Theater Review
‘Are you gathering souls for the Devil?’ ‘When did you compact with the Devil?’ ‘You would be a good Christian woman, would you not?’ ‘When the Devil comes to you does he ever come’with another person? Perhaps another person in the village? Someone you know?’ These questions carve out the chilling landscape of Arthur Miller’s ‘The Crucible,’ set in Salem, Massachusetts during the witch hunts of the late 17th century. Yet just as Miller’s 1953 play conjures McCarthyism and the Communist hysteria of the early 1950s, it still reverberates with contemporary relevance. After all, the suspicion, fear, interrogation and accusation of 1692 Salem might also characterize the disturbing scenarios we read about taking place in prisons in Guant’namo Bay, Cuba, and Abu Ghraib, Iraq, or even in U.S. airports post-9/11. The Santa Monica Theatre Guild’s poignant production of ‘The Crucible’ asks viewers to examine the paranoia and intolerance that can break down a society. What must one man sacrifice in order to stand up for his beliefs and against injustice? Directed by William Wilday and produced by Thomas DeBacker, the show runs through November 20 at the Morgan-Wixson Theatre in Santa Monica. The strict Puritan values of order, discipline, unity and conformity are embodied in Salem’s ministers and judges, who rule the small community under a tight moral and religious code. ‘There is either obedience or the church will burn,’ says Reverend Samuel Parris (Donald Heath), who discovers his niece Abigail Williams (Bevin Hamilton) and daughter Betty (Moriya Shachar) dancing wildly in the forest with black servant Tituba (Valeri Braun). When Betty falls ill from the shock of seeing her father jump from the bushes, suspicions of the girls’ actions and fear of ‘unnatural causes’ cause the leaders to tighten their grip. An intense period of questioning follows, under which Tituba and the girls buckle from fear of punishment and feed off of one another’s accusations of witchcraft. Abigail becomes the leader of the pack, driven by ulterior motives to continue an affair with farmer John Proctor (Thomas DeBacker) and take revenge on his wife, Elizabeth (Candice Balen), for discharging her as the family’s servant. In the role of Abigail, Hamilton is moving and convincing as she feigns being possessed by the devil, demands the other girls’ loyalty and compliance, and flirts with Proctor. DeBacker gives a commanding performance as Proctor, who represents the Puritan belief in hard work but rejects the culture’s rigid laws, which leave no room for human error. ”Failing to name all 10 Commandments when asked is a sin in this society. But when Proctor’s wife reminds him of the one he left out’adultery’we understand that Proctor’s real struggle is with his conscience and what he calls ‘the single error of my life.’ ”Proctor is a characteristic Arthur Miller character in his tragic struggle. He earns the respect of his wife and neighbors when he ultimately refuses to sign a false confession that he compacted with the Devil. ‘I have given you my soul; leave me my name!’ he exclaims at the production’s climax. The sexual repression of the people of Salem is manifest in Abigail’s seemingly uncontrolled groping of the air and her body, and in her accusation of Tituba: ‘Sometimes I wake and find myself standing in the open doorway and not a stitch on my body! I always hear her laughing in my sleep. I hear her singing her Barbados songs and tempting me with” In this society’s extremist mentality, even a woman reading a book becomes anathema, as Giles Corey (Dan Adams) learns when his own curiosity about his wife’s book reading results in her arrest. Corey is one of the few who stand their ground against the wrath of Deputy-Governor Danforth (Christian Morgan), the fierce judge who arrives to purge the Puritan society of evil. With ease, Morgan delivers his lines and plays the terrifying character who abuses his power in order to protect his pride. Pity and compassion in the rigid society are scarce, but do exist in the Reverend John Hale (Mark Aaron), who is called upon to lead the girls back to God’s grace. In devoted attempts to help the people, Hale reveals his own inner conflict between society’s moral and religious code and an individual’s right to justice. Aaron is well cast in this emotionally demanding role that bares open his character’s struggle to maintain some degree of faith in the eye of injustice. Performances run Fridays and Saturdays at 8 p.m., and Sundays at 2 p.m. Tickets are $15 for general admission, $12 for seniors and $10 for students. The Morgan-Wixson Theatre is located at 2627 Pico Blvd. in Santa Monica. Contact: 828-7519.