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Scott Beats Rain at Riviera

His Nissan Open victory may not have been official, but Adam Scott still walked away with the trophy and the winners' check of $864,000.
His Nissan Open victory may not have been official, but Adam Scott still walked away with the trophy and the winners’ check of $864,000.
Photo by Rich Schmitt, Staff Photographer

The most compelling story surrounding last week’s Nissan Open had nothing to do with the leaderboard, but rather whether the hallowed greens and fairways at Riviera Country Club could hold up under four days of driving rain. After two rounds, 19 golfers were within four shots of co-leaders Adam Scott and Chad Campbell, who were both 9-under par. It appeared to be anyone’s tournament to win with two rounds left. But when continued thunder showers saturated the course beyond playability, the event was cancelled early Monday morning. Sure, Scott beat Campbell on the first playoff hole and was presented with the tournament trophy, but because only 36 holes were completed, he was not credited with an official victory. And in the press tent afterwards, he admitted he didn’t even feel like the winner. ‘It’s nice to have the trophy and I will be called the champion but it does feel different,’ said the 24-year-old Australian, who hails from Hope Island, Australia. ‘I don’t feel tired and drained like you normally do when it’s finally over and you have been battling some guy for the last 36 holes or something. It’s unfortunate circumstances, but there has to be a winner, I guess.’ Two hours after the third round was cancelled, the two co-leaders met at the 18th tee for a playoff to determine who would be declared the unofficial winner. Scott hooked his drive into the rough while Campbell’s ball landed smack in the middle of the fairway, giving him the early advantage. But Scott’s second shot from 242 yards out left him good position just off the green while his opponent hit into the sparse crowd assembled just off the green. Scott’s chip landed three feet below the pin while Campbell’s attempt rolled to a stop four feet above the pin. Now, both players were faced with short par putts. ‘There’s been a lot of waiting and killing time,’ said Scott, who moved up to No. 7 in the world rankings. ‘It was a tough break for Chad because he hasn’t hit a shot in two days where I got to play a little bit everyday. So maybe that was better for me. But a playoff is unpredictable.’ Campbell putted first and his attempt looked true but veered left at the last instant, rolling off the edge of the cup and stopping three feet to the right of the hole. Scott took a few moments to line up his own shot and drained it, giving a half-hearted wave of acknowledgement to his opponent and the spectators. ‘I’m definitely disappointed,’ said Campbell, a 30-year-old from Lewisville, Texas. ‘Whether it’s official or not, I don’t like losing. I would have liked to continue the tournament. I think everybody would have at least liked to get 54 holes in, but it’s just not possible. The course can’t take this much rain. No course can.’ Darren Clarke and Brian Davis finished tied for second at 8-under, Colin Montgomerie and J.L. Lewis were 7-under and six players were at 6-under through 36 holes. Tiger Woods, looking to regain the No. 1 ranking he lost last year, needed to finish fourth or higher to overtake Vijay Singh, who decided to skip the Nissan Open. Woods was in striking distance after two rounds’only four shots back’but he would’ve been closer if he hadn’t double-bogeyed the 18th hole Sunday morning. In 78 previous years at the Nissan Open, only once was the tournament shortened due to inclement weather. That was in 1993 when Tom Kite won by three strokes in a 54-hole event. Mike Weir, who won the previous two events, finished tied for 37th at 2-under-par. Little did he know it then, but Scott would not even have forced a playoff had he not made a 20-foot birdie putt on the last hole Sunday morning that pulled him even with Campbell after two rounds. ‘That was a big putt. We all knew that the weather report wasn’t looking good for Monday. So I thought that might be it and it was nice to knock that one in for sure, just to give me the chance.’

Schoops Ranked No. 1 in Father-Son Doubles

Ernie Schoop and his son, Chris, were ranked No. 1 in 2004 in the United States Tennis Association’s Senior Father & Son Division. The Palisadian pair played four tournaments on four different surfaces, reaching the finals of the National Indoors in Cherry Hill, New Jersey, finishing fifth at the National Hardcourts in Newport Beach, finishing fourth at the National Grass Courts in Locust Valley, New York, and finishing fifth at the National Clay Court championships in Sarasota, Florida. ‘We were actually shocked that we were ranked No. 1 because we didn’t win one tournament all year,’ Chris said. ‘Also, we’d lost to five teams ranked below us. We assume that the rankings are now decided by the number of points you accumulate in each tournament. Based on that, we played all four tournaments and did consistently well in each one, so we had more points than any other team at year’s end.’ The last time the Schoops were ranked atop their division was in 1996, when they won both the National Hardcourts and National Grass Court titles. ‘In a way, we feel bad that we are ranked above the teams that had direct wins over us,’ Chris added. ‘I think what the USTA is trying to do is encourage people to play more tournaments by basing it only on points accumulated.’ The younger Schoop said would be their last year in the Senior Father and Son Division (where the father has to be 60 or over). Next year, they will move up to the Super Senior Father and Son, where the father has to be 70 or older. ‘We are looking forward to that because the teams in our current division seem to get stronger and younger every year,’ Chris said. ‘It’ll be nice to finally be the new ‘younger guys’ in our division.’

Rec Center Report

Palisades Recreation Center will host a Basketball Skills Challenge this Saturday and Sunday for boys and girls ages 5-15. The event is open to all players, whether they played in the Palisades Basketball League or not. Every participant will receive a medal and event winners will get a trophy. Players can compete in all the contests or just one. Rookie Division (open to players born in 1998-99) contests will begin on Saturday at 10 a.m., Bantam Division (born 1996-97) contests will begin on Saturday at noon, Minor Division (born 1994-95) contests will begin Saturday at 3 p.m., Major Division (born 1992-93) contests will begin Sunday at noon and Junior Division (born 1989-91) will begin on Sunday at 4 p.m. Contests are as follows: NBA 2-Ball: Each team of two has one minute to score as many baskets as possible from any of the designated shooting spots; 3-Point Contest: Players have one minute to make as many three-point baskets as possible. Top scorers advance to the next round; Free Throw Contest: Players shoot 10 free throws, with top scorers advancing to the next round; 2-on-2: Half-court games in a double-elimination format. No games in rookie division; Slam Dunk Contest: Junior Division only. Players receive scores from judges based on the difficulty and quality of their dunks on 8-foot baskets. Top scores advance. For more information, call Rec Center Director David Gadelha: 454-1412. East Wins All-Star Game The Palisades Recreation Center held its interleague Minors All-Star basktball game last week, with the beasts of the East edging the best of the West, 60-57. Kahlil Simplis scored 22 points, Alden Cusick had 19 and Brian Lewis added eight for the East, which raced to a 17-2 lead in the first quarter. Christopher Murch had 17 points, Austin Kamel had 16 and Kyle Warner added nine for the West, which responded with a 17-6 run in the second quarter to pull within 23-19 at halftime. The game was tied, 38-38, going into the fourth quarter. Henry Elkus, Dylan Klumph, Tommy Sanford and Orson Wetterberg rounded out the East all-stars while Willy Gansa, Leo Abbe-Schneider, Jack Ramsey and Chris Sebastian also contributed for the West.

Paly Swimmers 3rd at South Gate Meet

The Palisades-Malibu YMCA swim team, under the guidance of coaches Kameron Kennedy, Eric Butler and Nick Stankovich, finished in third-place at last week’s Y Meet at South Gate Sports Center. With a contingent of 77 swimmers, Paly had several swimmers compete in older age groups. Twelve-year-old Jennifer Tartavull moved up to join older swimmers Alison Piazza, Hannah Haberfield and Erica Drennan to fill the Dolphins’ 15-and-under relay team, which finished second. Drennan had an outstanding meet with first-place swims in the 200 Freestyle (2:08.21), 100 Butterfly (1:10.01), 200 Backstroke (2:25.37), 200 Individual Medley (2:31.35) and 100 Backstroke (1:06.28), a second-place in the 100 Freestyle and a fourth in the 50 Freestyle. Haberfield placed in five events, her best a fifth-place finish in the 200 Individual Medley. Piazza also placed in five events, finishing sixth in both the 200 Individual Medley and 100 Backstroke. The 13 & 14-year-old boys had two excellent relays, taking second in the Medley Relay (Colin Magana, James deMayo, Nick Karody, and Ben Lewenstein) and third in the Freestyle Relay (Nick Barnett, Jeremy Ratib, Lewenstein, and Karody). Alex Fujinaka won the 200 Freestyle (2:04.95) and was runner-up in the 50 Freestyle. Karody captured third in the 100 Breaststroke and fifth in the 100 Backstroke. Jerad Brown went from a 1:49.38 in the Butterfly to 1:26.56. The 11 & 12-year-old girls won both the Freestyle Relay (Alexandra Edel, Allison Merz, Jennifer Tartavull, and Haley Lemoine) and the Medley relay (Shelby Pascoe, Edel, Merz, and Lemoine). Edel once again had a superb meet, winning the 200 Freestyle (2:09.26), 50 Breaststroke (35.40), 50 Freestyle (27.65), 200 Individual Medley (2:26.68) and 50 Backstroke (32.66), as well as placing second in the 100 Butterfly, 100 Freestyle and 100 Breaststroke. Merz placed second in the 200 Freestyle and 50 Butterfly and third in the 100 Freestyle and 200 Individual Medley. Tartavull won the 100 Breaststroke, took second in the 50 Breaststroke and took third in the 200 Freestyle and 50 Freestyle. Lemoine was fourth in the 50 Breaststroke, 100 Freestyle and 200 Individual Medley, as well as fifth in the 100 Butterfly. Pascoe was fourth in the 100 Backstroke and the 50 Backstroke and fifth in the 200 Freestyle. Danny Fujinaka led the 11 & 12-year-old boys with three firsts in the 200 Individual Medley (2:28.69), the 100 Freestyle (100.04) and the 50 Breaststroke (36.28), as well as second in the 100 Butterfly. The boys’ Freestyle Relay (Fujinaka, Kevin Carswell, Stephen Anthony, Yanov Slava) took second and the Medley relay (Matthew Piazza, Stephen Anthony, Jacob Defilippis, and Tommy Collins) took sixth. Placing high enough to score points for the team in individual events were Yanov, Anthony, Carswell, Defilippis, Joey Oetzell, Piazza, and Tiago Santa-Clara. Paly’s youngest swimmers continue to work on refining strokes, which will eventually lead to even faster times. The girls’ 10-and-under Freestyle Relay (Catherine Wang, Olivia Kirkpatrick, Mara Silka, and Courtney Carswell) took third as did the Medley Relay (Wang, Kirkpatrick Josephine Kremer, and Adelaide Seaman). Wang took first in the 100 Freestyle (1:03.54), 200 Freestyle (2:18.78) and 50 Butterfly (32.30). She also took second in the 200 Individual Medley and 50 Freestyle. Wang was third in the 50 Breaststroke and fourth in the 50 Backstroke while Carswell won the 25 Freestyle (16.83), took second in both the 100 Individual Medley and 25 Backstroke, took third in the 25 Butterfly and 50 Freestyle, and took fourth in the 25 Breaststroke. Alexander Landau, 8, took third in the 25 Butterfly and fourth in the 100 Individual Medley. Nicolas Green was fifth in the 50 Freestyle. Y Champs are February 28-29 at the Commerce Natatorium. Coach Kennedy is looking for more broken records: ‘I expect times to fall even further. The kids are motivated and putting the time in necessary to make it happen.’ Special swim clinics are being held at the Y on weekends but space is limited.

PALIHI BASEBALL PREVIEW

Charging Towards a Championship

Infielders (left to right) Andy Megee, Dylan Cohen, David Bromberg, Matt Skolnik and Frederick Douglas will turn their share of double plays at George Robert Field this spring.
Infielders (left to right) Andy Megee, Dylan Cohen, David Bromberg, Matt Skolnik and Frederick Douglas will turn their share of double plays at George Robert Field this spring.
Photo by Rich Schmitt, Staff Photographer

How do you top a near-perfect season? That’s the unanswered question in the dugout of the Palisades High varsity baseball team, which came within two outs of finishing undefeated in the Western League last spring. To at least one player, the answer to that lingering question is simple. “Obviously, the way you top that is to be perfect, to go undefeated,” says junior second baseman Matt Skolnik. “This team is better than last year’s. We’ve got better pitching, better pitching and we’re going into the season better prepared.” Part of that preparation was an arduous off-season program instituted by new speed and conditioning coach and ex-PaliHi player Greg Strausberg. Several players have benefited from the extra reps in the weight room and long-distance running implemented into the Dolphins’ training regimen. “There’s a huge difference from where I was at the start of last season to where I am now,” senior pitcher David Bromberg says. “I’m in much better shape, I feel a lot stronger and that has really improved the velocity on my fastball. I’m throwing my fastball 88 to 90 miles an hour.” To duplicate or even improve upon last season’s 14-1 league record, Palisades will favor consistency–playing “small ball” rather than relying on one or two big plays–to win games. The team’s motto is inscribed on the back of every player’s practice jersey: “Get to the yard early… leave late.” “Pitching and defense are the backbone of our team,” says Tom Seyler, who will share the head coaching duties with Kelly Loftus as they did last year when they took over for Russ Howard. “With David [Skolnik] and Dylan [Cohen] up the middle, we’ve got a great double play combination. We’re not fast enough to do a lot of straight steals but you can bet we’ll play hit-and-run and lay down sacrifice bunts all day long.” Lost to graduation are the aces of last year’s pitching staff, Geoff Schwartz and Andrew Strassner. In their place will be right-handers Bromberg and Folse, both second-team All-League selections in 2004. Bromberg will double as the Dolphins’ starting first baseman and Folse will patrol center field. “We’re going to rely on our starters to pitch five or six innings and hope we can bring in Mitchell [Schwartz] or Cole [Cook] to squash out any late rallies,” Seyler says. “And Matt [Skolnik] will be our closer. He’s not afraid to throw strikes, he has a good curve, a good change up, and he proved last year he can handle pressure situations.” Bromberg, who is being scouted by several major league teams, including the Twins, Padres and Yankees, says he feels less urgency to strike out every batter knowing he has a solid defense behind him: “I really trust my infield. I don’t have to be afraid when I’m down in the count because I know my guys can make the play.” A key to Pali’s success could be the progress behind the plate of junior Tim Sunderland, who will try to fill the shoes of graduated catcher Adam Franks, last year’s league most valuable player. Sunderland was the backstop last season for the junior varsity squad, which did go undefeated’its only blemish a tie with Hamilton. “We have to be smarter and play better fundamentally than our opponents,” senior Frederick Douglas says. “Our coaches do a great job coming up with a strategy for each team and its our job to execute it.” Douglas and sophomore Andy Megee are still competing for the starting spot at third base. Senior Monte Doebel-Hickock will start in left field, sophomore Austin Jones in right. Rounding out the squad are junior outfielders Jeff Dauber, Seri Kattan-Wright, Bobby Hicks and Alex Pekelis. “First we want to win league again, but beyond that we want to go deep into the playoffs,” says Cohen, who earned first-team All-League honors with Skolnik last spring. “Our lineup should be pretty good, especially the top five guys in the order. We’re all pretty tough outs.” The Dolphins enter the season with three objectives: defend their league title, qualify for the City’s upper division playoffs and win a postseason game. “We exceeded expectations last year but I’m disappointed we couldn’t win that playoff game,” Seyler says, referring to Pali’s first-round loss to San Fernando. “It’s important to beat the good [San Fernando Valley] schools because that’s how you earn respect for your team and your league.” Palisades holds its annual alumni fundraiser Saturday, February 26, then opens the season with an intersectional game March 4 at Oxnard. Three days later, the Dolphins will travel to San Fernando with a chance to prove they are better than the team the Tigers beat in June. League play begins March 28 against University. Cohen started alongside Skolnik at Dodger Stadium when Palisades won the City Invitational playoffs two years ago, and he relishes the thought of going back. “That was a great experience, but nothing would compare with playing for the City championship.” Junior Varsity Preparing his players for varsity will be the primary goal for second-year coach David Kloser, who guided the JV to a 14-0-1 league record last spring. Kloser is also an author and he visits Village Books tonight to discuss and sign copies of his new book, “Stepping Up to the Plate: Inspiring Interviews with Major Leaguers.” The Dolphins’ JV squad features a mix of talented underclassmen. Freshmen include first baseman Zach Dauber, second basemen Jared Sklar and Alex Meadow, outfielders Jonathan Kramer, Brian Hanson, Riley Evans, Elliott Engelmann and Michael Latt, and catchers Lucas Berry, Alejandro Medrano and Garrett Champion. Sophomores are short stop Adam Greene, third baseman/pitcher William Buckner, first basemen/pitchers Johnny Bromberg and Robert Rosenberg and outfielders Alexander Hubbs, Jack Eller and Jake Jesson.

Breaking New Ground

View of Hill House from Chautauqua Blvd., south of Sunset. Photo by Eric Staudenmaier, courtesy of Johnston Marklee & Associates
View of Hill House from Chautauqua Blvd., south of Sunset. Photo by Eric Staudenmaier, courtesy of Johnston Marklee & Associates

For Sharon Johnston and Mark Lee, partners in the L.A. architectural firm of Johnston Marklee, necessity truly is the mother of invention. Faced with the challenge of a severely sloped, uneven hillside lot in the Palisades’and a profusion of building codes and restrictions’the husband-and-wife architectural team hatched an award-winning design by embracing the restraints. Indeed, Hill House, the strikingly spare and elegant residence at 338 Chautauqua, is a study in how to recast classic modernism to conform to current codes. In Los Angeles, hillside ordinances are increasingly restrictive in terms of height and massing and more stringent in regard to structural supports. Iconic works of the 1950s, including many hillside-perched Case Study houses, would be difficult to recreate given today’s mandates. They would look like Case Study houses on steroids, Lee notes with a laugh. ‘We saw the constraints as having generative possibilities,’ says Lee, who refers to Hill House, completed last October, as the firm’s most complex project to date. Tackling the puzzle of how to maximize square footage while limiting height and minimizing contact with the terrain had a seductive payoff: the site’s panoramic view from Rustic and Sullivan Canyons to Santa Monica Bay. Hill House’s sculptural shape, a confluence of connecting planes, evolved specifically from the building restrictions, with a computer used to synthesize the setback, height and other requirements to arrive at a maximum building envelope. Structure normally accounts for about 20 percent of a building’s budget. For Hill House, it was closer to half of the total cost, with 23 caissons supporting a house that, ironically, hides all external expression of support. Instead, the three-story structure seems to hang effortlessly on the hillside, with the canyon face of the house having the appearance of a suspended prow. It’s no accident that the jutting-out-into-the-canyon feature is reminiscent of Pierre Koenig’s classic Case Study House #22. Johnston Marklee inserted Julius Shulman’s famous photograph of that house into one of their computer-generated schematics of Hill House. When they approached Shulman for permission to use the photo, a friendship ensued, along with Shulman’s enthusiastically agreeing to document Hill House, photographs that will soon be auctioned for charity. The architects also had the nearby Eames House in mind when designing the 3,300 square foot Hill House, conscious of contributing their link to the Case Study House experimentation chain. Contribute they have, with Hill House earning a NextLA Honor award and garnering accolades for its precedent-setting and inspiration for new projects. The sculptural quality of the house is enhanced by a lavender-tinged exterior coating that stretches over the structure uniformly like a skin. An imposing cantilevered second floor floats over the entry, setting the stage for the major drama within: two glass walls that slide open to invite a breathtaking indoor/outdoor relationship with the canyon. ‘Our style is set by circumstance,’ says Johnston. Lee echoes this sentiment, stating: ‘We don’t impose a look. Rather the look evolves.’ Since establishing their firm in 1998, the couple has applied their ‘form follows function’ philosophy to a wide range of projects, from residences in Malibu to Marfa,Texas’where a current commission is that city’s public library’to exhibition spaces at LACMA. Johnston grew up in Malibu; Lee is originally from Hong Kong. The couple met at Harvard, where they earned their architectural degrees, and both are faculty members at UCLA. While Johnston Marklee may have played by the rules with the building of Hill House, they are provocatively breaking the rules in other areas, turning a recently completed modernist bungalow in Venice into an art installation (with the blessing of the then absentee owners; the residence is now occupied). The main event was a party that attracted hundreds to see wall drawings by abstract artist Jeff Elrod, hear a sound installation by Howard Goldkrand and M. Singe and experience environments created by painter Jack Pierson. Another project was by Livia Corona, who engaged actors to appear in a series of photographs, using the house as the main character in a surrealistic narrative. ‘Residential architecture is L.A.’s greatest legacy,’ Johnston says. ‘It was fun to turn this legacy on its side by making residential very non-residential.’ ‘For Mark and me, humor is important,’ continues Sharon, who is expecting the couple’s first child this month. ‘There are multiple ways to look at architecture. It doesn’t have to be so serious.’ What the couple did take seriously was the historical context of the Venice residence, known as Sale House, which was commissioned to complement the 2-4-6-8 Studio, one of the first structures designed in 1978 by Morphosis, a renowned firm revered by both Johnston and Lee. As a child, Lee visited Los Angeles and remembers knowing then that he eventually wanted to live here. ‘This city is filled with optimism. There’s a sense that anything’s possible.’

Palisades Actors Hit Big Time

Actor Is Discovered at Kay n Daves

Riley Kershaw, a fifth grader at Palisades Elementary, was discovered for the leading role in the short film ‘Pee Shy’ while dining at his favorite local restaurant, Kay ‘n’ Dave’s. Riley, who has bright red hair and a charismatic personality, was still in costume as Conrad Birdie, whom he was playing in ‘Bye Bye Birdie’ for the Brat Pack Players production last summer, directed by Nancy Cassaro Fracchiolla. He noticed that a couple of women were staring at him. Finally one of the women approached him and asked if he had done any acting. He said yes, and they asked if he could come to audition for their movie. Director Deb Hagan and producer Leslie Evers decided to cast him as the lead boy, Bobby, in ‘Pee Shy.’ The film premiered January 11 at the American Film Institute and is just starting the festival circuit. The movie is a clever story by Kathy Hepinstall about how a scout gets revenge on a sadistic troop leader. Riley splits his time with mother Paige Kamin and step-dad Doug Kamin in the Palisades and with his father Chris Kershaw in the Hollywood area. ‘The experience was really great,’ said Riley. ‘I got to do some things I’d never thought I’d get to do until I was at least 20 or 30. I thought I’d be much older before I got to do movies like that.’ Riley celebrated his 11th birthday during the four-day shoot last July. ‘I didn’t know there would be so many kids and my chances would be so slim,’ he said. ‘I felt really great getting my part.’ Riley wants to pursue a career in acting after college. ‘I’m sure I’ll have to get some other job, settle for something else for a little while.’ His first acting job was at 2 years old for The Broadway Department Stores television commercial jumping up and down on mattresses. He sang his first solo at The Gardner School in Hollywood at age 5 before moving to the Palisades. He has studied acting with Jay McAdams, since kindergarten in the afterschool STAR program and performed two seasons with Kids on Stage in ‘West Side Story’ and ‘My Fair Lady.’ Riley will be appearing in TP Kids’ ‘Seussical,’ opening this weekend. ‘To anyone who wants to be an actor or actress, just be yourself and do the best that you can. Just go for it all the way even if you don’t get the part,’ said Riley, who is also interested in poetry and drums. Young Actor Has Lead Role in Sundance Short Film Young actor Chad Ceccola, 13, has a starring role in ‘Eating,’ a short film that was screened at the Sundance Film Festival. An eighth grader at Paul Revere, Chad has been acting since age 5 and has been studying most recently with Taylor Sheridan. In the film, Chad plays Young Dave, featured prominently in flashback sequences, when Dave, an obese man in his 30s, remembers the traumatic event that triggered his struggle with food. Chad plays Dave as a thin 12-year-old, who turns to food for comfort after a troubling incident. ‘It was really fun. It was a great experience,’ said Chad. ‘The cast and crew were great to joke around with.’ What he likes about acting is ‘being someone I’m not for a day, a minute or an hour and not really having to change my whole life.’ Chad attended the Sundance Festival along with his mother Catherine, also an actress. ‘It was the best vacation I ever had,’ said Chad, who was asked to stand up after the screening. Chad also studies Italian after school as his father Vince is Italian. ‘Schoolwork comes first,’ says the 13-year-old, who has appeared in plays around Los Angeles and in the independent films ‘Insanity’ and ‘Joan of Arc.’ He is continuing to audition for parts. ‘I’m having a lot of fun with it and I just want to be doing it for a long time.’ ‘Eating,’ directed by Rebecca Cutter, was one of 82 short films selected from 3,887 submissions to Sundance.

‘As You Like It’ Speaks to the Soul

Theater Review

What would a Shakespearean comedy be without a forest where characters could run and hide or lose themselves between here and there? There would be no transformative journey, no place for unlikely characters and lovers to unite. Shakespeare’s 16th-century classic ‘As You Like It’ is similar in structure to his other festive comedies”Much Ado about Nothing’ and ‘Twelfth Night”but its pastoral setting, the Forest of Arden, is more disorienting. The characters who come together in the forest are jilted out of their ordinary lives, forced to reevaluate their situations and explore a new existence. Director Sir Peter Hall captures the play’s essential spirit of discovery and renewal in memorable back-to-back scenes performed by a sensational cast, now playing at the Ahmanson Theatre through March 27. The production originated in England’s Theatre Royal Bath and has been touring since 2003. The Forest of Arden is not the mythical ‘A Midsummer Night’s Dream’ idyll except in its charming aura of freedom and equality. It’s a place where men must survive as brothers and embrace a communal way of living. It’s here that a virtuous Duke and his loyal followers retreat when the Duke’s usurping younger brother, Frederick, banishes him. James Laurenson plays both Dukes, which is initially confusing if you don’t follow the costume/role change. The forest challenges the exiled courtiers’ mental and physical strength, and they frequently refer to it as ‘a desert place’ to emphasize its harsh natural conditions. Yet we are reminded of the more unbearable society life they left behind through the juxtaposition of scenes of the exiles listening to sweet-sounding, live folk music/caroling in the forest with Duke Frederick giving orders in his rigid, unfeeling court. The projected forest, designed by John Gunter, transforms more naturally than magically from a bone-stark winterscape to a lacy lime- and moss-green pastoral setting during the course of the play, a metaphor for the characters’ inner transformation and rebirth. The courtiers and shepherds who meet in the forest are played by a British cast that seems equally moved by the play’s emotional soul-searching. Running the show is Rebecca Hall, the director’s daughter, in the role of Rosalind. At times playfully girlish (or tomboyish), Hall maintains an underlying sense of seriousness concerning matters of love and romance. Rosalind is the daughter of the banished Duke, and flees to the forest in search of him when she can no longer stand her evil uncle’s temper. But before leaving, she meets the boyish-looking but strong Orlando, who wins a wrestling match that his own evil brother Oliver has organized to destroy him. Rosalind sympathizes with his situation and falls in love with the tongue-tied Orlando, played by Dan Stevens, who evokes all the moral strength, passion and lovesick awkwardness of this character. When Rosalind learns that he is the youngest son of Sir Rowland de Boys, whom her father loved dearly, she acknowledges in typical Shakespearean fashion that it makes sense that she should then love Orlando. They meet again in the forest, but this time Rosalind and her devoted cousin Celia are dressed as a shepherd boy called Ganymede and his sister Aliena, so that they can travel safely. When Rosalind realizes that Orlando has been carving her name on trees posted with his love poems about her, she offers to give him good counsel to cure him of his love. Thus begins the comical mock courtship in which Orlando woos Ganymede as though ‘he’ were Rosalind. In the role of Celia, Rebecca Callard gives a strong performance alongside the leading lady, with her sarcastic, eye-rolling responses to Rosalind’s playful scheming. Callard also evokes Celia’s sense of liberation in the forest through her dance-like movements and ability to appear comfortably at home against the trunk of a tree. The development of the love affair between Rosalind and Orlando is a rather simple story since we see them get to know each other, scene by scene, but there are multiple subplots that make the play difficult to follow at times. One that we do follow is the shaky relationship between Silvius and Phoebe, the doting shepherd and quirky shepherdess whom Rosalind tries to unite despite Phoebe’s kicking and screaming. ‘Sell when you can!’ she tells the not-so-lovely Phoebe. ‘You are not for all markets.’ But when Phoebe falls for Ganymede instead, Rosalind knows she must set everything straight. Charlotte Parry plays a hysterical Phoebe, who can evade a man’s grasp, mock him, throw a girlish tantrum and fall sheepishly in love with another. Hall delivers her many speeches on love and romance with deep sincerity and passion, although her voice trembles at times in a way that makes it difficult to understand some of her words. The play as a whole feels more like a journey of the soul with all of the emotional ups and downs of real life than a comedy through and through, but Rosalind’s comedic matchmaking at the end leaves us on a high note. Of course, all the loose ends, including the Phoebe and Silvius debacle, are quickly tied in perfect bows in the last 10 minutes of the three-hour performance. The Ahmanson Theatre is located at 135 N. Grand Ave. in Downtown Los Angeles. Contact: (213) 628-2772.

Renaissance, Landlord Settle; School to Vacate Site June 30

With only four months remaining on its lease, Renaissance Academy signed a settlement agreement last Thursday with Village Real Estate, owner of the 881 Alma Real building where the school is located. As part of the agreement, both parties dropped their lawsuits against each other, and the school will remain in the building until June 30. Scott Adler, the school’s contractor and a board member, told the Palisadian-Post Tuesday that Renaissance had agreed to the settlement because ‘although we thought we had an excellent case against them [owners of the building], focusing on the school is much more important than how much money we get.’ Renaissance, which has an enrollment of 320 students in grades 9 through 12, filed a civil lawsuit against Village Real Estate November 12 in an attempt to gain more use of its renovated 13,600 sq. ft. of space through June. The battle between the school and owners began last September, after the school had only been in session for three days, when Greg Schem, a managing partner of the building, gave Renaissance a notice of termination of the lease effective June 2005. Schem, who leases the school a suite on the ground level (suite 114, restricted to office use) and terrace-level suites T-8 and T-9, told the Post in an e-mail that according to the settlement agreement, ‘RA has the option to give back about half of its space on the first [ground-level] floor and will complete the build-out of about 1,000 sq. ft. in suite T-9, which was originally part of its premises.’ Construction in T-9 was halted last August when black mold was discovered. After the mold was removed, Schem questioned the school’s plans for the space, which became a subject of the lawsuit Renaissance filed against Village Real Estate. The owners responded to the lawsuit January 5 with a countersuit, but also gave Renaissance a settlement option. Work on T-9 began last Saturday, according to Adler, who said, ‘We’re adding two rooms’production studios A and B.’ He expects the space to be finished by this weekend. Adler, who is also an RA parent, said that the school intends to give back about 2,500 to 3,000 sq. ft. of space in suite 114, approximately half of its leased ground-level space. This would then give Schem the right to re-lease the space, after tearing out most of the school’s improvements. ‘We’d have to pretty much gut it because we’re not going to put a school back there,’ Schem said, explaining that most of his tenants require small, individual office spaces. Schem also wrote in his e-mail letter that the owners ‘have also agreed to notify Fancy Feet, Gerry Blanck Karate, Kumon, and any other terrace-level tenants that we would [now] consent to a proposed sublease on the terrace level, provided they do not extend beyond June 30.’ Adler confirmed that the school is subleasing the one-room space from Kumon as well as another room on the terrace level, where Renaissance will pick up about 1,700 sq. ft. to use as classrooms. The school will continue to hold some classes at Aldersgate Retreat Center, and occasionally at the YMCA and Mort’s Oak Room. Other parts of the settlement include a Student Traffic and Building Impact Plan submitted by Renaissance and a revised Student Conduct Policy which Schem said ‘will seek to reduce any detrimental impact to other building tenants and the community’ while the school continues to occupy the space. He added that the owners have also ‘agreed to release any remaining tenant improvement allowances owed,’ referring to the $75,000 promised for tenant improvements as part of the lease. ‘Overall, we are pleased to have been able to come to a mutually acceptable settlement on this difficult matter,’ Schem said. ‘We wish RA good luck in their future location and will now focus on re-leasing the soon-to-be-vacated space.’ In the settlement, Renaissance will not be getting back from Village Real Estate any of the nearly $500,000 it claims it spent on renovations. ‘That’s part of the LAUSD case,’ Adler said, referring to the lawsuit Renaissance filed against the Los Angeles Unified School District last June when the District refused its request for space. ‘LAUSD is more responsible for our dilemma than the [owners of the Alma Real building]. And you can’t collect twice.’ A hearing on that case is scheduled for March 11. ‘Palisades High School is still our first choice for a school site,’ said Adler, who confirmed that Renaissance is pursuing other sites, including Glabman’s furniture building on Barrington and Olympic, and space on other school campuses such as Webster Middle School in West Los Angeles.

Five Arrested for Graffiti in Highlands

LAPD senior lead officer Chris Ragsdale (left) and Bel-Air Patrol Highlands senior lead officer Aaron Sias inspect the elaborate graffiti in the concrete storm run-off basin adjacent to  Santa Ynez Park in the Highlands.
LAPD senior lead officer Chris Ragsdale (left) and Bel-Air Patrol Highlands senior lead officer Aaron Sias inspect the elaborate graffiti in the concrete storm run-off basin adjacent to Santa Ynez Park in the Highlands.
Photo by Rich Schmitt, Staff Photographer

Five local youths and young men have been arrested for trespassing and vandalism after being caught spray painting a concrete storm run-off basin adjacent to the Santa Ynez Park entrance off Palisades Drive in the Highlands. LAPD Senior Lead Officer Chris Ragsdale was tipped off to the graffiti problem recently by local residents, park rangers and Bel-Air Patrol Highlands senior lead officer Aaron Sias. Two juvenile suspects were arrested on January 24 and two adult suspects and one juvenile suspect were arrested on February 1. The arrested suspects are all male, and range in age from 16 to 21’two live in Pacific Palisade, two are from Brentwood and one from Santa Monica. The suspects will all appear in court and face penalties such as fines, probation and community service. In certain cases, adults could get jail time. The ‘taggers’ had clearly been painting in the storm-drain channel for quite a while, as the walls and floor are nearly covered with graffiti. Ragsdale is working on having ‘No Trespassing’ signs put up in the area, which is closed to the public. He warmed that is particularly dangerous for people because it could easily become flooded in heavy rains, owing to runoff from the mountains. Also, if there are problems in the nearby reservoir, water could be released and cause a flash flood. In addition, all debris left in the area goes straight to the ocean via the channel. A group of taggers recently noticed several Bel-Air patrolmen in the area and ran off; park rangers later found two boxes containing about 40 cans of spray paint, respirators, a camera and a five-foot ladder. Graffiti vandalism has also spread through the Palisades Drive area, hitting lightpoles, mailboxes, trees and nearby streets. One license plate of a car that dropped taggers off in the area was traced back to the Highlands. The art itself is elaborate and includes a small dragon and various stylized nicknames. On one wall is scrawled ‘Cops got me on the run.’ The area is officially part of L.A. City parkland. Sias said that the tagging generally occurs sporadically from 10 a.m. to 4 p.m., occasionally up to three times a day. ‘We want to stop the problem,’ said Ragsdale, who added that the LAPD is scheduling surveillance of the area using a volunteer surveillance team and community groups.