Home Blog Page 2465

Lockyer: Key Licensing Boards Must Be Saved

State Attorney General Bill Lockyer addressed the Pacific Palisades Democratic Club Saturday at the home of Joe and Pepper Edmiston.
State Attorney General Bill Lockyer addressed the Pacific Palisades Democratic Club Saturday at the home of Joe and Pepper Edmiston.
Photo by Rich Schmitt, Staff Photographer

State Attorney General Bill Lockyer supported Gov. Arnold Schwarzenegger when he took office on Nov. 17, 2003. Now, one year later, the state’s top lawyer has a different opinion. ‘Unfortunately, this last year and last month, the Arnold I see is super right wing, even more right than George Bush,’ Lockyer told the Pacific Palisades Democratic Club at its annual meeting last Saturday in the home of Joe and Pepper Edmiston. Lockyer, a strong advocate for consumer rights, expressed concern over Schwarzenegger’s recent proposal to reorganize state government by abolishing 88 state boards and commissions. He is concerned especially about eliminating professional licensing boards that are responsible for disciplinary actions and oversight. He warned the 100-member crowd that if these important duties are transferred to one executive officer, there is a risk that with the right amount of money or influence, one person can make a case go away. The best lobbyists, he said, are doctors whose licenses are threatened because of malpractice suits. Lockyer explained that they hire the best attorneys money can buy. ‘That’s not right,’ he said, and emphasized that the boards and commissions are important because they make things visible and publicize possible risks to the public. Other boards on the governor’s butcher block include the Electricity Oversight Board, Commission on Health and Safety and Workers’ Compensation, and the Board of Forestry and Fire Protection. Lockyer, who has held the state’s highest law enforcement post since November 1998, is also keeping a close eye on Washington. On Tuesday, he and Superintendent of Public Instruction Jack O’Connell filed a lawsuit to block the Hyde-Weldon Conscience Protection Amendment, which he said was tacked on to a recently passed Labor, Health and Human Services and Education Appropriations bill in the middle of the night. The Amendment would give health insurance companies, hospitals, doctors and staff the right to refuse to perform, pay for, or provide referral services in abortions, even in an emergency. If any state or local government attempts to enforce state laws to safeguard women’s constitutional right to abortion care, federal funding to health care providers would be denied. This could potentially deny $49 billion in federal funds to California. ‘The Bush administration is trying to repeal Roe v. Wade in a sneaky, backdoor way,’ Lockyer said Saturday. ‘Our suit argues that Congress doesn’t have the power to tack this onto an appropriations bill.’ ‘It’s going to be a tough fight,’ he admitted. His office is working closely with key Californian lawmakers Senators Barbara Boxer and Dianne Feinstein and House Democratic Leader Nancy Pelosi and Rep. Henry Waxman. Lockyer, who believes in the fundamental right of a woman to choose, told the group that the Democratic Party needs to protect U.S. Supreme Court’s decision Roe v. Wade, which marked its 32nd anniversary Saturday. ‘If we change direction on this issue, we don’t deserve to win an election. That is what we’re about,’ he said as the crowd cheered. Lockyer, a former history teacher, advised the Democratic Club not to lose hope despite the 2004 presidential election results. There is a cycle of social progress that occurs every 40 to 50 years, and he reminded the group that in 1964 the situation was reversed. The Democrats controlled the White House and Congress. Though the country was involved in an unpopular war, like today, the incumbent President, Lyndon B. Johnson, won re-election. ‘It’s been 40 years,’ Lockyear said, and noted that it’s time for a change. When asked about whom he supports to head up the Democratic National Committee, Lockyer responded that though he does not have a vote for DNC chair, he thinks former Vermont Gov. Howard Dean would be a good choice because he will be able to energize the party. (Diane Guthman, who lived in Pacific Palisades until she was 11, is a Santa Monica writer.)

Edlen and Coldwell Banker Donate $13,000 to Village Maintainance Fund

Local realtor Michael Edlen and Coldwell Banker Southern California have once again donated $6,500 each to the Palisades Chamber of Commerce in support of the street/sidewalk maintenance program in the Village. The Chamber launched the program in February 2003 to give a fresh, clean look to the Village. As the Village has become busier this year, the program is even more important, said Edlen, an agent at the Coldwell Banker West office on Sunset. ‘I feel that since we’re in the middle of the Village, it’s an opportunity to give back to the community in a tangible way,’ said Edlen. ‘I know that everyone appreciates that the Village looks so much more appealing with the maintenance program ongoing. ‘Last year I asked Scott Gibson, president of Coldwell Banker Southern California, to match me dollar for dollar, and he did,’ Edlen said. ‘This year, his successor Betty Graham agreed to again match the $6,500 donation.’ The Chamber has contracted with Chrysalis’ Street Works, a nonprofit back-to-work program to conduct the twice-weekly street cleaning and maintenance. ‘I think that the Chrysalis program is a win-win,’ Edlen said. ‘It gives their employees an opportunity to have a job that otherwise would not be available, and it gives Chrysalis more visibility in the Palisades.’ The Street Works maintenance workers come to town on Mondays to clean up the Village area, including the gutters and alleyways; on Friday, they pick up trash. Once a month, they steam-clean the sidewalks, rotating between the various business districts in town, including Swarthmore and Marquez. ‘It’s been very successful because of people like Michael and people from the community who’ve donated everything from $5 to $1,000,’ said Chamber president David Williams. ‘Without the residential support, this wouldn’t be possible.’ Williams said that the city provides cleaning maintenace to the business district about once a month, and trash pickup on Wednesdays. ‘We can’t get anything more from the city, their budget is strapped,’ Williams said. ‘We supplement when the city doesn’t pick up trash.’ The annual cost for the Street Works cleaning services is just over $31,000, and about $29,000 has been raised so far. ‘I encourage all Village businesses to contact the Chamber and see in what way, small and large, they can help improve the visual appearance of our small village,’ Edlen said. ‘There are other opportunities where funds can be put to good use.’ Donations to the program can be made out to Pacific Palisades Chamber of Commerce, earmarked to Street Maintenance, and mailed to 15330 Antioch St., Pacific Palisades, CA 90272. Palisadian Adlai Wertman is president and CEO of Chrysalis. In addition to Street Works, the professional cleaning business which helps formerly homeless men get work, the company also runs Labor Connection, a full-service staffing company.

Turner Takes On Capitol Hill

Interview by ALYSON SENA Palisadian-Post Staff Writer Palisadian and retired Lt. Col. Colleen Turner recently completed research sponsored by the Institute for National Security Studies (INSS) at the U.S. Air Force Academy. Turner’s project was inspired by an INSS research question posed by the Pentagon’s Middle East Planning Office for Department of Defense personnel: ‘How should the U.S. attempt to shape regional perceptions through strategic information and other efforts?’ Interest in this issue had increased in response to polls indicating that anti-American sentiment had increased significantly in the Middle East and around the globe since the U.S. invasion of Iraq; concern for casualties, cost and exit strategies were also mounting on the home front. Turner submitted a final proposal, ‘Best Practices for Inspiring Pro-American Sentiment’Exploring Methods of American Masters for Winning Hearts and Minds Around the Globe,’ to the INSS on January 20, 2004. Her recommendations for American image enhancement include using language in more constructive ways and seeing ourselves as others see us. Turner earned a master’s degree and Ph.D. from UCLA in social welfare, as well as an M.A. in human relations from Webster University. Q: Why did yo pick this question to research? A: I felt there were so many ways we could be influencing our allies, and enemies even, that weren’t being used; there was a toolbox of tactics and strategies being completely neglected in preference of military might [reflected by ‘either preemptive strikes or UN inspections’]. Q: What processes did you see were not working? A: We were communicating that we were right and they were wrong; we were good and they were bad; we didn’t need the rest of the world to back us, we could do it on our own and if they weren’t with us they were against us. Even people who originally felt sorry for us about September 11 started getting upset with us; they went the other way. Q: How did you begin your research for reshaping America’s image? A: My international sports experiences as a player for the USA volleyball team, in the military, as a social worker, and in the business world had helped me appreciate how common problem-solving approaches in one discipline might be completely unknown in another. In my literature review I discovered many brilliant and important ideas being recommended that were falling on deaf ears. Even recommendations from our defense fellows at Harvard University…nobody seemed to be paying any attention to them. But I needed to consider my audience. I wanted to make sure that it would be user-friendly to a more general population, not just researchers. And I also wanted to do something that a neo-conservative and a progressive liberal could agree on and go forward with. I settled on an exploratory methodology studying a sample of very successful Americans in distinctively different fields. I narrowed it down to six people and one institution: Lance Armstrong, the international cycling champion; Father Greg Boyle, a Los Angeles-based [Jesuit] priest renowned for success with reducing gang violence; Herb Cohen, a world-class business negotiator; Bill, an esteemed anonymous member of the high-IQ society Mensa; Al Scates, the top NCAA champion volleyball coach, and William McDonough, an internationally acclaimed green design architect. They were all indisputably successful. I also included the Air Force Academy because they were showing promise at turning around their tarnished image after the sexual assault scandal. Q: Why Lance Armstrong? A: He’s an American, he’s a hero, he’s done the impossible and, when you read his story, you realize that he was so hated in the early biking days; the Italians used to throw tacks on the street to pop his tires. He had a terrible reputation and he even considered himself arrogant. He started turning things around when he began to appreciate the culture of the environments where he was working, and when he started becoming a team player, he started winning more. I just thought this was exactly the kind of situation we’re in internationally, where they’re putting tacks in our tires because they don’t want to see us win. Q: Why did you choose Father Greg Boyle? A: Father Boyle had established a solid reputation for success in transforming individuals from gangs that were essentially at war with one another on our city streets. Granted it was a long way from Iraq, but my thinking was that perhaps someone capable of dealing with the Crips, Bloods, or Snakes could shed some light on how the U.S. might better approach the Sunnis, Shiites, and Kurds. He agreed to meet with me for an interview in East L.A. at Homeboy Industries/Jobs For A Future, the organization he founded and directs, serving approximately 1,000 gang members every month. I arrived in my Air Force dress blues, no doubt creating speculation a recruiter had arrived. The place was filled with mostly young Latino men. Father Boyle shared his valuable lessons learned, primarily focusing on how to be smart vs. tough on crime. I then endeavored to make the links with how the U.S. might more effectively deal with international terrorism more smartly. I came away from the interview thinking how his approach might not only improve international relations efforts while reducing terror but that if more people would champion his efforts locally, Los Angeles would be safer. Q: Why did you feel you needed to go to Washington, D.C. as part of your project? A: To meet with State Department, Department of Defense and congressional personnel to get feedback. Q: How did your daughter Kim help you navigate Washington? [Kim, who is 24, currently works in D.C. as a research assistant for the National League of Cities.] A: The big help Kim gave me was the week before Memorial Day weekend [2004]…I said, ‘I need to go to the leadership offices on Capitol Hill to introduce them to this project and request feedback.’ Kim said something like, ‘Yeah, right, Mom, you’re just going to parachute right into the Capitol building; I’m sure there won’t be any problem with that.’ And we laughed. She had been Senate staffer and had worked her way up from the mailroom to a press assistant position, and she’d also been a White House intern, so she was pretty clued in… Q: What are a couple of the tips she suggested? A: Well, she told me to call the day before; be sure to use the right terminology, ask for the ‘military liaisons’ and ‘legislative analysts’; arrive with a concise memo explaining what is needed and why; and make sure you get the name of someone to follow up with or you’ll never get a response. Q: What was the response from these legislative analysts and military liaisons you met? A: They overwhelmingly supported the recommendations’State, Defense, both Republicans and Democrats in all the key areas. I wondered what would keep the recommendations from being implemented. I think for the most part, it’s because you can’t turn them into some form of legislation. And yet, if you can at least start realizing these ideas are available and…through the media or whatever way you do it, if you can help Americans understand they have alternatives in ways of thinking about things, then that’s a lot. Q: After you submitted [the research] last October, what happened? A: My paper went to the Pentagon. My personal goal is to have my fellow Americans think more creatively about how to solve problems in ways that will be less damaging to us and help enhance our security and safety. Requests for a copy of the report can be e-mailed to Turner at catalyst@ix.netcom.com

Dennis Tito’s Space Adventure

Palisadian Dennis Tito knows how to commandeer an audience. At a recent Rotary breakfast meeting in Mort’s Oak Room, the world’s first space tourist had everyone’s attention as he talked about making history on April 28, 2001, when he served as a crew member on an eight-day Russian Soyuz mission to the International Space Station. ‘This was a life-long dream for me, to travel into space,’ said Tito, CEO of Wilshire Associates, Inc., a leading provider of investment advice and statistics (the Wilshire 5000 Index). Tito said that in 1957 he was galvanized by the launch of the first Sputnik, and then closely followed the ongoing competition between the U.S. and the Soviet Union to put the first man on the moon. It propelled him ‘to study engineering.’ After receiving a master’s degree in engineering science, Tito began his career at the age of 23 as an aerospace engineer with NASA’s Jet Propulsion Laboratory, where he was responsible for designing the trajectories for the Mariner spacecraft missions to Mars and Venus. He said he expected that space travel would be available at some point, ‘in my lifetime.’ He just didn’t know when. Then in 1991, after meeting with space officials in the Soviet Union, Tito realized it might be possible to take part in a trip to the Mir Space Station. Those plans were temporarily squashed when shortly after that, ‘the Cold War ended, and the Soviet Union fell apart.’ Then, almost a decade later, Tito found himself in Russia to train. He likened it to ‘joining the army and going to boot camp at age 60. It was cold, dreary. I had to make my own bed. It was probably akin to what Martha Stewart is experiencing,’ which caused some laughter. However, ‘I was a volunteer, so I could leave at any time. But I stayed and worked hard, even though it was not clear if I would actually get to fly. I knew it would be my last chance to try. I did pass the physical. But there were other hurdles.’ Tito found himself with a mission but no place to go, as the Russians were no longer manning Mir. So after much wrangling with NASA, he was finally given the go-ahead to travel to the International Space Station. He felt there was ‘a certain elitism involved. It’s NASA that usually selects the astronauts, who have to have ‘The Right Stuff,’ be a ‘Top Gun’ test pilot,’ and ‘not a senior citizen,’ such as himself. Also, ‘they feared if an accident occurred, it would be controversial,’ said Tito, who took ‘loads’ of photos of his journey, some of which he shared with his Rotary audience during his Power Point presentation. First was a picture of the rocket that transported him, ‘the same kind of rocket, designed in 1954, that once posed a big threat to the U.S. because it could launch nuclear warheads which could destroy our cities,’ Tito said. Next was a news clip of the rocket blasting off from Baikonur, Kazakhstan. ‘Imagine 600 pounds of high explosives beneath you. As I looked out the window, I realized that we went from zero to 18,000 miles an hour in nine minutes.’ After two days of circling the earth, the rocket docked successfully at the space station. Tito described the inside of the craft as similar to the interior of ‘a submarine,’ where he got ‘some of the best sleep I had in years. Because I was weightless, I didn’t need a pillow. It took me about a day to get used to it, and once I did, I could have stayed up there for months if they had let me, listening to my favorite operas on CD. I felt like an angel in heaven, floating and looking out the window.’ In space, some 246 miles above the earth, Tito could clearly see the Red Sea, the Suez Canal, the African desert in a sandstorm, the breakup of the ice flows in northern Canada. He said that when he landed he felt like he was ‘born again. I was happy to come back in one piece.’ Tito noted that little progress has been made in the last three decades in the U.S. space program, which, ironically enough, has allowed for the private sector to become involved. He sees the recent success of Space Ship One, the privately funded manned rocket ‘as a major breakthrough’ for commercial space travel, in spite of ensuing regulatory hurdles. ‘People want that experience.’ Tito thinks Richard Branson’s Virgin Galactic will be offering flights within three to five years for about $50,000, well below the $200,000 price tag that has been banded about for the opportunity to go into space’some 62 miles above the earth. Apparently 13,000 people have already signed up. ‘It’s going to be a great new industry,’ Tito said. While he is happy to promote space travel, he said he currently has no financial interest in the development of tourism in space.

Medieval Manuscripts Illuminate Violence

Elizabeth Morrison, associate curator of manuscripts at the Getty and organizer of “Images of Violence in the Medieval World.”
Photo by

Illuminated manuscripts, handwritten texts aglow with pictorial and decorative embellishments of gold, silver, lapis lazuli and other precious materials, are among the most beautiful works of art created during the Middle Ages. The seductive, jewel-like quality of their shimmering pages stands in sharp contrast to the often gruesome subject matter being depicted, whether it be scenes of the Passion or vivid and precise images of torture, execution or war. ‘It seems jarring to our modern sensibility, but it was a natural juxtaposition for people in the Middle Ages,’ says Elizabeth Morrison, associate curator of manuscripts at the J. Paul Getty Museum and organizer of the current exhibition ‘Images of Violence in the Medieval World.’ The show’s underlying theme is how violence in the Middle Ages was considered an integral’even necessary’aspect of life, a concept so counter to our contemporary view. ‘Violence is really unacceptable everywhere except perhaps in professional football,’ Morrison notes with a laugh while leading a recent tour of the exhibition. This day, instead of the usual handful of people who turn out for a gallery talk, Morrison was met by a crowd of close to 50, all eager to delve deeper into the darker side of medieval life. Lest anyone imagine the show’s boundaries as confined to the Middle Ages (roughly the years 500 to 1500 A.D.), Morrison shares with the audience how modern-day acts of violence uncannily affected the planning of the exhibition. The official launch meeting, scheduled on September 12, 2001, was canceled in response to the horrific events of the previous day, 9/11, and the show was temporarily shelved. Morrison turned in her text for the revived exhibition on March 20, 2003, the same day the U.S. declared war on Iraq. In addition to being a timely reminder about the origins of violence, the exhibition also is seen by Morrison as an opportunity for people to make a connection with a more obscure part of the Getty’s collection. The Getty’s holdings of illuminated manuscripts, considered the finest in the United States after that of the Pierpont Morgan Library in New York, make possible the creation of countless thematic shows, including ‘Family Life in the Middle Ages,’ a show Morrison mounted last year, and ‘Medieval Beasts,’ an exhibition she is planning for 2007. One of Morrison’s biggest challenges with the current exhibition was to winnow 17 select images (all except one from the Getty’s collection) from the vast selection of brutal imagery abounding in medieval texts. A variety of texts, ranging from saints’ lives and prayer books to romances and histories, are represented and shown in the context of three categories: violence in everyday life, in the world of religion and in the name of the state. The dangers of everyday life were many in the Middle Ages, when even the barest necessities were often scarce, plunder and oppression were common and family feuds and disputes were often settled on the side of the strongest and fiercest contender. In a 13th-century Spanish legal manuscript, two men involved in a money dispute go before the king, who concludes the case merits decision by duel, an aspect of the Spanish legal system that was decisive and legally binding. Both the combatants and the witnesses firmly believed that God would be ‘on the winning side’ and victory would be awarded accordingly. Another fascinating glimpse into daily life is found in a popular medieval book known as ‘The Romance of the Rose.’ While the text seems to argue against the practice of wife beating, warning that under these conditions ‘true love cannot long endure,’ we nonetheless see a graphic depiction of a man gripping his wife’s hair with one hand and threatening her with a stick with the other. In the late Middle Ages, a father’s money and power were passed on to his eldest son. The deadly rivalries this brought about are graphically illustrated in ‘A Massacre of Family Members,’ where grisly beheadings, a drowning and a hanging fill the picture plane as due warning. The account of the torture and death of Christ was the most well-known story in the Middle Ages, when suffering in one’s own life was seen by Christians as necessary for salvation. This point was constantly underscored by vivid images of the Crucifixion, scenes of flagellation and tales of martyrdom. An exquisite painting of the Crucifixion from a 15th-century German manuscript is of a particular visceral nature, intended to encourage readers to empathize with Christ’s pain. A section devoted to ‘The Art of War’ unveils clashes for land and power, including revolts pitting lord against vassal, holy wars waged in the name of religion and confrontations between dueling nations. In one such picture, the battle of Aljubarrota, one of the most famous battles of the Hundred Years’ War (1337-1453), shows the victorious Portuguese army triumphantly waving their pink banners while Spanish soldiers are massacred in the foreground. Morrison hopes the exhibition causes people to contemplate the tremendous power of images, both in the Middle Ages and in contemporary times. ‘Imagine the impact of the Abu Ghraib prison story without photographs,’ she challenges. ‘There’s one aspect of violence that’s unchanging,’ Morrison says. ‘Differences bring it out, whether in religion, race or country. I think this exhibition puts in relief that it [violence] is nothing new.’ Morrison will conduct two more one-hour talks on the exhibition on Tuesday, February 15 and Friday, March 4, both at 3 p.m. Related programs include a film series, ‘Savage Cinema: The Violent Poetry of War on Film,’ selected by Los Angeles Times critic and Palisadian Kenneth Turan, which explores cinematic portrayals of violence in war from the Middle Ages to modern times. It takes place Friday, February 4 at 7:30 p.m., Saturday, February 5 at 3 p.m. and 7:30 p.m. Another event is a lecture on ‘Violence in the Middle Ages’ to be presented on Thursday, March 2 at 4 p.m. by best-selling author and noted historian Michael Wood. ‘Images of Violence in the Medieval World’ continues through March 13 at the Getty Museum, 1200 Getty Center Drive. Contact: 440-7300 or go online to www.getty.edu.

‘Lost’ Documentary

The name Pink Floyd didn’t mean anything to Howard Lamden before August 1980. At the time, he was a recent transplant from Baltimore working in Los Angeles as a television editor on George Schlatter’s ‘Real People,’ a comedy show featuring unusual slice-of-life stories. ‘I’d never heard a Pink Floyd song in my life,’ says Lamden, who received a phone call that fall from a cameraman he’d worked with in New York, asking him to help create and edit a documentary from footage of the band’s ‘The Wall’ show in London. On November 30, 1979, Pink Floyd had released its legendary album of the same name, which included the hit song ‘Another Brick in the Wall’ (‘We don’t need no education/ We don’t need no thought control…All in all it’s just another brick in the wall’). Filmed in and around Earls Court arena, the footage included the two-hour concert as well as the unloading of equipment and mounting of the elaborate production, performed with visual aids projected on huge screens, giant inflatable characters and gigantic foam bricks. This show was not only a groundbreaking example of a modern multi-media experience but also the last time the band’s original members played together. It was the final production of the ‘The Wall,’ which Pink Floyd performed 30 times on stages in Los Angeles, New York, Dortmund (Germany) and London. Lamden started work on the documentary in January 1981 and it took him about six months to complete, working part-time. When he was done, he sent the documentary, shot on 3/4-inch videotape, to Pink Floyd. ‘At the time, these guys had so much money that they could’ve done anything,’ says Lamden, who names The Band as one of his favorite rock groups. Lamden wasn’t sure whether some of the documentary footage was intended to be used as part of a larger project, such as the movie ‘The Wall’ (originally released in 1982), but when he didn’t hear anything, he filed it in his archives, to use for his own reel and to get other jobs. ‘This documentary was one of the best things I ever did,’ he says, referring to its linear progression of the ‘load-in,’ which begins with trucks of equipment rolling into the arena and the crew unloading giant aluminum stage pieces. ‘I wanted to build an organic story, to tell it as it was.’ The 25-minute film documents the stage construction and engineering of the concert through behind-the-scenes footage and interviews with the engineer, architect, sound and monitor mixers, as well as other crew members, roadies and fans. ‘It’s miles ahead of anything else that’s ever been done in rock-n’-roll,’ a young Roger Waters (the frontman and songwriter of Pink Floyd) says about the production at the start of the documentary. Waters is the only band member who’s interviewed in the documentary, though others are pictured in sound checks and rehearsals for the show. Images of the 35-foot-tall balloon-like figures with huge lights for eyes, and the collapsible foam brick wall made to withstand 20-30 mph winds, are fascinating to see. Especially well-edited are the sequences of the crew hard at work, with the piano being sound checked; these segments add artistic color and texture to the film. Around the 20th anniversary of ‘The Wall’ in 1999, Lamden received a phone call from James Guthrie, sound engineer for ‘The Wall’ shows, who wondered if Lamden still had a copy of the documentary. ‘There was so much infighting [among band members] that source material was lost,’ Lamden says. ‘I never lost the documentary. They lost it. I had my copy, a pristine copy.’ Lamden also owned the copyright, and seriously began to consider releasing the documentary around the time he had to start paying college tuition for his daughter, Lily. A PaliHi graduate (’03), Lily is now a sophomore at Colorado Sate University. When Lamden read an article in a UK publication that discussed the ‘lost’ Pink Floyd documentary and credited the wrong people for directing and editing it, he realized that ‘this was an important piece of work, and a lot of people had heard rumors about it.’ To prepare it for release, Lamden changed the title from ‘Another Brick in the Wall’ to ‘The Lost Documentary’ and took out the 12-minute version of ‘Another Brick in the Wall,’ which had accompanied the original documentary. The two-hour concert also had to be omitted for copyright reasons. He copyrighted his work with the Library of Congress in December 2003, alerted Roger Waters to his intentions for release, found investors, built a Web site and cut a trailer. ‘I went through all the proper channels,’ he says. ‘I wanted to make money but I wasn’t going to do it and not feel good about it.’ In order to maintain control over the documentary, Lamden decided to self-distribute the DVD via a Web site in September 2004. ‘I had thought the first thousand would sell in hours,’ he says. To date, the first 1,000 pressings are almost gone. Negotiations are currently under way between Lamden and Waters to release the full concert with the documentary on DVD. Lamden’s experience in the music business includes producing and editing Bruce Springsteen’s The River concert in Tempe, Arizona (1981); directing and editing a Jackson Browne documentary called ‘Downtown,’ shot in downtown Los Angeles (1982); and editing the Doobie Brothers’ ‘Live at the Buddakan’ (1981/1982). ‘I really love being an editor,’ says Lamden, though he admits that he always preferred working in television for people like George Schlatter (well-known for the variety series ‘Laugh-In’) over working in music. ‘I learned everything about cutting comedy from [Schlatter]. He just made you feel great.’ Lamden moved to California in 1979, after working as a television editor on 20/20 and People Television in New York. He has lived in the Palisades since 1982 and currently works at Weller Grossman Productions in North Hollywood. Lamden’s 17-year-old son, Peter, attends Temescal Canyon Continuation School. To view the trailer for ‘The Lost Documentary’ or purchase the DVD for $29.95, visit www.thelostdoc.com.

Tours of Will Rogers Ranch Include History and Renewal

Will Rogers State Historic Park has resumed its grounds tours to give the public a glimpse into the detective work used to restore the historic buildings, and to celebrate the life of Will Rogers. In the early 1930s, Will Rogers was probably the most popular celebrity in America. Successful as a daily columnist in most of the nation’s newspapers, and a star of radio and movies, the cowboy philosopher had established his career by rising through the ranks of the Wild West shows, vaudeville and the Ziegfeld Follies. His ranch, donated to the state in 1944, reflects many elements of his career, and is a living window on the past. Over the past four years, it has been undergoing a restoration that includes the ranch house, barn and landscaping,. It will be completed later in 2005. Among the myriad ongoing restoration efforts is the reconstruction of Jimmy’s mule barn, named after Rogers’ youngest son. The barn, situated close to the stable, had been part of the ranch operation, housing Jimmy’s horses, draft animals, most notably for the 1932 Japanese Olympic team, and guest horses. The barn was taken apart in 1943 when lumber was in short supply. Docents tell the story of how Betty, Will’s wife, gave the wood to a relative who needed to build a house on land they owned in Santa Monica Canyon. In addition to seeing the newly constructed barn, visitors will also tour the polo field, stable and riding areas, pastures, goat pen, roping corral, hay barn, and blacksmith and carpenter shops. Issues relating to the restoration of the ranch house, projected to reopen in January 2006, will also be discussed. The grounds tours are held on Tuesdays through Saturdays at 11 a.m., 1 p.m. and 2 p.m. The cost for parking is $7 per vehicle. Tours are free and all are welcome. Large groups (18 or more people) and school groups can be accommodated at 10 a.m. and should make reservations. The reservation fee for the group picnic area varies according to group size. For further information, including volunteer docent opportunities, contact Michael Allan, State Parks Interpreter at 454-8212, ext. 103.

Nurseryman to Talk about Ornamental Trees Monday

Steve Brigham, owner of Buena Creek Gardens, a retail plant nursery and display garden in Vista, will speak to the Palisades Garden Club members and guests on Monday, February 7, 7:30 p.m. at the Woman’s Club, 901 Haverford. He will talk about his book ‘The Trees of San Diego and of Other Mediterranean Climates,’ (San Diego Horticulture Society), which includes 240 trees, accompanied by color photographs by Don Walker. Buena Creek is a four-acre garden and nursery that grows Southern California’s largest selection of new and uncommon flowering perennials, shrubs, daylilies and vines. Its collection of over 5,000 outstanding varieties of flowering plants attract visitors from all over the world. Brigham, a horticulturalist and nurseryman who has lived in North San Diego County since 1980, developed his interest in gardens in his childhood vegetable garden. His interest expanded to landscape gardening as a young adult, when he discovered the Sunset Western Garden Book. In college at UC Santa Cruz, he worked as a gardener, and ‘that’s when things began to change,’ he writes in ‘Birth of a Plantsman.’ ‘Tending a large collection of proteas there made me realize that there was more to the world of plants then what was commonly available in nurseries. My professor, the great naturalist and horticulturalist Dr. Ray Collett, had by then already established an enormous collection of many kinds of unusual flowering plants at the arboretum, and I was just getting to know them. ‘One day I went into one of the greenhouses to do some weeding, and I could not believe what I saw. An exotic and spectacular bright yellow flower had just been produced by a small subtropical tree that I had never paid much attention to. The next day, there were more flowers, and more after that. What I was seeing was Tabebuia chrysotricha, the Golden Trumpet Tree’a Brazilian plant that would change my life. I discovered that although this tree could grow and bloom outdoors in Central California, it was practically nonexistent in the local nursery trade.’ Brigham’s search lead him to the classic book, now out of print, ‘Color for the Landscape,’ edited by the late Dr. Mildred Mathias of UCLA, which featured pages of color photos of the best subtropical flowering trees, shrubs, vines, perennials and natives for California gardens. He determined that he would search for each plant in the book, take cuttings and seeds which would become the nucleus of his first nursery in Santa Cruz. ‘One yellow flower, then one book, and suddenly a career was born,’ Brigham writes. In the course of his 30-year career, Brigham has worked both as an employee and a volunteer for several botanical gardens and nurseries, and has introduced many flowering plants into the nursery trade. He and his wife Donna have owned Buena Creek since 1996. He says that the mission of Buena Creek is to ‘collect, grow, display, promote and distribute new and uncommon varieties of ornamental plants for Southern California gardens.’

Kickers Struggle to Finish Comets

PaliHi striker Henry Argueta plants to shoot on a partial breakaway during Monday's 2-0 Western League soccer victory over Westchester.
PaliHi striker Henry Argueta plants to shoot on a partial breakaway during Monday’s 2-0 Western League soccer victory over Westchester.
Photo by Rich Schmitt, Staff Photographer

Dave Williams thought he had seen it all in his 10 seasons as coach of the Palisades High boys soccer team. That is until Monday, when he watched in dismay as his team squandered 22 scoring chances inside the penalty area against winless Westchester. The Dolphins still prevailed, 2-0, but it was hardly a resounding victory. “Defensively, we did fine and we generated a lot of pressure on offense, we just need to finish better,” Williams said. “We can beat teams like this without executing in the box but against better teams that will cost us. A win is a win and we’ll take it, but we shouldn’t be satisfied. I know I’m not.” In Williams’ opinion, the race for first place in the Western League will come down to three teams: Palisades, Fairfax and Hamilton. The Dolphins lost to Hamilton, 2-1, in their league opener. Monday’s game was supposed to have been played January 12 but was postponed when heavy rainfall the weekend before made the Stadium by the Sea field unplayable. Palisades (2-1-3 overall, 2-1-1 in league) controlled play from the opening kickoff. Ki Karou broke down right wing and scored the first goal on a low line drive into the left corner of the net in the 22nd minute. “The ball rolled across the goalmouth right to me and I just knocked it in low and hard,” Karou said. “We definitely should’ve scored more. We had so many chances, it was ridiculous.” Goalie Jose Roldan was not called upon to make a save often, but he came up big when he needed to, particularly on a direct free kick from the top of the penalty area early in the second half. Dolphin defenders formed a wall 10 yards in front of him, but Westchester striker Oscar Calderon curved a low shot around the wall, requiring Roldan to make a diving stop. “I’m really happy with the way we’re playing defense,” Pali stopper Brock Auerbach-Lynn said. “We have a lot of new players but we’re connecting well, we’re communicating and we’re staying positive. Mike [Larin] is our ball handler so I try to get it to him whenever I can.” Larin, the Dolphins’ center midfielder and team captain, sent a through ball to Fabio Gonzalez in the 70th minute for an appraent breakaway but Gonzalez was ruled offside. Henry Argueta missed the first of several golden opportunities to increase Pali’s lead when he shot wide on a breakaway from left wing. He then clanked a shot off the post in the 68th minute while teammate Francesco Coco dribbled too far on a one-on-one with the Comets’ goalkeeper. Argueta finally gave Pali some breathing room in the 68th minute when he alertly headed a high ball over the goalie’s outstretched arms for a goal. “I think the keeper thought his defender was going to pass it back to him, so he came out to receive a pass,” Argueta said. “The defender kicked it straight up in the air instead, the goalie was out of position and I outjumped him.” The second round of league play begins Friday and Palisades plays Westchester again, this time on the Comets’ home field. Williams, who devoted most of Tuesday’s practice to shooting drills, hopes his team doesn’t get complacent. “That’s a difficult place to play because of the wind,” Williams said of Westchester. “If we go in with the attitude that it’s going to be an easy game, we’re in trouble.” Luis Amaya and Coco each scored in the first 10 minutes while Larin converted a penalty kick in the 70th minute and Jorge Hernandez was credited with a score on an own goal in the 74th minute of Pali’s 4-1 victory at University last Wednesday. The Dolphins tied Venice, 1-1, last Friday, with Gonzalez scoring Pali’s only goal in the 34th minute.

Mickel Finds Scoring Touch

Knowing leading scorer Lucy Miller was sidelined with an injury, the onus was on the rest of the Palisades High women’s soccer team to pick up the slack in last Wednesday’s Western League game against University. No problem. Kelly Mickel scored three goals in the first 20 minutes and added a fourth goal seven minutes before the final whistle to lead the Dolphins to a 6-0 victory. ‘That’s definitely the most goals I’ve scored here,’ Mickel admitted. ‘We’ve been working really hard on our finishing in practice and it paid off.’ Playing at Stadium by the Sea for just the second time all season, Pali dominated from start to finish and played with a sense of urgency, having learned shortly before kickoff that it had to forfeit its league opener. Thinking the game was postponed, the Dolphins failed to show up for a January 12 game at Westchester, and the Comets later declined Pali’s request to reschedule. ‘We had to step it up knowing Lucy was out,’ said co-captain Tia Lebherz, who scored off of a pass from Sara McNees to give Pali a 4-0 lead late in the first half. ‘And we were a little mad about the Westchester game. We’ll be so motivated the next time we play them.’ Mickel lofted a soft shot over the goalie’s head for her first goal and quickly added another after Kirsten Schluter’s shot caromed off the crossbar right to Mickel, who one-timed it in. Mickel’s third goal came on a well-placed shot after a solo rush down right wing. She then assisted on Evanne Gordon’s goal midway through the second half. Mickel closed the scoring with a hard shot to the upper left corner of the net from 15 yards out. Two days later, Pali improved to 5-6 overall and 2-2 in league with a 3-0 shutout of host Venice. McNees scored 13 minutes into the game after the Gondoliers (4-3-2, 1-2-1) failed to clear away a loose ball in front of their net. The second goal came 10 minutes later on a well-placed header by co-captain Alex Michael off of a corner kick from Miller. ‘We do that play a lot on our club team,’ Michael said. ‘I just hang out at the top of the box, start running at the whistle, and Lucy tries to find me.’ Michael orchestrated Pali’s attack expertly from her midfield position, either passing to open teammates down the wings or dribbling into the penalty area herself when given opportunities. The Dolphins earned eight corner kicks in the first half while generating 19 shots. Only the stellar play of senior goalie Cammie Aochi kept Venice in the game. Mickel picked up where she left off against Uni with an unassisted goal in the 46th minute. Sweeper Madison Glantz said Pali’s victory was a team effort. ‘Everyone did a great job of talking. Our communication on defense was good today. We have really strong outside fullbacks who help me out. Other than that, I just try to keep everyone in front of me.’