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“Thoroughly Modern Millie” Shines at PaliHi

Caption 7462: Left to right, Kimberly Cronin, Maddie Packer, Mia Canter, Lindsay Jacobs and Katrina Rochlin at work in Palisades Charter High School
Caption 7462: Left to right, Kimberly Cronin, Maddie Packer, Mia Canter, Lindsay Jacobs and Katrina Rochlin at work in Palisades Charter High School
Photo by Rich Schmitt, Staff Photographer

Going to see a high school musical is not where one would expect to see major talent or be wowed by the singing and choreography, but the production of ‘Thoroughly Modern Millie’ at Palisades Charter High School does both. Go see these cast members now, so that you can tell people that you saw them before they became famous. Based on the 1967 film, ‘Thoroughly Modern Millie’ opened on Broadway in 2002 and won six Tony Awards, including Best Musical. The music, by Jeanine Tesori with lyrics by Dick Scanlan, has a book by Richard Morris and Scanlan. Set in 1922, ‘Millie’ commences with Millie Dillmount leaving Salina, Kansas, to come to New York City and become a flapper. She plans to marry her boss for his money, because marrying for love is old-fashioned. After Millie’s purse and a shoe are stolen, she runs into a young man on the street, Jimmy Smith, who advises her to go back to Kansas. Determined to follow her plan, she instead finds a place to stay at a hotel where most of the young women are aspiring actresses. These women are unaware that the unsavory owner of the establishment, Mrs. Meers, kidnaps young orphan girls and sells them to a white slavery ring in Southeast Asia. Meers’ two in-house workers, Ching Ho and Bun Foo, are forced to do her bidding because they are trying to make money to bring their mother to the U.S. from China. On short notice, Millie finds a job and sets her sights on marrying her boss, Mr. Trevor Graydon III, who is unaware of her feminine qualities; he calls her ‘John.’ But Millie falls in love with Smith, whom she thinks is penniless. So she tries to reconcile her head with her heart. The course of love never runs smoothly in musicals, so Millie’s new best friend, Miss Dorothy, and Millie’s boss fall in love. Unfortunately, Mrs. Meers finds out that Dorothy is an orphan, and it seems that the unlucky girl is on her way out of the country. It is hard to signal out just two or three performers in ‘Millie’ because there are so many exceptional performances. Playing Millie is Mia Canter, whose exuberance and lovely voice fills the room. Her love interest, Smith, played by Ryan Steinberg, takes command of the stage. His voice is perfect for the male lead. Lorin Doctor, who plays Smith’s stepmother, Muzzy Van Hosmere, sings two solos, and both are show-stoppers. The warm edges of the songs delivered by Doctor curl up into the corners of the auditorium. Paul Miller, as Graydon III, sings one of the show’s nicest duets with Elizabeth Rich (Miss Dorothy). Both have incredible stage presence. And just when you think the show cannot get any better, the talented Christie Pryor (Mrs. Meers) and her associates, Michael Jones (Ching Ho) and Anthony Iglesias (Bun Foo), throw themselves into their parts with crowd-pleasing gusto. The support cast is top-notch and the student orchestra plays with finesse, rounding out a production of Broadway caliber. An enthusiastic audience gave the cast a standing ovation on opening night. Special nods go to director Monica Iannessa, choreographer Monique Smith, musical director Terry Henderson, and vocal director Josh Elson, for putting on a high-quality show in what is basically a multi-purpose room (Mercer Hall). This production is further evidence that this community needs a state-of-the-art performing center. At intermission, Iannessa apologized to the audience for technical glitches that had nothing to do with the tech crew, but rather with a facility that was never meant to be a theater. Occasionally, microphones would blow out and then come back on and lights would die, and somebody would instantly throw another one on. The performers took it all in stride and didn’t miss a beat. Even with cushioned folding chair seats, it is a crime to have to sit and watch such a good show this way. In addition, the orchestra ‘pit’ is actually to the left side of the stage, and instead of having their space, the band members become part of the audience. With such outstanding student talent at Palisades High, in a town that is home to numerous movie stars and leaders in the film, television and recording industry, it is a disgrace that we lack a large performing arts facility. Such a wonderful show, with its outstanding performances, deserves a better space. The remaining performances of ‘Thoroughly Modern Millie’ are tonight, Friday and Saturday at 7 p.m. Tickets at the door: $10. Reserved seats are $15.

“Noises Off” and On Stage

Katherine Leigh plays Brook to Matt Landig
Katherine Leigh plays Brook to Matt Landig

Our insatiable appetite for the real story behind the play or the movie–the shenanigans, the jealousy and the love affairs–is more than happily satisfied in Michael Frayn’s deliciously funny ‘Noises Off,’ now on stage through May 11 at Pierson Playhouse, 941 Temescal Canyon Rd. With spot-on direction by Sherman Wayne, the Theatre Palisades cast has landed a winner, having triumphed over the notorious challenges that farce presents. The great English actress Edith Evans once summed it up with. ‘In a farce, you don’t have a play to help you.’ Success depends on the stuff of farce, namely its extreme physical and comic appeal, and unerring timing. That Theatre Palisades took on this challenge is remarkable, but we’re glad the company did. In a nutshell, the conceit concerns staging a play, so not only is the ‘business’ among the actors funny, but the play-within-the play itself is unbearably bad, and thus hilarious. It’s difficult for good actors to play ‘bad,’ but this troupe pulls it off, squeezing out the most from Frayn’s smart, situational bon mots, which blessedly don’t rely on knowledge of the latest headlines or celebrity scandal. We start right off in Act I with a rehearsal of ‘Nothing On,’ the aforementioned faux play, which we soon learn is scheduled to open the next night. The set, wonderfully conceived by Wayne, with help from the Theatre Palisades production staff, recreates the living room of the Brents’ English country home. A silent partner in this whole game, the set, equipped with the multiple doors, is a must in the structure of farcical antics. Housekeeper Mrs. Clackett (Martha Hunter) as caretaker is the fulcrum for the humorous antics that ensue. Hopelessly scatterbrained, she is constrained by the director (Craig Christiansen), whose hopeless reminders of a missed cue become the stuff of pratfall and general mayhem. He has already let her off the hook for the text: ‘Don’t worry about the words, love,’ he assures her. The house is for lease and thus empty, which opens up the possibilities for opportunists, surreptitious trysters and idle burglars. By the end of Act I, we audience members are grateful for intermission, having laughed ourselves to near-exhaustion. Act II finds us repeating the rehearsal, but this time from behind the stage so we get to see exactly what goes on behind the scenes. Everything under the sun. There is the two-timing director, the ing’nue with the wandering contact lens, the drunken burglar’the usual slice-of-life comedy. By Act III, when we see opening night, the hilarity has reached full bloom. The actors, by this time sick of the play and one another, slug through, ‘on we bloody stagger, on we blindly stumble.’ The acting is uniformly exceptional, as it must be in ensemble work. Martha Hunter seems to thrive in over-the-top characters, much to the audience’s delight. Craig Christiansen, who plays the ‘director,’ lends necessary straight-man solidity, which, of course, is funny. Costumer Joyce Gale Smith must have had a ball dressing her wacky players in everything from country club sport to ‘Sheik of Araby’ sheets! ‘Noises Off’ continues Friday, Saturday and Sunday through May 11. For tickets, call (310) 454-1970.

Laughing All the Way to “West Bank, UK”

Mike Mosallam (as Aziz) and Jeremy Cohen (Assaf) play a Palestinian and Israeli forced to co-habit in Malibu Stage Company’s “West Bank, U.K.”

Middle East politics may not seem like fodder for musical comedy. And yet, ‘West Bank, UK,’ a winning theater production presented by the Malibu Stage Company, delivers in both categories. ‘West Bank’ plays at the Company’s venue, 22837 Pacific Coast Hwy., through Sunday evening. Written and directed by Stage Company artistic director Oren Safdie, with music and lyrics by Ronnie Cohen, ‘West Bank’ offers what is essentially a racy riff on Neil Simon’s classic roommate comedy ‘The Odd Couple,’ pairing a crazy Israeli with a slovenly, put-upon Palestinian. Lively and physical, ‘West Bank’ benefits from its core four actor/singers, whose entertaining performances skewer the regional conflict’s inherent absurdities (racial hatred, suicide bombers, 72 virgins, etc.) on a tasty shish kebab spear of acerbic broad humor. Jeremy Cohen (as the Jewish Assaf) and Mike Mosallam (Aziz, a Palestinian) create the show’s strong central performances. Janine Molinari and Anthony Patellis each do multiple duties interpreting several characters apiece. Patellis’ palette of colorful characters provides much comic relief, while the Broadway-ready Molinari demonstrates an electric stage presence. Molinari, as the boys’ American landlord and, especially, as the kooky frum woman Bathsheva, belts out her numbers forcibly with precision comic timing. ‘Can’t a girl be naughty and love God?’ sings Bathsheva during one of the show’s tamer lyrical moments. Also notable: the live musical talent incorporated into the show. Last week’s enthusiastic audience enjoyed the robust opening instrumental by ‘West Bank”s three on-stage performers”Chriz Michens-Zaborowski (percussion), Scott Baldyga (the show’s musical arranger and pianist) and Varoujan Nalbandian (violin)” as well as Yukihide Takiyama (bass/guitar), who welcomes arriving audiences with frenetic oud-playing from the theatre’s rear and also joins in with the trio on the show tunes. Acidic wit and pungent black comedy mix with a raunchy sexual humor to give ‘West Bank’ its edge. Those with at least a passing knowledge of Middle East politics, as well as the Jewish and Palestinian cultures, will be best equipped to get ‘West Bank”s snarky humor and exaggerated characterizations. In a sense, ‘West Bank”s comic sensibility seems very Israeli, very blunt and matter-of-fact. Given the chronic violence plaguing Israel, a dark sense of humor seems vital for survival. Here, such a comic sensibility operates to disarm and unnerve viewers regarding the difficult, sensitive subject matter that ‘West Bank’ comments on. One elderly viewer remarked, on her way out, that she enjoyed the play, although it was ‘a little weird in places.’ Fair enough. Peace in the Middle East may remain a present-day political impossibility; however, in the meantime, here’s the randy, raunchy, off-kilter solution. Malibu Stage Company next mounts ‘The Beauty Queen of Leenane,’ a 1998 Tony winner depicting the dysfunctional relationship between a spinster and her domineering mother, on May 16. Catch the last weekend of ‘West Bank, U.K.,’ which plays through April 13, this Friday and Saturday at 8 p.m., Sunday at 4 p.m. Call (310) 456-3445. PHOTO CREDIT: Kitty Kang

Dino A. De Laurentiis Tribute in Our Midst

The Dino A. De Laurentiis memorial bench, located at the Via de las Olas bluffs.
The Dino A. De Laurentiis memorial bench, located at the Via de las Olas bluffs.
Photo by Rich Schmitt, Staff Photographer

‘The Sun Never Sets on Love.’ Such is the feeling one gets watching the sunset while visiting that magical spot on the Via de las Olas bluffs, overlooking the Pacific Ocean, with the Santa Monica Pier to the south and Malibu, framed by the Santa Monica Mountains, to the north. Now if that phrase sounds familiar, it may be because the romantic sentiment is inscribed on the plaque of an elegant pastel bench facing the Pacific, which is dedicated to Dino A. De Laurentiis. Located in the small park near where Mount Holyoke meets Via de las Olas, the bench was installed in honor of the late grandson of legendary producer Dino De Laurentiis (‘Army of Darkness,’ ‘Orca,’ the 1976 ‘King Kong’ remake). ‘It was placed one year after Dino’s death on November 3, 2004,’ Martha De Laurentiis, wife of the Italian-born producer, told the Palisadian-Post. Dino, who was 31 when he passed away from melanoma, lived in the Palisades with his wife, Talley, on Mount Holyoke. ‘He had a really tough battle,’ Martha De Laurentiis said. ‘They used to watch the sunset. That was his favorite spot, his as well as the family’s.’ Dino De Laurentiis’ granddaughter, Palisadian Giada De Laurentiis”who hosts ‘Everyday Italian’ on the Food Network and is a regular contributor to NBC’s ‘Today’ show”also visits the look-out with her husband Todd. The simple plaque, which bears the younger Dino’s name and dates, and the motto, also includes the Italian phrase ‘Tanti Baci’ (‘lots of kisses’). ‘His friends and family all pitched in to pay for it so it wasn’t one person,’ said Martha, adding, ‘Talley planted rosemary and lavender and does upkeep on the area. Those were Dino’s favorite plants.’ De Laurentiis and her producer husband live in Beverly Hills, but they remain closely connected to the Bluffs’ sweet spot. “It’s a place we go to remember him,’ Martha said of the De Laurentiis family. ‘The bench puts a smile on the place. It’s a very special place, and we hope people enjoy it and take care of it.’ Tanti baci, Dino A.

The Village Pantry Grand Opening: Menu Passes From Fareberow to Riordan

Menu Passes from Farberow to Riordan By MICHAEL AUSHENKER Staff Writer ‘Some of you are probably wondering why a news anchor would be doing this?’ said a beaming KTTV News anchor Carlos Amezcua as he led a ribbon-cutting ceremony for the Village Pantry and Oak Room restaurants. ‘Well, they promised me free food!’ So commenced the late afternoon fanfare last Friday as former Los Angeles Mayor Richard Riordan hosted a block party to celebrate the grand opening of his two eateries on Swarthmore Avenue, just north of Sunset. Riordan, whose pair of restaurants have enjoyed a soft roll-out since mid-January, joined with family members, friends and residents as they enjoyed a free menu sampling at the Pantry and a no-host bar in the Oak Room. Special guests included Christine Devine, Amezcua’s co-anchor on ‘News at 10’; William Morris Agency CEO Jim Wyatt; and L.A. City Councilman (District 11) Bill Rosendahl. ‘This is the greatest place in Southern California,’ Riordan told the Palisadian-Post, when asked why he pursued the restaurant space on Swarthmore. ‘And Palisadians are the greatest people.’ Riordan, a Brentwood resident, enjoyed riding his bike to the Palisades and having breakfast at the former Mort’s Deli, which he acquired and began remodeling last spring when owner Bobbie Farberow decided to retire. She and her late husband, Mort, were active business owners and citizens in Pacific Palisades for more than 30 years. Bobbie, who recently sold her house and moved into a condominium on Sunset in the Palisades, was on hand Friday as Riordan called on the partygoers to embrace the community involvement inspired by the Farberows. He also directed them to the plaque on a wall in front of the Village Pantry that reads: ‘Mort’s Palisades Deli operated at this location from 1974 to 2007. Mort and Bobbie Farberow’s generosity and community spirit were an inspiration to all.’ Riordan told the Post that he hopes the Village Pantry will live up to the expectations of locals, who have fond memories of their beloved Mort’s. ‘We wanted a modern version of Mort’s,’ said Riordan, who also owns Gladstone’s on PCH at Sunset and The Original Pantry in downtown Los Angeles, He added that he felt ‘very lucky’ to have such ‘strong managers and a great chef’ in place on Swarthmore. ‘I think pairing the two restaurants provides great contrast,’ said executive chef Doug Silberberg, a Palisades Highlands resident and the former chef of Michael’s in Santa Monica. The Pantry specializes in breakfast and light lunch and dinner fare, while the Oak Room (now open 7 days a week, 5 to 9 p.m.) is a bistro. Amezcua, who until last year led KTLA’s ‘Morning Show’ for more than 15 years, told the Post that his long friendship with Riordan goes back to his KTLA days, when Riordan was a frequent guest. ‘He drags me from restaurant to restaurant to do the ribbon-cutting. I’m his trained monkey,’ Amezcua said, laughing. Riordan’s daughter, Patricia Torrey, who has lived in the Palisades with her husband Dana since 1994, credits her friend, Linda Davis, for coming up with the name The Village Pantry. Torrey said that she wants this Pantry to become ‘a place where people are happy to come to. We want to be a part of the community the way Mort and Bobbie were.’ Inside the Pantry, while greeting a stream of her former customers, Bobbie told the Post, ‘I’m very proud of Dick Riordan, Trish and everybody. I think they did a fantastic job.’ She added about her retirement, ‘Not working seven days a week is not a bad thing, I hate to say.’

Meet the ‘Mayberrys’

Rich and Deann Wilken.
Rich and Deann Wilken.
Photo by Rich Schmitt, Staff Photographer

Few residents have roots as deep in Pacific Palisades as Rich and Deann Wilken. Rich Wilken is often called the Andy Griffith of Pacific Palisades, an apt moniker for a guy hugely invested in maintaining the town’s ‘Mayberry By the Sea’ character. When it comes to community boosterism and involvement, only his wife, Deann, comes close as a rival. The couple, married for 33 years, are lifelong Palisadians. Their family history overflows with real-life versions of Floyd’s Barbershop. Many relatives marked an early stake in the Palisades with family-owned businesses. Rich’s father, famous for his elaborately designed wedding cakes’and even more so for being William Randolph Hearst’s personal pastry chef–ran John’s Pastry Shop in the 1950s. His mother later operated the Patio Coffee Shop. Deann’s grandparents owned the Lindomar Lodge, a hub for celebrities of the day and a favorite spot of a young U.S. senator named John Kennedy. Another grandparent of Deann’s owned Blanche’s Beauty Salon, while her father ran a popular pet shop known as Mr. Poo’s in the Wilson Building (now Gelson’s parking lot). The relaxed, down-to-earth couple seem to take all these heady bygone days’and everything else’in stride. During an interview in their home, a cozy one-story on Edgar Street where they raised two children, daughter Heather, now 29, and son Matthew, 27, they spoke candidly about the current scene in their beloved hometown. ‘Because of the tremendous price of homes and the sacrifice being made, some of the new people, certainly not all, come in with a sense of entitlement,’ Rich says. ‘You see it while waiting in line and especially at school, a certain ‘me’ generation attitude. After a while, I hope they’ll mellow out, ‘ he adds. ‘You can’t give them a rule book about how to behave in the Palisades, although we’d like to.’ If he could issue a rule book, what would it say? ‘Be a normal person, we don’t care who you are, stand in line, have fun, and say hello,’ he replies without hesitation. Their first grandchild, Kendall, their daughter (Heather’s 3-year-old) is a fifth generation Palisadian. They’re eager to keep the Palisades the same family-friendly place for her that they grew up in. ‘Despite inevitable changes, I think the town still has that homey feeling,’ says Rich. ‘We still have the Fourth of July celebration and all that other corny stuff we love to do.’ Rich, an architect, is no small part of the town’s Independence Day celebration. Many locals know him as the freewheeling commentator stationed outside Starbuck’s along the parade route. For 25 years, he has also coordinated the town’s big fireworks display. His history with the parade dates back to when he was 14 and rode with his junior baseball team. By parade time, his coach hadn’t arrived to drive the team station wagon, so Rich got behind the wheel and drove the entire parade route himself, waving to disbelieving friends and neighbors. ‘I didn’t kill anyone, but I did get into trouble,’ he says. Rich, the youngest of three boys, grew up on Albright, a block from Temescal Canyon. ‘There were 21 kids within one year of each other in age,’ he recalls. ‘As a group, we were either playing baseball, skateboarding, or packing a sandwich for a day in the canyon spent throwing dirt clods, hiking, playing army or looking for snakes. The only rule was to be home for dinner.’ Meanwhile, Deann’s family lived on Castellammare, just a stone’s throw from the ocean, and from the family-owned Lindomar Hotel, located at the corner of Sunset Blvd. at Castellammare Dr. (where Spectrum Gym is now situated). She remembers hanging out at the beach with her friends and spending the entire day in the water. ‘I couldn’t understand why people wouldn’t go swimming until I was 16 or 17 and didn’t want to get my hair wet,’ she says with a laugh. In the days before bands of paparazzi began lurking on every corner, the Lindomar hotel played host to any number of celebrities’Montgomery Clift, Howard Hughes, Raymond Burr, Edgar Bergen and Leif Erickson were among them. John Kennedy sought refuge from his rowdy ‘Rat Pack’ friends at the hotel during visits to California. His signature on the guest register is a treasured family keepsake. Rich’s family can boast equal brushes with fame. His father, John, who emigrated from Germany in 1927, spent eight years in San Simeon as the personal pastry chef for William Randolph Hearst. He later became head pastry chef at Ocean House, the former mansion of Hearst’s longtime girlfriend, Marion Davies, in Santa Monica. Hearst and Davies loved throwing lavish theme parties and John Wilken grew famous for the cakes he created to complement these events. One such confection was an elaborate replica of Independence Hall in Philadelphia for Hearst’s 75th birthday. The huge cake, fully illuminated with every architectural detail carefully carried out, was wheeled out at the stroke of midnight amid an early American-themed costume ball at Davies’ Santa Monica beach house. John Wilken died when Rich was only 15, but he remembers a few of his father’s stories about stars and shenanigans at Hearst Castle. One such episode involved Charlie Chaplin, who loved to mimic the monkeys Hearst kept as part of his menagerie. One the animals got fed up with this and threw fecal matter at the star. Rich and Deann met at the Lutheran Church as teenagers. Both attended local schools (he attended Palisades Elementary, she went to Marquez) and graduated from Palisades High (Rich was part of the high school’s first graduating class in 1964). They remember the community as possessing a more distinct blend of upper, middle and working class people than it does today. ‘I didn’t realize there were really wealthy people here until I got to Revere and attended birthday parties featuring private movie screenings at people’s homes,’ Deann says. ”Oh,’ I thought, ‘this is different.’ Even so, they were just our friends.’ Deann’s lifelong affiliation with Marquez Elementary includes directing the STAR educational enrichment programs there for close to 20 years. This follows years of volunteer activity, during which she received every pin in the PTA arsenal. She also oversees STAR programs in Topanga, Brentwood and Santa Monica Canyon and participated in the quest by Palisades schools to achieve charter status. In addition to his role as ‘Mr. Fireworks,’ Rich has been enthusiastically engaged in virtually every volunteer arm of the community. He served as a charter member of the Palisades Design Review Board and twice as president of PAPA. He’s headed the Palisades Lutheran Church congregation and plays a big role with both the Optimists and the Boy Scouts. Wedged into his busy volunteer schedule is work as a practicing architect based in a home office. Mort’s Deli, the Lutheran Church sanctuary and the remodel of St. Matthew’s Parish Center are among his many projects. Keeping true to California roots, he also founded Wilken Surfboards, a company well known for custom designing boards. Soon the family will travel to Hawaii where son Matt will be married on April 20. Though both Rich and Deann have traveled throughout the world, they’ve never considered living anywhere but here. Deann is already anticipating that sweet moment of return. ‘It’s nice to come through that tunnel in Santa Monica and see the ocean and say ‘Okay, I’m home.”

Paseo Miramar Retaining Wall Erected

After a mudslide in January 2005 that wiped out one lane on Paseo Miramar, neighbors requested the road be fixed, and city officials responded. Last Thursday, about 25 community members and city officials celebrated the construction of a new retaining wall, which will prevent future landslides from obscuring the road. ‘Community members had been complaining, so as soon as we got in office, we started working on it,’ said Councilman Bill Rosendahl, who won the election for the 11th District in May 2005. Wielding gigantic scissors, Rosendahl grinned as he cut a red ribbon last Thursday to unveil the new 110-foot wall to the public. The wall cost about $400,000 and was paid for out of the city’s general-fund budget. Construction work began in December and lasted through February. The Miramar Homeowners Association approached the city about the issue because the canyon road, located off Sunset Boulevard, is tight and curvy with limited visibility, said Bob Ramsdell, co-chair of the Miramar Homeowners Association. Drivers would round a bend and discover the road had suddenly changed from two lanes to one and there was an oncoming car. ‘It was a safety issue,’ said Audrey Ann Boyle, co-chair of the association. ‘It’s a narrow street, and we wanted to have it so cars could go by in a safe manner.’ There’s a favorite hiking spot on the top of Paseo Miramar that connects to Topanga State Park, so on weekends there was a significant increase in traffic, Ramsdell added. The new concrete retaining wall, with steel reinforcement bars, is 10 inches thick, 30-45 feet below the surface and 12 feet above ground at its tallest point, said Gary Lee Moore, city engineer. During the ribbon-cutting ceremony, Rosendahl teasingly tapped the wall to make sure it was secure, and Moore assured him it would prevent slides. ‘This type of retaining-wall system is commonly used in the industry,’ Moore told the Palisadian-Post. ‘We have designed similar walls in other parts of the city. One example is the retaining wall behind the Chinatown Library on the corner of Ord Street and Castelar Street.’ About 17 employees from the city’s Bureau of Engineering managed the project and approximately 32 workers from Calex Engineering Company constructed the wall, Moore said. Rosendahl said he is pleased that the wall was constructed this year because the city is facing a $400-million to $500-million budget deficit in fiscal year 2008-09. Rosendahl thinks if another year had passed, the project might not have happened. Ramsdell said he is grateful for Rosendahl and his staff’s efforts. ‘They had a lot of people making phone calls four years ago, when there were rains and slides throughout the city,’ he said. ‘They recognized that this was a danger and responded to us.’

Volunteers Rally to Save Will Rogers State Park

When sisters Nancy Proano and Martha Willis heard that state legislators might close Will Rogers State Historic Park because of financial woes, they wanted to help keep the park open. The sisters were among approximately 300 volunteers who spruced up the park on Friday and Saturday as part of the ‘Will Rogers Never Met a State Park He Didn’t Like’ event hosted by the newly formed Will Rogers Ranch Foundation. The foundation organized the event to give citizens a chance to show their love of state parks, said Will Rogers’ great-granddaughter Jennifer Rogers Etcheverry. ‘We want to make people feel like this is their park,’ Etcheverry said. ‘Next time they come to Will Rogers, they can point out what they did.’ On Friday, Proano and Willis, who live in Culver City and Lake Balboa respectively, slathered their paint rollers with primer and brushed the interior walls of the park’s main barn. ‘I love this park,’ said Proano, whose hair was flecked with white paint. ‘It reminds me of my dad who has since passed away. We used to hike, have picnics and watch polo’ It would be a shame if they closed it.’ California State Parks has proposed closing 48 of the 278 state parks and reducing lifeguard staffing at 16 beaches in response to Governor Arnold Schwarzengger’s request that the department reduce its general fund budget by 10 percent. The state faces a $14.5-billion budget deficit. Salaries are the largest part of State Parks’ budget and the closures would allow the department to eliminate 136 positions, said Roy Stearns, communication deputy director for California State Parks. This means the department could reduce its general fund budget by $13.3 million. However, State Parks would lose $3.7 million in revenue generated by day-use fees at the 48 parks. State legislators will decide later this spring or summer about whether the parks will be closed. If they decide to close Will Rogers, the property would revert to the Rogers family. Betty Rogers, Will’s wife, deeded the 186-acre property to the state in 1944 with that stipulation. ‘The family doesn’t want it given back,’ Etcheverry said. ‘The family wants to keep it open as a memorial to my great-grandfather.’ To provide additional funding for the park, Etcheverry formed the Will Rogers Ranch Foundation with Trudi Sandmeier, whose grandfather was Will Rogers’ personal assistant, and Todd Vradenberg, a member of the Will Rogers Motion Picture Pioneers Foundation, which supports children and infants with pulmonary disease. Etcheverry is hopeful the foundation and state can partner to keep the park open. ‘We are working with California State Parks, and they are fully supportive of us,’ she said. ‘I am optimistic.’ The foundation is interviewing candidates for its board and will begin organizing fundraisers soon. Residents can become members for a fee ranging from $35 to $1,000, which also benefits the foundation’s efforts. Etcheverry hopes to raise enough money to restore the historic barn and all the rooms of the ranch house as well as open and operate a gift shop. On Friday, youth from the park’s Westside Riding School giggled and chatted as they cleaned the horses’ stalls inside Jim’s Barn (named after Will Rogers’ son). ‘I ride here, and I heard they might close it down,’ said Sophie Offer, a seventh-grader at Crossroads School. ‘I was really inspired to actually do something rather than just ride horses here. I wanted to help and make a difference.’ The 12-year-old has taken lessons from Westside Riding School instructor Dorte Lindegaard at the park for the past two years. Talia Lawrence, a 16-year-old at Wildwood School, also felt inspired to lend a hand. ‘I came here a lot as a kid for picnics and to ride horses. It’s a beautiful place with a lot of history and is one of the main reasons I decided to help preserve the parks,’ she said. Lawrence, a Mar Vista resident, started a campaign ‘Students Against the Closure of California Parks’ and created a Web site, www.saccap.synthasite.com, where she is selling buttons to benefit state parks. ‘These parks are indispensable to not only the people but also the wildlife,’ Lawrence said. On Saturday, Academy Award-winning actress Diane Keaton helped paint Jim’s Barn to show her support. Volunteers also restored the hitching rail that Will Rogers once used to tie his horse in front of his house in the early 1930s. They celebrated the completion of that project with a ribbon-cutting ceremony attended by Councilman Bill Rosendahl. He and Councilman Ed Reyes wrote a resolution against closing state parks and reducing lifeguard staffing that the Los Angeles City Council approved on April 2. Volunteers received free lunch, T-shirts and bandanas from the Rogers Motion Picture Pioneers Foundation for their efforts. ‘I’m impressed with the number of volunteers, but I’m more impressed with what they got done,’ said Randy Young, a Pacific Palisades resident and historian who helped organize the event.

VIEWPOINT: Steve Guttenberg Exits “Dancing With the Stars”

Guttenberg Short Circuits On ‘Dancing With the Stars’ Call him the ‘anti-Carolla.’ For the first three weeks of the ABC competition show ‘Dancing With the Stars,’ everyone’s favorite erstwhile honorary mayor, Palisadian and comic actor Steve Guttenberg, seemed to have all the right moves’and to lead in the popularity department. Coupled with exquisite choreographer Anna Trebunskay, Guttenberg, 49, held his own, even as one of his competitors, smarmy radio personality Adam Carolla, lobbed barbs at the affable actor. For a moment in time, Guttenberg charmed America, and not an episode of ‘Dancing’ went by when he didn’t mention his parents back East ‘ the reason, as Guttenberg told the Palisadian-Post on March 13, that he agreed to do the show. But the tango edition of ‘Dancing’ got the best of the ‘Three Men and a Baby’ star. America had voted. Within the opening minutes of the April 1 show (no joke!), Guttenberg was eliminated, despite the fact that he had gamely mocked his own image portraying an aspiring rapper in a ‘Dancing’ April Fool’s skit. Could’ve been worse, as anyone who caught this week’s Carolla fiasco knows, witnessing Guttenberg’s shock jock doppelganger in Zorro outfit and moustache, beginning his routine on a unicycle (!) and dancing like Frankenstein’s monster in a Dracula costume. The judges were baffled…or perhaps merely pausing as America caught its collective breath from laughing so hard. This is dancing? America’s love affair with Guttenberg seems to be over’for now. But don’t count the Gute out. To paraphrase a certain cinematic cyborg famously portrayed by our Governor, ‘He’ll be back!’

Human Skull Washes Ashore

Santa Monica resident Joe Mifsud was at Coastline beach, across from the Getty Villa, on February 16, when he saw a skull in the rocks. ‘Oh, my god, it’s a human skull,’ Mifsud thought and he later told the Palisadian-Post, ‘I knew it was real.’ He ran to his car, grabbed his cell phone and called 911 to report that he had found a skull. Then he waited. ‘In a little bit, I saw three red-and-white helicopters come over and I thought that they were coming because of my call, but they flew over,’ said Mifsud who works for Palisadian architect James R. Stewart. After 45 minutes, no one had come, so he called 911 again and repeated, ‘There is a human skull on the beach.’ The 911 operator told him that there was no record of his call. ‘Do you think I’m joking?’ Mifsud asked. ‘I just don’t call 911 for a prank. There’s a skull.’ The operator advised him to retrieve the skull, before it washed back into the ocean. Mifsud went to the rocks, found a stick and picked the skull up with that stick and continued to wait. Finally two Malibu patrol cars arrived. When the officers saw the skull, which was missing teeth and a lower jawbone, they called homicide. ‘They didn’t seem prepared because they didn’t have a bag to put the skull into,’ Mifsud said. He was told that the skull had to be placed in a paper bag rather than a plastic one because of contamination, so he got one out of his trunk and gave it to the officers. Mifsud was told the reason for the 911-response delay was due to the location of that beach, which is on the borderline of city and county call areas. LAPD Homicide Detective Mark Lillienfeld called Mifsud the following Wednesday and a coroner’s team went to the beach to meet with Mifsud, who showed them the location he found the skull. No additional bones were found. Los Angeles Sheriff’s Homicide Detective Mark Lillienfeld, who was in charge of the investigation, was contacted by the Post. ‘It looks real,’ he said, ‘but we don’t know if it’s real or not until the anthropologist in the coroner’s office takes a look at it.’ The skull was sent to the office the third week in February, but it took several weeks for a result because of caseload volume at the L.A. County Coroner’s office. According to Lillienfeld, it is the largest in the world, performing more than 10,000 autopsies a year– the next closest is New York City with 5,000. On March 13, Lillienfeld had the report. ‘It was an adult male, most likely African or Asian American,’ he said. ‘The longest amount of time the skull has been in the water is at least six months, but not more than two years.’ He said there were no marks on the skull that would indicate cause of death, so it was listed as ’cause of death unknown.’ The skull was sent to the California Department of Justice DNA lab in Sacramento to see if DNA can be extracted that can be matched to men who are missing or were unidentified.