LeMond, a television and radio announcer, narrated popular shows such as ‘The Adventures of Ozzie and Harriet,’ ‘Leave It to Beaver’ and ‘Bat Masterson.’ He narrated Lucille Ball’s first sitcom on CBS radio, ‘My Favorite Husband,’ from its debut in 1948 to its close in 1951. He worked again with Ball on the pilot for her TV show ‘I Love Lucy: The Very First Show!’ LeMond, who died January 6 at age 94, raised his children in the Palisades area while pursuing a career in broadcasting. ‘He always spoke in that classic radio announcer voice,’ said his son Rob, who lives in Malibu. ‘Of course, it was more pronounced on camera.’ Born in Hale Center, Texas, LeMond grew up in Southern California and began his career at the Los Angeles station KEHE in 1936. He played records and announced commercials for a half-hour daily (his brother-in-law hired him). His natural speaking talent soon led to a job with CBS radio. He announced Bill Henry’s segment of ‘The World Today,’ a popular news program. He also worked with the famous newscaster Chet Huntley, who told LeMond the evening before the Japanese bombed Pearl Harbor that he predicted the United States was headed to war. Deciding to support the war effort, LeMond joined the Army and ran the Mosquito Network for the Armed Forces Radio Service in New Caledonia. ‘He spoke about news that would be pertinent to the war and played music for the soldiers,’ his son Rob said. When the war ended, LeMond was sent to Japan, where he replaced Tokyo Rose, the famous announcer who broadcast Japanese propaganda during the war. While in the service, LeMond met Barbara Brewster when she came to New Caledonia to entertain troops as part of a traveling USO show. The actress played one of the ‘Brewster Twins’ in 20th Century Fox films and had the lead in the USO show ‘The Dough Girls.’ In a 1957 magazine article in TV-Radio Mirror, LeMond described their first encounter: ‘My reaction to Barbara? First of all, I was prepared. Before the troupe arrived, our special service officer brought around a brochure with pictures of the six girls in the show’When he asked me which one I liked, I pointed to Barbara’s picture and said ‘This is the one for me.’ He guaranteed that when the troupe arrived, he’d bring them over to the station. And he did. Right away, Barbara and I established a sort of rapport.’ LeMond and Brewster married in 1946 and moved to a home on La Mesa Drive, overlooking the Riviera, where they raised three sons: Rob, Stephen and Barry. During those years, LeMond enjoyed playing tennis with his wife and taking his children boating. He also liked to watch movies with his family at the Bay Theater on Sunset, (where Norris Hardware is now located). ‘He spent a lot of time with his family,’ Rob said. ‘I had a good childhood.’ LeMond continued to broadcast on- and off-camera for many TV and radio programs, including ‘Our Miss Brooks,’ ‘My Friend Irma,’ and ‘The Red Skeleton Show.’ He announced for the Tournament of Roses and the Academy Awards and voiced numerous commercials for the likes of Oldsmobile, Dial Soap and Raid. ‘Many of his shows were live, so he didn’t make mistakes,’ Rob said. After retiring from broadcasting in 1971, LeMond became a real estate agent and moved with Barbara to Bonsall, where they spent the rest of their lives. She died of congestive heart failure in 2005, and he died in his home from complications of dementia. LeMond liked to reminisce about the past, Rob said. About four years ago, he appeared on a television show in Oceanside to talk about his broadcast career. ‘He was outgoing and very well liked,’ said his son. ‘Those who worked with him always said nice things about my dad.’ In addition to Rob, LeMond is survived by two other sons, Stephen of Vista and Barry of Issaquah, Washington; five grandchildren; and one great-grandchild.
By MICHAEL AUSHENKER Staff Writer How does one write an upbeat book about living with cancer? You can ask Alan Eisenstock, co-author of ‘Cancer on $5 a Day (Chemo Not Included),’ when he visits Village Books on Swathmore next Wednesday, March 19, at 7:30 p.m. The book’s subject, comedian/cancer survivor Robert Schimmel, is also scheduled to appear. ‘I met Robert in 2000,’ Eisenstock recalls. ‘I had an assignment from Emmy magazine and I did a profile of him. He was this 50-year-old comedian who was under the radar, but was just about to burst. He had a commitment from Fox for a sitcom. He was really hot. And then he disappeared.’ Eisenstock, a Palisades resident and veteran writer, remembered the raw comedian when it was time to write another book a couple of years ago. ‘We had hit it off on the phone and we had a lot in common,’ Eisenstock says. ‘He’s the comedian’s comedian. I’ve never seen anyone who comes close to him in person, with the exception of Richard Pryor and possibly Chris Rock.’ So the writer’s agent contacted Schimmel, and learned why Schimmel had abruptly vanished from the entertainment scene: he was battling non-Hodgkin’s lymphoma. ‘Originally, we were going to do a straight memoir,’ Eisenstock says, ‘but there was an editor at Da Capo Press who said that we should focus on cancer. Robert’s had a lot of trauma in his life. His parents are Holocaust survivors, he’s had a son who died of cancer at 11, and he had a heart attack. ‘First and foremost, I commit to staying alive,’ starts one passage in Schimmel’s voice. ‘Which is not easy with cancer-killing poison through my body, my face eternally hovering an inch above the toilet bowl, and my body feeling either as cold as Antarctica or as hot as the surface of the sun. Not to mention the overall pain. Just picture yourself stepping out into the street and being hit by a car. Wham. And by a Hummer, not by a Mini Cooper.’ Another section reads, ‘I open the pamphlet and begin reading: ‘Treatments for cancer can cause discomfort, fatigue, and intense pain.’ Hey, is this about cancer or divorce?” ‘Cancer’ is certainly not a book for the squeamish, not is it a typical surviving-cancer manual. ‘It’s very raw, it’s graphic regarding the depiction of the disease,’ Eisenstock admits, ‘but he’s a courageous guy and the way he approaches the topic is unique.’ Now seven years in remission, Schimmel has made a career rebound, appearing on ‘Late Night with Conan O’Brien’ two weeks ago. And Eisenstock is glad to see his friend back on the talk-show circuit. ‘He is just so funny. He works very blue, but he kills you.’ Eisenstock has written seven books, from sports-related to ‘as told to’ books, but he is particularly proud of his latest. ‘It’s a different kind of cancer book. It’s really funny and it’s really inspirational. A customer who read the book, who is also a writer and has non-Hodgkin’s cancer herself, wrote me to say it’s the best book on cancer that she’s ever read.’ Eisenstock’s career began with a bang writing on sitcoms. He worked as a staff writer on the last season of ‘Sanford & Son’ in 1977, then moved on to write on ‘Mork & Mindy,’ ‘What’s Happening?’ and ‘Family Matters.’ Nine years ago, Eisenstock moved to the Palisades with his wife, Bobbie. ‘We were living in Santa Monica,’ he explains. ‘I had come to this life decision. We thought we would move back to New England. The Palisades to me was the closest thing to New England I could find.’ The Eisenstocks have two children: Jonah, a sophomore at Cornell University, and Kiva, a senior at Harvard-Westlake. ‘I love the idea that the Palisades has this little village,’ Eisenstock says. ‘It’s a great place to live
Actors Seymour Cassel and Robert Guillaume received Lifetime Achievement Awards at the Fifth Annual Pacific Palisades Film Festival last Thursday evening. Photo by Rich Schmitt, Staff Photographer
‘What the hell ever possessed you to give me this honor?’ actor Robert Guillaume facetiously asked Pacific Palisades Film Festival founder Bob Sharka last Thursday, following a highlight reel from Guillaume’s esteemed entertainment career, including scenes from ‘Soap’ and ‘Benson.’ After the Festival’s opening-night screening of ‘Fields of Fuel’ at Pierson Playhouse, a VIP party was held at the Huntington Palisades home of Carol and Mario Smolinisky. Here, Guillaume and fellow actor Seymour Cassel (who has appeared in more than 180 movies) received Lifetime Achievement Awards from Sharka and various Friends of Film folk. Marla Gibbs, best known as Florence on ‘The Jeffersons,’ attended to support Guillaume, with whom she worked on Robert Townsend’s ‘The Meteor Man.’ Guillaume is ‘pure class,’ Gibbs told the Palisadian-Post. ‘He has a wonderful sense of humor.’ Producer David L. Bushell (‘The Wendell Baker Story’) worked with Cassel on several of his films. ‘He’s timeless,’ said Bushell, recalling that, on the 1994 movie ‘Hand Gun,’ ‘my job was to pick him up at Steve Buscemi’s house. That’s when I first met Seymour. He’s now like a brother, father, and son to me, all at the same time.’ Film editor Matt Cassel said that growing up around his actor father and his frequent collaborator, legendary auteur filmmaker John Cassavetes, was better than attending any film school. ‘He’s always done what he wanted to do and not what they wanted him to do,’ said Matt, whose childhood friend was Slash of Guns ‘n’ Roses. (For more on Seymour Cassel’s Hollywood adventures”and how Cassel gave the Guns ‘n Roses guitarist his famous nickname”visit the February 28 Lifestyle section at palisadespost.com). ‘Palisadians are up to big things in life,’ said director Josh Tickell, whose ‘Fields of Fuel’ opened the three-day event, ‘but they can still take the time out on a Thursday to see an important movie.’ Sheila Laffey, who made the documentary ‘South Central Farm: An Oasis in a Concrete Desert’ with producer Geoffrey Pepos, had a film on the Ballona Wetlands at last year’s Festival. Laffey said that she was ‘impressed by how many films are dealing with the environment.’ Added Pepos, ‘My passion is to make movies that matter.’ Also spotted at the function: Palisades actor Eric Braeden of the long-running “The Young and the Restless,” which last week set a television industry record by achieving its 1,000th time at the top of the Nielsen ratings.
Elena Loper and Chris Alexakis, both students at Palisades High, won Mr. and Miss Palisades titles last Wednesday night at Pierson Playhouse in the annual contest sponsored by the Chamber of Commerce. In addition to earning $2,000 college stipends from the Cathie Wishnick Scholarship Fund, Loper received a pair of earrings from Denton Jewelers valued at $350 and Alexakis won a $250 silver Swiss Army knife. The runners-up, Katie Lantz (PaliHi) and Jacob Correia (Brentwood) both received a $200 cash prize. Each of the eight contestants (also including Jared Loptman, Nell Zaloom, Kristos Andrew Drum and Chelsea Shannon) gave a five-minute talent presentation. Loptman (PaliHi) wowed the crowd with a trick-stick juggling performance, Zaloom played ‘La Valse d’Amelie’ on the piano, Loper sang ‘Angel,’ Correia played a Vilvaldi piece on the violin and Lantz sang ‘Show-off,’ while also dancing and twirling the baton in a show-stopper. Drum (PaliHi), who won a gold medal at the 2007 High School Skateboarding X Games, talked about his sport and showed a video of his exceptional talent. Alexakis, who’s talent is animation, showed a short computer presentation called ‘Day-Dream Animation’ which tapped into his fascination for Japan and the culture that produced Pokemon and Bobba. The contestants were asked three questions and the judges, which included Tai Collins, Bobby Mackston, Cindy Pickett, Skip Schoolnik and Karen Voight, listened to the answers while judging poise and personal appearance. The first two questions concerned some aspect of the contestant’s resume; the third question was ‘What do you like best about the Palisades?’ ‘I like the ocean, the schools, the beaches, being able to ride my bike to the library and up and down Temescal Canyon,’ Loptman answered. ‘You know everyone,’ said Zaloom (Marymount). ‘When you’re at the grocery store, you instantly know five people. There’s no where else I’d rather live.’ ‘You always feel safe–it’s secure,’ Drum said, and Loper commented, “I love the aspect of community and that everyone is connected,’ ‘What I love most is the Palisades parade,” said Correia. “We have a barbecue and my cousins and grandparents all come.” ‘The community environment and the supportative neighbors,’ said Lantz. ‘It is important to have community support.’ ‘I feel connected here,’ Alexakis said. ‘I go to the farmers’ market every Sunday, which helps me meet people. I like the excellent sunsets.’ ‘I moved here two years ago,’ said Shannon (Harvard-Westlake). . ‘I love the beach and the neighborhood feel. Every time I go into the village I meet someone I know.’ While the judges pondered over their final decision, co-hosts Sam Lagana and Cindy Simon, who are also July 4 parade announcers, kept up a witty repartee. They introduced Griffith Frank, a Topanga resident and a freshman voice student at UCLA who impressively performed three diverse songs. Then last year’s winners, Colleen Benko (a pianist) and Tyler DuBovy (speaker/singer), gave farewell performances before turning over their titles. The Palisades Teen Pageant was chaired by Carol Smolinisky and choregraphed by Thea White.
Palisades High alum Peter Hernandez Photo by Rich Schmitt, Staff Photographer
By ELIZABETH MARCELLINO Special to the Palisadian-Post Peter Hernandez’ first memories are of small-town Pacific Palisades in the 1950s. His family moved to Toyopa Drive when he was two, and he grew up playing baseball at the park for the undefeated Yankees; watching his teenage brother, Michael, and his friends ride their motorcycles up to the old Hot Dog Show on Sunset; and swimming on Coach Nelson’s team at Palisades High, when the center quad there looked like an offshoot of the Woodstock music festival. The town has changed a lot since then and Hernandez, 55, now lives in Point Dume with his wife, Kerry, and six-year-old daughter, Faith. But he would like to return to the Palisades one day. As founding partner and COO of a new real estate brokerage firm, Teles Properties, his expansion plans include a local office. Teles Properties opened in Beverly Hills on November 1 and now has 30 agents focusing on properties in Beverly Hills, Brentwood, Pacific Palisades, Santa Monica, Hollywood, Hancock Park and adjacent neighborhoods. Hernandez and CEO Lou Piatt have partnered to create what they believe is a new model for real estate brokerage. Already, two of their deals have gained notoriety: the $22-million listing for acreage adjacent to the iconic Hollywood sign and a $15-million condo sale in Century City. With more than 70 years of real estate experience between them, Piatt and Hernandez looked at other firms and saw that about 20 percent of the agents generated nearly 80 percent of the business. They found that the same was true of housing markets; productivity was concentrated in specific residential areas. The idea of starting a boutique firm with a narrower market focus was appealing to them as a way to exploit those concentrations. ‘It’s very hard to design a company that is responsive to every market in terms of its marketing needs and style–to design a company that works in Wichita and Manhattan and Palm Beach and Beverly Hills,’ Piatt said. ‘The markets we focus on are very special, high-end markets with a lot in common.’ Hernandez’ first real estate job was working for his family’s brokerage firm in Marina del Rey. He began in 1970, just a few years after the marina was completed and development began in earnest. Only 18 years old and an economics major at UCLA, Hernandez was lucky enough to catch a great call on his first weekend in the office, and he quickly sold a two-story Cape Cod on Eastwind for $47,500. Hooked on real estate from that point on, Hernandez left the family business in 1983 to build his own reputation at Jon Douglas in the Marina. He became a top- selling producer for the firm, where he and Piatt met. Over the years, they remained friends–even as Hernandez moved on to Coldwell Banker and Jon Douglas was purchased by Prudential–and talked about creating their own business. In the spring of 2007, Piatt, Hernandez and a third colleague, Steve Shull, began focusing in earnest on a business model. Drawing on their extensive network of relationships, the three partners were able to attract ‘competent agents with character,’ Hernandez said, and Teles Properties opened its first office at Wilshire and Santa Monica Boulevards with five realtors. When it comes down to defining the division of labor between them as COO and CEO, Hernandez and Piatt insist that they split whatever is on the firm’s to-do list. And ‘no job is too small’ for either of them, said Piatt. By way of illustration, Hernandez told about their first partners meeting in the small conference room. They walked in to find that a heavy rain had penetrated the roof and soaked through the acoustic ceiling tiles until they collapsed like wet cement on the conference room table. So partners or not, they became the clean-up crew. While Teles seeks only experienced agents, even seasoned performers are asked to ratchet up their level of commitment and discipline. Shull, the third partner, serves as a professional in-house coach to the Teles team. His experience as a linebacker for the Miami Dolphins and one of the team’s tri-captains in the 1982 Super Bowl serves him well as a coach. ‘Steve can get even agents in the top 10 percent to double their volume,’ Ernie Carswell, a Teles agent, said. Agents operate independently and rely on business contacts who often become personal friends. The opportunity for distractions–a long lunch, an extra stop to meet someone who may be more friend than business contact today, a break to run errands–is high. Shull challenges agents to commit to tough goals and maintain a more intense level of focus. Piatt has seen Shull push agents to ‘exert the kind of effort’ that they just can’t reach on their own and uses the analogy of a personal trainer at the gym. The Teles partners believe that they can also make a more intense commitment when managing a smaller team of agents; their own leadership, support and firm resources have greater impact. A maximum of 50 agents per office is the company’s goal, and the principals do not actively sell in competition with their agents, which differentiates them from other boutique firms. Even if the Teles model is unique enough to capture attention in a market seemingly saturated with brokerage firms, isn’t it hubris or foolishness to open a new company in the midst of a market downturn? Piatt, who has worked through tough real estate cycles beginning with the 1974 market correction, said that, on the contrary, ‘the timing couldn’t be more perfect. In transition markets, it’s really clear to clients that they need competent service. We have a chance to differentiate ourselves at a time when service makes a difference.’ If the 80-20 rule holds in a good market, ‘in a tough market it goes 90-10,’ with fewer and fewer agents operating at a highly successful level, Hernandez explained. Piatt, Hernandez and Carswell all stress the importance of looking closely at specific submarkets in order to make judgments about trends in valuation or inventory. ‘The macro numbers are troubling,’ Piatt said, ‘and larger markets are in transition. But individually, well-priced properties that are strategically marketed will find a buyer. When you start comparing the macro numbers that you see in the newspaper, you are comparing markets from South Central Los Angeles to Beverly Hills’ and you can’t draw useful conclusions about a specific smaller market. Piatt and Hernandez focus on what they call ‘micro-markets,’ which they define as either submarkets like Pacific Palisades or Brentwood or even smaller areas, such as the Highlands or the Riviera within Pacific Palisades. ‘You need to drill down into the specifics of the immediate area,’ said Hernandez, in order to make useful judgments on behalf of clients. A recent $15-million condominium transaction illustrates Hernandez’ point. Teles agents David Mossler and John Iglar represented the buyer of the 38th floor unit at The Century, a luxury development under construction in Century City and slated for completion in 2009. The sales price of $2,700 per square foot sets a new Los Angeles area record, according to the Los Angeles Times, despite broader market trends. But the company’s highest profile listing to date is Cahuenga Peak. The marketing of this $22-million property, adjacent to the historical Hollywood sign, was announced February 13 and drew press coverage across the U.S. and as far away as Russia. It also drew controversy, as Los Angeles Councilman Tom LaBonge denounced the potential development of the site, saying ‘It should be pristine and left open and not developed.’ LaBonge insisted in a recent interview with National Public Radio that the city must buy the site to protect it; but pricing is a problem. The city has appraised the site at $6 million and is said by the Los Angeles Times to have accumulated $5 million to buy it, a far cry from the current asking price, which Teles agents say has drawn plenty of interest from serious buyers. Agents Sarah Blanchard and Carswell seem unfazed by the debate. They note that most interested parties are considering a single structure on the 138-acre site and are sensitive to the entitlements and environmental issues unique to this location. Perhaps most importantly, they explain that the primary development area does not block the sightline to the much-photographed landmark, but falls behind and to its left. One of the attractions of joining Teles for Blanchard and Carswell is the camaraderie among the agents and management. In an unusual office adventure, the Teles team took a hike up to Cahuenga Peak the Saturday after the Wednesday press announcement. The hike to reach the 1,820-foot elevation was steep enough to make it a challenging ascent. But with a little sweat, everyone made it to the top and celebrated with champagne and mimosas. Great staging for a hike and pure economics aside, the profile of the Cahuenga property must appeal to Hernandez, who peppered his discussion of the market and the firm with reference to high-end brands like Apple, Nike, Goldman Sachs, Tiffany and Harvard Business School. He said he thinks the Teles model draws more on businesses outside real estate than existing brokerage models and he aspires to build a brand as strong as those he admires. But the model itself may limit the scale of management’s aspirations, since it relies on smaller teams and the delivery of an intense level of service. Hernandez and Piatt say their goals are being realized faster than expected and point to the 30 agents already in house as evidence, including Melissa Alt, who focuses on the Palisades. They’ve nearly filled the new office they lease, but before finding new space in Beverly Hills, they plan to replicate their model in Brentwood. The exact timing relies on getting all elements of the model ‘firmly under foot,’ said Piatt, but they expect that this will occur within the next two quarters. Then what? Pacific Palisades follows Brentwood on their list of satellite offices to open in markets where they believe clients value the high level of service Teles can offer, Hernandez said. So will he make a move back to his old stomping grounds? Even without the Hot Dog Show? ‘I would love to work out of Pacific Palisades,’ he said, ‘or Malibu,’ because he likes to surf in the morning before heading into work. So Palisadians may see Hernandez in a local office soon, but he probably won’t be moving back into town. The surf is just too good at Point Dume, even for a kid who learned to catch a wave at State Beach.
As successful and beautiful as actress/realtor Cindy Ambuehl is, her fianc’, actor Don Diamont, is no slouch himself. Born Donald Feinberg in New York on December 31, 1962, Diamont moved with his family to California and attended high school at Brentwood School, where he excelled at basketball and football. He worked for several years as a model before making his acting breakthrough as Carlo Forenza on ‘Days of our Lives’ in 1984. A year later, Diamont became Bradley Carlton on ‘The Young and the Restless.’ He left the cast in 1996, but returned in 1998 and continues to portray the playboy Carlton, who quickly rose from gardener to corporate executive on the show. In the August 15, 2006 edition of Soap Opera Digest, Diamont discussed his Jewish background. His storyline on ‘Young and the Restless’ paralleled his personal life when the top-rated series revealed that Carlton had been concealing his Jewish roots and was actually named George Kaplan. Carlton, as it turned out, was actually the son of a Holocaust survivor and, in a bizarre murder plot (although not so bizarre by soap opera standards), Carlton/Kaplan had survived the murder of his family by crazed Nazi commanders from his mother’s past. Ergo, Kaplan changed his name to Carlton. Elsewhere in TV land, Diamont has also appeared on ‘The Fall Guy,’ ‘Diagnosis Murder’ and ‘Baywatch.’ In feature films, he appeared in the Adam Sandler/Jack Nicholson tete-a-tete, ‘Anger Management,’ and in the Keenan Ivory Wayans comedy, ‘A Low Down Dirty Shame.’ Diamont is also known in Dayton, Ohio, as the Morris Home Furnishings spokesperson, and he is an active supporter of the Multiple Sclerosis Society, as he has a niece who suffers from the illness. The success of his earlier career as a model obviously still lingers. Diamont has appeared on the cover of Playgirl twice, and in 1990, People declared Diamont one of the 50 Most Beautiful People in the world”the first daytime drama actor to receive the magazine’s honor. Obviously, fianc’ Ambuehl agrees. There is little doubt that Diamont is this girl’s best friend.
Actress and fashion designer Cindy Ambuehl is now a fulltime agent with Coldwell Banker in Pacific Palisades.
By MICHAEL AUSHENKER Staff Writer You might say that these days, actress Cindy Ambuehl is ‘keepin’ it real”as in ‘real estate.’ Ambuehl, who starred as Renee Peterson on the long-running CBS primetime series ‘JAG,’ has turned her real estate hobby into a full-time profession by joining Coldwell Banker’s Pacific Palisades office on Sunset. ‘I’ve been dabbling in real estate for 20 years,’ says Ambuehl, and it has now become her true passion. ‘It’s really conducive to family life”a perfect transition for me. If I could survive acting, I can survive real estate.’ By family, Ambuehl means the household she shares in Santa Monica Canyon with her fianc’ and fellow actor, Don Diamont; their twin boys, Anton and Davis, 5; and Diamont’s children from a previous relationship, Lauren, 18, Sasha, 16, Alexander, 13, and Luca, 7. If Diamont’s name sounds familiar, it’s mainly because he’s been a daytime television staple for 22 years, appearing as Brad Carlton on the venerable soap opera ‘The Young and the Restless.’ There was a time for Ambuehl when ‘location, location, location’ meant hopping from set to set to earn her paycheck. A working actress, she spent the 1990s playing in episodes of hit shows such as ‘Cybill,’ ‘Frasier,’ ‘Charmed,’ ‘Silk Stalkings,’ ‘Diagnosis Murder,’ ‘Malcolm in the Middle,’ ‘Caroline in the City’ and ‘The Love Boat: The Next Wave.’ Ambuehl played Jerry Seinfeld’s love interest on an episode of ‘Seinfeld’ called ‘The Burning’ ‘ the one in which Jerry is stunned to learn that his new girlfriend has a mysterious “tractor story” that she is concealing from him. Ambuehl also worked in movies, playing opposite Rodney Dangerfield in one of the comedian’s last features, 1997’s ‘Meet Wally Sparks.’ But as an actress, she is probably best known for her work on ‘JAG.’ Originally debuting in 1995 on NBC, the military-themed criminal justice drama, starring David James Elliott and Catherine Bell, became a primetime hit when it was rescued from cancellation by CBS. It ran for a solid decade before its 2005 cancellation. Ambuehl’s recurring role”the quirky, outspoken love interest and comic foil who kept Elliott’s character on his toes” appeared on the show from 2000 through 2003. The ‘JAG’ stint came right as she worked on Fox Television’s critically acclaimed (but quickly canned) Hollywood satire, ‘Action,’ starring Jay Mohr. ‘I was only supposed to do ‘JAG’ for three weeks,’ Ambuehl says, ‘but when ‘Action’ got canceled, I did it for four years.’ Another career highlight for the 43-year-old actress: playing on the short-lived ‘Head over Heels’ with one of her best friends, Eva La Rue, who now stars on another CBS juggernaut, ‘CSI: Miami.’ Ambuehl credits all of the comedy work she’s done as indirect training her for her current profession. ‘We try to lighten up the burden for our buyers and sellers,’ says Ambuehl, who adds that an actress’s perseverance also comes in handy. ‘I remember testing three times with Mel Gibson for a role on ‘What Women Want.’ You go through these experiences, you walk into a room and you perform in front of people. You learn to work the room.’ Today, Ambuehl is most proud of her real estate work with partner Lauri McNevin and Coldwell’s Palisades office manager, Robert Sedway. Ambuehl credits Sedway as ‘a phenomenal leader. He really supported me in my transition from actress to real estate agent.’ Of McNevin, a Palisades resident who has worked in real estate for 11 years, Ambuehl says, ‘We make a good team. When we work with people, in this very, very scary market, I love the fact that Lauri has the educational background as well as the common sense. Lauri and I show every property ourselves, we take every phone call ourselves, we show up to the party. We’re very hands on.’ As working moms, the women feel they have an edge in finding homes to accommodate families. Family is important to both Ambuehl and McNevin (a mother of two), and they are empathetic regarding their nesting clients. In fact, Ambuehl points out that they fill in for each other with babysitting chores so that ‘we actually work seven days a week.’ If there is a reason that Ambuehl shifted from acting to real estate, it can be summed up by one word: family. Acting ‘was not conducive to having children. It was really important to me [to be a full-time mom].’ Ambuehl has always put her personal life over career. ‘I left ‘JAG’ when I was eight months pregnant. Now that the writers strike is over, I can still dabble in that which I love, but I am also going to work in real estate, which is my total focus.’ So why does she prefer the buy and sell over acting these days? ‘I’m loving the feeling that I’m helping people,’ Ambuehl says. ‘I feel that Lauri and I come from such a place of honesty and hard work, we’re giving them a peace of mind. And that’s a good feeling. I’m taking care of people.’ Although Ambuehl didn’t receive her real estate license until 2007, her interest in property transactions has always coincided with her original vocation. ‘I’ve been buying and selling homes all of my career as a hobby in Orange County,’ says Ambuehl, who was born and raised in Yorba Linda, where her parents still live. McNevin is a seasoned pro, having left a five-member team in her native Austin, Texas, to come work in California two years ago. She and Ambuehl met through their sons. Ambuehl and her fianc’ Diamont socialize with another Palisadian on ‘Young and the Restless”’Eric Braeden, who enjoys the Palisades life with his wife, Dale. Ambuehl laughs as she tells the Post that Braeden loves to joke with Diamont that the name of their soap should be re-titled ‘The Young and the Rest of Us.’ So what exactly brought Ambuehl and Diamont to town? ‘I always wanted to be near the beach,’ Ambuehl says. ‘So we really looked hard in the Palisades and Santa Monica because combined we have six boys and we needed a big place to accommodate everyone.’ They found their dream house serendipitously, just driving around and looking at open houses. Ambuehl directed renovations of their Spanish Mediterranean estate and did all the interior design. What Ambuehl really loves and appreciates about the Palisades is that it reminds her of her Orange County roots: ‘The Palisades, too, has that small-town feel. It feels very much like home.’ ‘I love that it’s a small town, after coming from Austin,’ McNevin chimes in. ‘It’s such a smaller city than Los Angeles, and such a wonderful relief. It feels so good to come here and have my own space.’ Together, Ambuehl and McNevin have negotiated home sales primarily on the Westside, having closed deals in the Palisades, Brentwood, Santa Monica and Malibu. When she’s not turning around properties, Ambuehl spends her down time lunching at Tivoli Cafe or enjoying brunch at Mayberry’s. McNevin enjoys those local restaurants, but also lists Il Carpaccio on Palisades Drive as a new fave. ‘We just went to Riordan’s new place and we loved it,’ says Ambuehl regarding The Village Pantry on Swathmore. Ambuehl feels closely connected to the Palisades. She adds that whenever she and McNevin make a sale, ‘a portion of our commission goes to a local school in the community in which we sell a house, on a sale-to-sale basis. So we’re giving back to the community.’ Some might question Ambuehl’s enthusiasm to dive into her new profession at a time when her industry is experiencing its darkest days in more than a decade. But Ambuehl shrugs off such pessimism. ‘The real estate market is taking a hit, but I survived two Screen Actors Guild strikes,’ she says sanguinely. ‘We’ll survive this just fine as well. Last year, we had $15 million in sales and over $20 million in listings. I’m not intimidated at all by it.’ In addition to her real estate business, Ambuehl is a fashion designer. Her clothing line first hit QVC in 2005, and she will debut her new line on The Shopping Channel in Canada on March 14. Her line–hip, funky and contemporary–consists of blouses, pants, dresses and skirts and pants. She and Diamont have also completed hosting a DVD titled ‘Tips for New Parents,’ joining with Eileen David and Hunter Tylo from ‘The Bold and the Beautiful.’ Still, Ambuehl is a fulltime realtor these days, though she still gets a kick out of the effect her previous life can have on the locals. Sometimes, people will double-take when they enter Coldwell Banker’s office and find that familiar face working the phones. ‘It’s really funny,’ Ambuehl says, giggling. ‘When I first came aboard, I got a lot of people who felt that they already knew me. ‘Were you on so and so?” Which begs the question: Are these customers happy to have TV’s Renee Peterson handling their real estate dealings? ‘It depends on whether they like the character I played!’ she says with a hearty laugh. Cindy Ambuehl and Lauri McNevin have a Web site: ambuehlmcnevinhomes.com. For more about Ambuehl’s clothing line, go to cindyambuehl.net.
It strains our sense of artistic nobility and reverence for classical tradition to think of Michaelangelo’s ‘David’ as having once been ‘decorated’ with a gilded wreath and a gilt-bronze belt, and leaning on a gilded tree stump. Can we imagine that the ‘Venus de Milo,’ that icon of classical purity of form, may have been embellished with color? Indeed, when we think of Greek and Roman sculpture, we automatically assume monochromatic forms to be the standard; the highest compliment. But most ancient sculpture was painted with vibrant colors that have faded over time. In the new exhibition ‘The Color of Life’ at the Getty Villa, curators have assembled 40 works of art spanning 4,000 years to highlight the power of color from the ancient world to modern times. The conventional assumption that classical sculpture must have been white has been reinforced in certain periods of art–particularly in the Renaissance and Neoclassic periods–as the paradigm of the ideal. ‘Color, no color, it goes in waves,’ says Eike Schmidt, associate curator of sculpture and decorative arts at the Getty. He explains that, despite the evidence of color as discovered in remnants of pigment often found between fingers and toes or in nostrils of ancient statues, a philosophical preference for monochromatic purity persists. There is a widely held belief that color diminishes the essence of beauty in classical sculpture–the mastery of the chisel and the purity of material. In the 18th century, David d’Angers’ bronze statue of Thomas Jefferson was criticized for its dark patina, which gave the great statesman the skin tone of an African, Schmidt says. ‘In the 19th and 20th centuries, monochromatic art was used to reinforce political ends. The fascist governments favored white marble as a symbol of the supremacy of the white race.’ And yet, as we learn in this exhibition, color has been used as a powerful adjunct in sculpture throughout the history of art. Greek and Roman statues, carved in white marble or cast in bronze, were colored to achieve a heightened emotional response. Color also contributed a more beautiful, heroic or awe-inspiring likeness, Roberta Panzanelli writes in the catalogue accompanying the exhibition. Panzanelli, the senior research specialist at the Getty who conceived of the exhibition, says ‘Color inspires religious veneration, and, in relief sculpture, color can help make the figure or narrative legible to crowds of distant viewers.’ One of the most startling examples in the exhibition of polychromy is the partial reconstruction in plaster of Greek images, which have been painted as they might have looked in the 4th or 5th centuries B.C. Three different reconstructions are displayed of the Peplos Kore, a 530 B.C. marble statue of a young girl wearing a long, richly decorated garment. The vivid hues of the first painted cast suggested by R. M. Cook are not as scientifically based as are the other examples, Schmidt says. ‘Vinzenz Brinkmann looked at the ancient work using raked light and ultraviolet analysis of the surface of the piece and could identify signs of two or three lost colors, or paint ghosts.’ While the exact coloration of the work cannot be certain, these highly pigmented reconstructions shake us out of our belief that Greek sculpture was pure white. Many of the pigments used in antiquity continued to be used throughout the Middle Ages, Renaissance and Baroque periods. Common minerals included malachite (green), azurite (blue) and hematite (red), which were ground into fine powder and mixed with a binding agent. ‘Different colors have a longer life than others,’ Schmidt says. ‘Mineral pigments remain longer than organics, and objects that have been buried have a better chance of keeping their coloration.’ Throughout the exhibition, we see color and tint used in a variety of media. While, in most cases, pigments were applied to the surface of the marble, sculptors, such as Charles-Henri-Joseph Cordier, created coloration by skillfully using different materials. In ‘Goat Tender of the Colonies’ (1861), Cordier created a sumptuous bust combining the deep bronze for skin tones with the variegated Algerian onyx-marble for the cloak. In recent decades, artists have once again focused on color in traditional media–sculpture, painting–and new media. ‘Sculptors like Jean Arp and Henry Moore celebrate the intrinsic color of the material’the variety of bronze patinas, stone intrusions and wood grains,’ Schmidt says. Attitudes about color in sculpture have, once and for all, been liberated as the distinctions between painting and sculpture have blurred. For Pop artists, color was arbitrary, and today sculptors create work with either strong hues or neutral tones, depending on their conceptual idea. Superrealists, such as John De Andrea and Duane Hanson, create figurative sculptures made directly from human models with such painstaking realism as to unnerve viewers. In ‘Dying Gaul,’ De Andrea reproduces the pose of a Hellenistic sculpture, adapting the classical subject and pose. De Andrea cast his polyvinyl figure directly from human models, then sanded the piece and painted the cast in oil, reproducing every mole and wrinkle on the model’s body. Whereas Greek and Roman artists strived for an idealized form, De Andrea emphasizes literal realism. Far from representing the symbol of heroic defeat, De Andrea’s ‘Dying Gaul’ appears burdened with the psychological defeat of modern man. ‘The Color of Life’ exhibition teaches us that while we think about the image of sculpture as a relatively colorless shape in the post-modern age, we no longer apply strict rules as to the use of color. The exhibition continues at the Getty Villa through June 23. Roberta Panzanelli will lead a one-hour gallery talk at 3 p.m. on March 28 and June 6. Eike Schmidt will lead a talk at 3 p.m. on April 11 and 25. For tickets to the Villa, call (310) 440-7300 or visit www.getty.edu.
Peter O’Neill Schecter and Mary Adela Fuentes Rojas
Peter O’Neill Schecter and Mary Adela Fuentes Rojas were married on August 11 in Cochabamba, Bolivia. Peter, born and raised in Pacific Palisades, is the son of Joanie Schecter and the late Philip Schecter. He attended Corpus Christi School and Palisades High School and graduated from UC Santa Barbara. Mary is the daughter of Maria and Carlos Fuentes Rojas of Cochabamba, where she graduated from college with a degree in business and marketing. Both have just returned from Bolivia, where Peter completed his volunteer service in the American Peace Corps and will proceed to Carnegie Mellon Graduate School of Public Policy in Pittsburgh.
Ellen Teresa Smith and Jeremy Rush Denise were married on Friday, October 12 at St. Monica’s Church in Santa Monica. The Rev. Msgr. Lloyd Torgerson, pastor of St. Monica’s, officiated at the nuptial mass. A reception at the Bel-Air Bay Club followed. The bride, daughter of Mr. and Mrs. Charles F. Smith of Pacific Palisades, was attended by her sister, Mrs. Timothy Brady of Santa Monica, as matron of honor. The bridegroom, son of Mr. and Mrs. Richard Denise of New London, New Hampshire, was attended by his brother, Peter Denise, as best man. Other attendants included Peter Smith, brother of the bride; and Betsy and Charlie Brady, niece and nephew of the bride. The bride is a graduate of Corpus Christi School, Marymount High School, and University of Notre Dame. She received a master’s degree in teaching from the University of San Francisco and taught kindergarten for several years. She currently works as an instructional reform facilitator in the San Francisco Unified School District. The bridegroom is a graduate of Union College in Schenectady, New York. He works as a project manager with BCCI Construction Co., a construction management firm in San Francisco. After a Hawaiian honeymoon, the couple will reside in San Francisco.
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