Home Blog Page 2226

Joan R. Galanty, 72; Dedicated Marriage and Family Therapist

Joan Galanty
Joan Galanty

Joan Rachael Galanty, a resident of Pacific Palisades since 1966, passed away at her home on January 13 from post-surgery complications. She was 72. After being diagnosed with pre-malignant pancreatic cancer, Joan tried hard to recover following a Whipple procedure, performed last September 17 at St. John’s Hospital in Santa Monica. She was a courageous fighter and an inspiration to those who knew her. Born March 18, 1935 in Bloomfield, New Jersey, Joan married Sidney Galanty, her childhood sweetheart since the age of 15, in 1954. The couple and their two children moved to Los Angeles in 1966 from Rockville, Maryland, when Sidney relocated with Dancer Fitzgerald and Sample, a national advertising agency. Sidney and Joan had a wonderfully full and beautiful life raising their kids, working and traveling all over the world. Besides being a ‘typical mom,’ Joan attended Antioch College and became a practicing marriage and family therapist in 1988. In addition to her private practice, she was a supervisor and counselor at the Southern California Counseling Center for more than 15 years, during which time she took great pride in helping others. Joan was an amazing person and had a profound effect on everyone she met. She was loved by her family and friends and was dedicated to all who were near to her. She doted on her grandchildren and was known as the ‘gum god’ by her grandkids. Joan was always there for the big and small moments of their lives. Joan also loved to knit and play mahjong, discuss books with her book club, meet with her women’s group, decorate, and enjoy time with Sidney and their friends. A memorial service was held on January 20 at Back at the Beach Caf’ in Santa Monica, Joan’s favorite restaurant, where she and Sidney had enjoyed dining and watching sunsets with family and friends. Eating dinner here with her family the night before her surgery, Joan was radiant, optimistic and ready to face whatever came her way. The Galanty family thanks Fred Deni and Jim Christel, close friends and owners of the restaurant, for their friendship, help and support. Dr. David Kraemer, professor of Judaic theology in New York, conducted Joan’s memorial service, after flying out to Los Angeles at Sidney’s request. The Galantys had befriended Dr. Kraemer through his parents, who were dear friends in Pacific Palisades. They spent much time with the rabbi and admired the way he conducted a memorial service for his own father two years ago. The Galanty family was also honored by the participation of Cantor Steven Puzarne, who played flute and guitar during Joan’s service. ‘ In addition to Sidney, her husband of 53 years, Joan is survived by her son, Mark (wife Caroline) of Culver City; her daughter, Beth Galanty-Blaney (husband Michael) of Santa Monica; grandchildren Matthew, Jack, Melissa, Liam, Evan and Emma; and her brother, Herbie (wife Marcie) of New Jersey. A scrapbook of memories written by Joan’s friends and family is being compiled for Joan’s grandchildren. Anyone with memories, stories or photos can send them to: Beth Galanty-Blaney, 1948 18th St., Santa Monica, CA 90404; or e-mail bg.blaney@verizon.net Donations in honor of Joan Galanty can be made to either: St. John’s Health Center Foundation, Attn: Cookie Galanty, 1328 22nd St., Santa Monica, CA 90404, or The Jewish Theological Seminary Library, in honor of Joan Galanty, Development Office, Box 62, 3080 Broadway, New York, NY 10027.

Hidden Cafe Closes in the Highlands

The Hidden Cafe, owned by Mary Autera, closed on December 31 due to financial reasons.
The Hidden Cafe, owned by Mary Autera, closed on December 31 due to financial reasons.
Photo by Rich Schmitt, Staff Photographer

The Hidden Cafe, the only restaurant located in the upper Highlands, closed its doors to the general public on December 31, after a difficult financial year. ‘It’s all a bit of a shock,’ said owner Mary Autera in an emotional interview at the cafe last week. ‘I loved being here. It’s the nicest people and the nicest community. Everyone is so genuine.’ The restaurant, located at 1515 Palisades Dr., opened in April 2002 and was successful from the beginning. Customers liked the menu and the hearty portions. In addition, Autera hosted various artistic endeavors like jazz night and displayed the work of local artists. She also started a catering business. By 2005 the restaurant was well established, with a large Highlands clientele and a catering business that was popular all over the Westside. ‘We were booming,’ said Autera, who employed 18 people at one point. ‘I had four or five [catering] parties going out at once.’ In November 2005, Autera carried a large box up three flights of stairs at a party she was working. ‘I blew out four discs,’ she said, though she managed to finish the job. At the next one, however, she collapsed and had to go to the hospital. She not only had a back injury, but also a constricted bowel and bladder, conditions that placed her in the hospital and in recovery for most of 2006. ‘I was in bed for nine months,’ she said. Autera was not married and didn’t have a business partner at the restaurant. ‘It was arrogant on my part to think it could run itself,’ she admitted. She tried to keep up the bookwork, and when she finally went back to work, she concentrated on the baking. But in the meantime, restaurant service had gone downhill and Autera was losing customers. Later she found out that her employees were closing the restaurant whenever they felt like it and often didn’t open on time. When Autera returned full-time to the restaurant in mid-2007, her catering business was gone (representing 25 percent of her revenue) and she knew that the restaurant was in trouble. In an effort to woo customers back, she allowed The Hidden Cafe to be part of a reality-show pilot in July that pitted two restaurants against each other. In two days’ time, experts had changed the d’cor and downsized the menu from 76 entrees to 14. Autera had to sign a contract that she would make no changes for six months. Unfortunately, the pilot never aired, and Autera regrets ever participating in the venture. ‘Since I was out of touch, I didn’t trust my own instincts,’ she said. The large portions and the comfort foods associated with the cafe had been taken away by the ‘experts.’ Instead of bringing customers back, which was her hope with the new menu, business grew worse. In December, when the reality-show contract expired, Autera brought her old menu back, but by then it was too late. ‘We were sunk. We had taken on too much water and we were buried in bills. It was a matter of just six months. You can buckle in that amount of time. I was really banking on the renovation and the show, and the whole thing flopped.’ In the process, Autera lost her Santa Monica home and her 401(k). Her fianc’e, Mark Stimson, is now fighting liver disease. But she tries to stay upbeat. ‘I have strong faith. I know it will come out all right,’ she said. ‘ It’s so sad. I’m preventing myself from saying it’s unfair.’ Now that The Hidden Cafe is closed, Autera plans to work as a private chef for families and senior citizens. She will prepare meals three or four times a week (‘I’ll make it interesting’) and either deliver the food or come to a customer’s house to cook. Clients can choose from a list of foods (noting allergies, likes and dislikes) and she will work within their budget. ‘It will be like getting restaurant food the way you like it,’ said Autera, who also plans to coach cooking and teach cooking classes. She lives in Santa Monica. Tears came as Autera remembered the Valentine’s Days and the Mother’s Days when the restaurant was packed, and how residents would come down to borrow milk or sugar. ‘The people here are the reason I want to do this business,’ she said. ‘I want to stay in the community. It isn’t the competition that is the challenge. It’s serving the community and being there for them. It’s the challenge of meeting the needs of the community and feeling the pulse of what that is.’ To reach Autera for a private party or as a private chef, call (310) 319-9504.

CalNational Bank Plans Major Remodel in 2008

At a Customer Appreciation Day in mid-December, CalNational Bank manager Zara Guivi (second from right) unveils renderings of the bank's new Palisades building. From left, Lois Globnick, Lester Wood, Karetta Anderson, Willie Swain, Lynne Pizzia, Guivi and Diana Gramaje.
At a Customer Appreciation Day in mid-December, CalNational Bank manager Zara Guivi (second from right) unveils renderings of the bank’s new Palisades building. From left, Lois Globnick, Lester Wood, Karetta Anderson, Willie Swain, Lynne Pizzia, Guivi and Diana Gramaje.
Photo by Rich Schmitt, Staff Photographer

CalNational Bank, located on the corner of Swarthmore and Sunset will be moving to a temporary location this spring while its aging building undergoes a complete remodeling. ‘Based on the experiences at our other branches, we estimate that our remodel will take eight to ten months from start to finish,’ said Palisades branch manager Zara Guivi. She is looking for short-term space in the business district, within walking distance of the bank, so that Palisades customers are not inconvenienced. ‘Negotiations are in place,’ Guivi said, ‘but I do not have the exact location nor a timetable.’ The new CalNational building will remain one-story high, based on several factors. ‘Building a new two-story building with the intention of renting upstairs offices would require more parking,’ Guivi said, ‘and going underground is way too costly when you do not own the land. Also, there must be elevator access for the handicapped, which again is another cost.’ She said the bank tried to buy the land when it acquired People’s Bank of California in 2004, ‘but the owners wouldn’t sell.’   Architect Randy Jepson of the Peters Jepson Partnership firm in Tustin told the Palisadian-Post that ‘the intent of this rehabilitation is to improve the function of CalNational’s operations while creating a clean, contemporary environment for its customer base.’ CalNational has 69 branches in Southern California. Jepson continued, ‘In addition to the completely redesigned exterior, a new interior of equally dramatic improvement will be introduced. Floor area of the new building will be approximately 3,500 square feet. This is similar in size to the original building, but will reflect a redistribution of floor area to best accommodate new customer amenities.’ These amenities will include semi-private offices instead of one large lobby, for more customer privacy, and a conference room for private meetings. The drive-through ATM, adjacent to Ogden’s Cleaners, will be lost to expansion of the building, and will be relocated adjacent to the primary entrance. The new entrance will be more prominent with a tower-like structure. ‘The old wood-siding exterior will be replaced with stucco/plaster and a considerable application of ledgestone rock veneer,’ Jepson said, ‘and prefinished metal accent panels will complete the transformation. ‘The style of architecture is undefined, but frequently referred to as ‘California Contemporary.”

Rabbi Zacks Joins Chabad Jewish Community Center

Chabad Rabbi Shloime Zacks and his wife Moriel
Chabad Rabbi Shloime Zacks and his wife Moriel

By ANN BELL Special to the Palisadian-Post Rabbi Shloime Zacks and his wife Moriel have joined the staff at the Chabad Jewish Community Center of Pacific Palisades. They will head two important departments: Adult Education and Community Outreach. Rabbi Zacks is from London and received his rabbinical ordination from the Rabbinical College of America in Morristown, New Jersey. Following his marriage to Moriel, he spent two years in New York attending college. He also lectured on various subjects (including law, Kabbalah, and character refinement) at two Jewish centers for adult education. ‘Growing up the way I did brought me into contact with the full spectrum of Jewish affiliation,’ says Rabbi Zacks. ‘I learned to befriend, love and respect all people for who they are.’ Whether on the soccer field, at the Sunday farmers market, in synagogue, or just around town, he truly enjoys making new friends here in the Palisades.   This month, as head of the adult education department, Zacks is teaching a crash course in reading Hebrew. On February 6 he begins the winter Jewish Learning Institute course, ‘Beyond Belief: Reflections on Jewish Faith.’ ‘It is a great pleasure to teach in the Palisades,’ Zacks says. ‘I find that people here are bright and very insightful and from so many diverse backgrounds!’ The rabbi teaches the Talmud on Sunday mornings following a lox and bagels breakfast at the Chabad. He also lectures on contemporary issues. Moriel Zacks was born and raised in the Palisades by her parents, Shimon Waysman, O.B.M., and Dr. Dalia Goldfarb-Hecht. She attended Bais Channah in Los Angeles, finished her high school education in New Haven, Connecticut, and continued her higher education in Israel. After their marriage, the Zackses settled in New York, where Moriel worked with children with special needs and teenage volunteers in a program called The Friendship Circle. After seeing how successfully the program worked within several communities, Moriel is eager to implement and direct the same outreach program at Chabad in the Palisades. ‘The Friendship Circle is enjoying great success in many communities worldwide,’ Moriel says. ‘The aim is to bring smiles and friendship to children with special needs, and peace of mind to their parents. The program also fosters the values of volunteerism and compassion among youth.’ Rabbi Zushe Cunin is director of Chabad in the Palisades. For more information, visit www.chabadpalisades.org or write to info@chabadpalisades.org.

LAUSD Board Restores Honors Music Festival

After a heated debate at a November 27 LAUSD board meeting, a honors music festival was reinstated. At the end of September, music instructors at Paul Revere Charter Middle School received word that the prestigious event, which cost the Los Angeles Unified School District $150,000, was discontinued due to district-wide cuts. Teachers and parents mounted a telephone and e-mail campaign to restore the festival, which prompted a hearing before the school board. During the debate it became apparent that board members and Superintendent David L. Brewer III supported the program. Richard Burrows, LAUSD’s director of arts education, was blamed for the cancellation. ‘Why did you cut it?’ Board member Marlene Canter asked. ‘We liked the program, we believed in it,’ said Burrows who was asked to trim $1.2 million from his department, which was 25 percent of his budget. Burrows cut professional development days, Web development, conference attendance and two staff positions in his office before cancelling the festival.’ ‘Do you have any type of advisory committee that recommended the budget cuts from your office?’ Board member Marguerite Poindexter LaMotte asked. When Burrows said he didn’t, she asked, ‘So it was a unilateral decision?’ Deputy Superintendent Ronni Ephraim stepped in to defend Burrows by saying she had reviewed the budget, but that the bottom line had been to ensure that no cuts affected the schools. LaMotte commented ‘One hundred and fifty thousand dollars for some of these art philanthropists out here is no money at all, so I’m going to throw that out there and some of you in the audience might know some people who would step forward with a couple hundred thousand and say, ‘restore the programs.” A discussion followed about whether there was carry over from last year’s art education budget, but no one knew if there was and what that amount might be. ‘I want the kids to have the honors program, but I don’t want to be sitting here next week with another group of people saying you didn’t tell me you were going to take away money from my program,’ Canter said. ‘So I’m not willing to vote one way or another until I know where the money is coming from.’ Board member Juiie Korenstein thought there might be money that could be used from the $4 million left in the innovation division, but it was subsequently determined that it was $3 million instead, and it was unclear how much had already been committed. ‘The bottom line is if the board is going to pass that [resolution to fund the festival], then that’s fine we have go forward, but I’m going to be very clear, at some point there is that one drop that tips the whole glass of water,’ Brewer said. ””””’The resolution that passed reads: ‘the superintendent is to immediately restore the orchestra, chorus and band honors programs. It leaves it to the superintendent’s discretion to identify the use of funding.’ ‘The funding is still pending, but the events are calendared on the book for the spring,’ LAUSD’s Communication Director Susan Cox told the Palisadian-Post last week. The elementary festival will be held Sunday April 27 at the Luckman Auditorium at Cal State L.A. The middle school festival is set for Sunday, May 4 at the Kodak Theater in Hollywood. ‘I am very pleased that the tradition is continuing, and that our students will again have this opportunity to meet and work with other wonderful music students and teachers from our district,’ said Lara Jacques, who is Paul Revere Charter Middle School’s orchestra director. ‘I hope it becomes a permanent part of LAUSD’s music program.’

Potrero Canyon Group Votes, Sends Plans to L.A. Recreation and Parks

The Potrero Canyon Community Advisory Committee approved a package of 14 proposals last Wednesday that will guide future access, development and uses in the city park that one day will be built below the Palisades Recreation Center. Voting 14-0, with one abstention, the PCCAC adopted a four-page document, with only a few minor modifications, that will now be sent to the L.A. Department of Recreation and Parks for future action. But before that happens, the city must first complete the 20-year infill and slope stabilization project in Potrero Canyon (from the Rec Center down to Pacific Coast Highway) and sell city-owned property in order to fund this work. PCCAC Chairman George Wolfberg, after a meeting with city officials in November, estimated that serious new discussions about the park in Potrero are four or five years away. At advisory committee meetings since the group’s formation in 2004, two groups have continuously presented strenuous objections to some, if not most, park proposals. Last Wednesday’s meeting was no different, as Huntington Palisades and neighbors along the canyon’s west rim (Friends and DePauw) spoke out about various concerns. The committee’s number one proposal was a pedestrian bridge that would connect Potrero Canyon to the Will Rogers State Beach parking lot, ensuring a safe crossing for bikers and walkers across PCH. This would also save people having to make a half-mile walk from Potrero up to Temescal Canyon Road to cross at the signal. A speaker from the Huntington Palisades asked that the bridge proposal be reconsidered because she was worried that this would make it easier for homeless people and interlopers from other areas of Los Angeles to make their way up the canyon into her neighborhood. Duncan Thomas, president of the resurrected Potrero Canyon Association, which represents many who live on the west rim, was not in favor of a bridge because he said a large majority of Palisades people opposed it and that it would cost the city too much money. Committee member David Card reminded him that at a Potrero Community Workshop, which was open to the public, the majority voted that they wanted safe access across PCH via a bridge. And fellow member Rob Weber noted that two people had been killed crossing the highway at that location during the past year. Pat Ramsey, representing the Huntington Palisades Property Owners Corporation, reminded the committee that he had presented a letter signed by 700 residents, asking that Frontera Drive into the park be closed (where the tennis courts are located) and that there be no bridge. ‘We need facts,’ he said. ‘The committee hasn’t done an investigation of the facts”specifically, a full environmental impact report and complete traffic study ‘before the PCCAC’s attempt to make any decisions on parking or entrances to the planned park.’ Wolfberg responded, ‘All of these proposals will be subject to CEQA [California Environmental Quality Act] and city laws pertaining to the park. We are not funded to do these studies. All we can do is give advice.’   Before the vote, audience member Richard Cohen, vice chair of the Palisades Community Council, said: ‘This document in its entirety pleases no one, but it is a reasonable compromise. You [the committee] are to be commended.’ The document adopted by the committee can be read on-line at www.potrero.info. After the vote, a resident asked Wolfberg, ‘Is the committee’s work complete?’ ‘We will discuss this with the Councilman’s office [Bill Rosendahl] and come up with a timeline,’ Wolfberg said. ‘If there’s not enough work for the other two subcommittees, I don’t see any reason to meet.’ This week, Wolfberg provided an update. ‘I do not anticipate the whole committee meeting the next few months,’ he said ‘but that is subject to City progress on matters that may require our attention. When Rec and Parks starts designing Phase III, input from our Landscape subcommittee (chaired by Carl Mellinger) will be required.   When property sales are scheduled, our Land and Finance subcommittee (chaired by Rob Weber) will provide input.’

Rustic Canyon Residents, City Rally to Save Grove

This dead eucalyptus tree in the Rustic Canyon Park grove stands as a symbol of the ongoing threat to the historic landmark.
This dead eucalyptus tree in the Rustic Canyon Park grove stands as a symbol of the ongoing threat to the historic landmark.
Photo by Rich Schmitt, Staff Photographer

The eucalyptus grove at Rustic Canyon Park, still redolent with the pungency of silver-gray leaves after the rain, belies the stresses that have decimated an estimated third of the towering trees and galvanized local residents to address the crisis. Concerned about the disappearing forest, canyon residents will meet with city officials on Monday, January 28 at 7 p.m. in the Gallery Room at Rustic Canyon Recreation Center. The public is invited. Known as the historic eucalyptus grove, the impressive stand of eucalypts and other exotic trees were part of Abbott Kinney’s Forestry Experimental Station eucalyptus project, planted in 1887. The developer/dreamer was convinced that the fast-growing Australian gum tree could do everything from providing wood for framing houses to killing moths. But it couldn’t’eucalyptus beams crack and warp, and the oil smells nice but has no special medicinal properties. Kinney received six acres from the federal government and set up the country’s very first Forestry Experimental Station in the canyon’s center, planting hundreds of eucalyptus species side by side as a test. A few acres of that station remain, in the grove south of Rustic Canyon Park. Over time, residential pressures threatened the grove, so in 1954 the Santa Monica Canyon Civic Association, with assistance from the city of Los Angeles, created a preserve for the grove. It was granted official state historic landmark status in 1971. The health of the grove began suffering during the drought in the mid-1970s, when neighbors carried water to the trees in order to try and save those most endangered. From 1980 to 1984, the park system began to mulch the trees with composted litter from other parks, which resulted in an infestation that further weakened the trees. The ensuing years have been characterized by residents calling for a systematic watering system and offering to raise the money for such a system. ‘When the city did install an irrigation line a few years ago, it was shredded by the city’s subsequent weed-clearance program,’ say neighbors Russell Minchinton and Elizabeth Zaillian, who are actively involved in the saving the trees. Now the Grove Committee, a subcommittee of the SMCCA, under the leadership of Beverly Eyre and Rand Plewak, has once again jump-started the campaign to save the grove. In August 2007, Eyre and Plewak contacted City Park Maintenance Manager Patrick Kennedy, who suggested a higher level of maintenance. He recommended continued hand watering by park maintenance staff, repairing the ‘quick couplers’ water line that was broken and selective pruning and removal of dead trees. Patrick expressed a willingness to champion a plan that would provide for the needs of the grove. While suggestions vary as to the health of the soil, the best replacement tree and costs, Rustic Canyon residents all agree that they want a grove in the canyon.

Highlands Fire Leaves Three Families Homeless

More than a dozen fire engines responded to the fire in a townhouse on Micheal Lane in the Highlands on Thursday night. The fire spread from the garage into the attic and into adjoining walls. Three units suffered smoke, fire and water damage, leaving three families homeless.  Photo: Peter Duke
More than a dozen fire engines responded to the fire in a townhouse on Micheal Lane in the Highlands on Thursday night. The fire spread from the garage into the attic and into adjoining walls. Three units suffered smoke, fire and water damage, leaving three families homeless. Photo: Peter Duke

More than a dozen fire engines raced up Palisades Drive to the Highlands on Thursday night to put out a fire in a row of townhouses on Michael Lane. The fire started in the garage at 1684 Michael Lane, where the owner had parked his car that was smoking. When the man went inside to call for help, the car caught fire. The garage was filled with stacks of combustibles on the floor and against the walls, leaving only room for the car, and when it caught fire, the stacks rapidly went up into flames, too, according to Fire Station 23 Captain James Varney. Fire Station 23 (located at Sunset Boulevard and Los Liones Drive) responded to an 8:20 p.m. call and had to contend with a ‘hot, messy, dirty fire,’ said Captain Varney. The townhouses share a common attic and the fire spread into the attic and the walls of the adjoining units. ‘The men had to break the roof tiles in order to cut the ceiling to get to the fire,’ Varney said. ‘It was a major emergency because it was difficult to fight.’ The warm, windy weather, coupled with the townhouses’ close proximity to the hillside brush, all added to the possible dire consequences that faced firefighters In addition to Station 23, Stations 69, 19, 59 63, 37 and companies from downtown responded to the alarm. Station 23 was on site until after midnight and several other fire crews were there until 2 and 3 a.m. ‘It was an expensive firefighting operation,’ Varney said. ‘Crews had to chainsaw walls and the ceiling to get to the seat of the fire.’ The three townhouse units had extensive heat, smoke and water damage. Varney estimated that about 50 percent of the damage was water. He warned homeowners, ‘Don’t store combustibles on the floor or near a water heater.’ And, if a car is smoking, don’t pull it into a garage. ‘It would have been one thing to put out a car fire,’ Varney said, ‘but this left three families without a place to stay.’

Gidget: Still Making Waves

Kathy Kohner gets ready for a day at the Malibu beach in 1956 after loading her 81/2 foot, 22 pound board in the car. Kohner was the inspiration for her father?s book “Gidget, The Little Girl with Big Ideas,” that launched surfing into the mainstream media. Photo: Courtesy of Frederick Kohner Estate

Palisadian Kathy Kohner Zuckerman, 67, was immortalized in her father’s (Frederick Kohner) 1957 book ‘Gidget, The Little Girl with Big Ideas.’ This semi-autobiographical account of Kohner’s summer on a Malibu beach learning to surf and of experiencing a first love has sold more than three million copies. The book was turned into a popular 1959 movie, which starred Sandra Dee and James Darren and which inspired a television show that starred Sally Field. This simple story became a cultural phenomenon because it brought surfing into the nation’s spotlight while featuring a girl in a predominantly male sport. The 1950s were a time before Title IX and women’s sports, and less than three percent of surfers were women. ‘It wasn’t something that girls did,’ Zuckerman said, who was chosen in a 1999 Surfer magazine 40th Anniversary Collector’s Issue as one of the most influential surfers of all time. She was ranked number seven of the 25 featured and one of only two women selected. On January 9, Kathy spoke at a Palisades AARP meeting about her parents, her life and surfing. ‘I always loved Malibu beach,’ she told the more than 50 people in the audience. Her Czechoslovakian parents were refugees from the Holocaust, and relocated in Brentwood. Even though her father didn’t swim, he took the family to the beach because a doctor relative had told him that it was healthy. ‘I got bored sitting on the sand,’ Kathy said. The 15-year-old wandered over to watch the surfers and her two interests blended, surfers and boys–in particular a boy named Bill Jensen, who became immortalized in the book and film as Gidget’s love interest Moondoggie. In order to be accepted by influential surfers such as Miki Dora, Mickey Mu’oz, Dewey Weber, Tom Morey, Nat Young, Terry “Tubesteak” Tracy and Jensen, Kathy decided to learn to surf. The men were amused by the 5’1′ teenager, and one of the surfers nicknamed her ‘Gidget,’ a combination of girl and midget. In 1956, Kathy went out on a surfboard for the first time. Her diary entry for the day read: ‘I didn’t do too much but go to the beach. I didn’t think I’d have fun but I met Matt [Kivlin] and he took me out on his surfboard. He let me catch the waves by myself and once I fell off and the board went flying in the air. I didn’t get hurt at all. . .I hope Matt will take me surfing again.’ She paid $30 for her first board, which was 8′ feet long and weighed 22 pounds. The teenager confided to her father that she wished she could write a story about the beach. ‘My dad said, ‘Tell me everything and I’ll write it for you.” Kohner was a screenwriter in Hollywood. In 1939, he was nominated for best writing original story in ‘Mad About Music,’ in which a young woman at a boarding school in Switzerland writes herself letters from an imaginary explorer-adventurer father. His credits include numerous stories such as ‘Bride for Sale,’ ‘The Men in Her Life,’ and ‘Three Daring Daughters’ that were made into films starring some of the greatest leading ladies of the day, including Loretta Young, Jeanette MacDonald and Rosalind Russell. His style of writing about spunky women was perfectly suited for ‘Gidget,’ and the book became a national bestseller, reaching seventh on the chart, above Jack Kerouac’s ‘On the Road.’ Not all reviewers applauded his work. A Nebraska reviewer called it ‘A vulgar little book about a nice little girl who tries to be hard.’ The reviewer ended by saying that he didn’t like the language and suggesting that the young woman be spanked. Whether it was his style or a truthfulness that spoke to young women, Kohner gained a large audience. ‘Hundreds and hundreds of young girls wrote my dad letters,’ Kathy said. He kept them and when he and his wife passed away in 2001, Kathy and her sister inherited the rights to Gidget as well as the letters. In 2001, Zuckerman brought out a new edition of the book, which contains beach photos of her from the 1950s, a foreword and introduction by writer/playwright Deanne Stillman. In the story ‘Surfing Sunset & Vine: Tales of Gidget and Other Short Subjects,’ documentary filmmaker Brian Gillogly became fascinated by Zuckerman. As he got to know her, the story took on several dimensions and he decided to shoot a documentary about her. ‘Surfing exploded after the ‘Gidget’ movie came out,’ he said. ‘Surfer lingo was introduced to the nation’s culture. It was interesting to watch how the icon spread from Kathy and affected the country.’ Gillogly was also fascinated by the degree to which Gidget became a liberating force for women: she was dubbed a proto-feminist because she was participating in a male sport before the feminist scene exploded around the country. ‘We have all these inspirational stories from women on the film and it’s all because of Gidget [Kohner],’ he said. The documentary was only screened once at the Malibu Film Festival in 2006, where it received a standing ovation and rave reviews. Sony Pictures allowed Gillogly to pay a film festival fee for that showing, but in order to receive licensing to continue to screen the one-hour documentary, he must pay a $50,000. ‘For a major network that would be nothing,’ Gillogly said. ‘For us that’s a deal breaker.’ He has had queries from all over the world about showing the documentary, but so far Sony has not budged. The film is being reviewed by the Stanford Fair Use Project, which helps documentaries to legally use copyrighted clips. When the ‘Gidget’ book was reissued in 2001, Zuckerman hit the road to promote it. She was featured in newspapers around the country, including the New York Times, the Boston Herald, and the Chicago Tribune. Magazine stories and television appearances followed. Zuckerman has appeared on the ‘CBS Morning Show’ and Australia’s ‘Today Show,’ as well as on National Public Radio. Zuckerman has told her story to audiences and schools around the country. She recently found out that she will be inducted into the Southern California Jewish Sports Hall of Fame on January 27. She left Malibu in 1960 to attend Oregon College. In 1965, she met her husband of 45 years, Marvin Zuckerman. The couple have two sons: David, a freelance magazine writer and independent film producer, and Phil, a sociology professor at Pitzer College. The Zuckerman’s have three grandchildren: Ruby, Flora and August. After taking a 40-year break from surfing, Kathy is in the water again. ‘It’s like a bike: once you learn it, you can do it,’ she said. Zuckerman belongs to the Surfers Club in Malibu and hits the waves once a week. She told the audience, ‘It was a good place for me to spend my youth.’ If Kathy’s trim figure and bubbly enthusiasm are any indication of the benefits of surfing, it sounds as if the Pacific Ocean is still a good place to spend time.

James Wrubel Tunes His Piano to Jazz

Jazz pianist James Wrubel at his Highlands home. Catch Wrubel's return to The Jazz Bakery in Culver City on April 13, when he accompanies Leslie Drayton & Fun.
Jazz pianist James Wrubel at his Highlands home. Catch Wrubel’s return to The Jazz Bakery in Culver City on April 13, when he accompanies Leslie Drayton & Fun.
Photo by Rich Schmitt, Staff Photographer

By MICHAEL AUSHENKER Staff Writer ‘When you sit a kid down to practice in front of a 5 ft. by 8 ft. window with a view of the Pacific Palisades,’ says local jazz pianist James Wrubel, ‘it’s a little difficult to concentrate.’ Yet despite his youthful restlessness, those childhood classical music lessons have paid off. Today, Wrubel actively performs around the Los Angeles jazz circuit. At a recent Jazz Bakery gig, Wrubel, sharply dressed in black, brings an easy rapport with his audience to the stage. About 50 people, mostly in their 20s and including a cross-section of Santa Monica College’s History of Jazz class, gather on this splendorous Sunday afternoon to take in the James Wrubel Trio’s musical stylings. The baseline in his voice carries Wrubel’s laid back, self-deprecating dry wit to the back rows of the Culver City venue, located in the heart of a converted bread factory. ‘If you’re bored, Levitz [Furniture], across the street, is having a 70 percent off sale,’ quips the young musician. With the magenta ‘Jazz Bakery’ logo projected behind him onto a blue-to-violet gradated screen, Wrubel himself projects maturity beyond his 25 years, the spotlight sharpening his carrot top good looks. Backed by fellow USC jazz messengers Christopher Hackman on upright bass and a plaid-clad Brian Carmody tossing off staccato, Glen Krupa-esque drum boogie riffs, Wrubel gamely leads his trio into a frisky cover of the late Michael Brecker’s ‘Slings and Arrows.’ Mid-gig, a solo Wrubel caroms his way through an unorthodox rendition of the classic ‘Over the Rainbow.’ The James Wrubel Trio, which also plays ‘It Could Happen To You’ and ‘Nature Boy,’ embraces all jazz subgenres–from ragtime to big band to Dixieland and hard bop. Music always came naturally to the lifelong Palisadian. Wrubel, who went to Carl Thorpe School and still resides in the Highlands, grew up as something of a prodigy. ‘My mom knew at [age] two or three because I could hum a tune,’ he says. ‘I was born premature. I was late talking but I could hum. When I was little, I could pick up things off the TV and I could play it on the piano.’ As a five year-old, Wrubel actually corrected a piano teacher who was playing the ‘Jeopardy’ theme (‘He played it in the wrong key’). Theme songs and cartoon soundtracks–the destination of many a jazz player– have no appeal to Wrubel. The thought of applying his gift commercially in this fashion makes this jazz purist shudder. ‘I’m really not interested in scoring films,’ says Wrubel, who has a sister, 28, working in the film industry. ‘It’s a great life if you can get the work.’ Wrubel remembers how his dad, who never acted on his promise despite receiving a full scholarship from Juilliard, once picked up his dormant clarinet, after many years of musical inactivity, and blew ‘Rhapsody in Blue’ for his young son. Wrubel was only 12 when his father, an aerospace engineer, died of cancer in 1993. And yet, he insists his father’s death did not alter or further his musical path. ‘It made me more introspective as a person,’ he says. Attending Crossroads was indeed a crossroads for the classically trained Wrubel, whose interest in jazz blossomed at the Santa Monica-based school. It was while attending Crossroads, Wrubel notes, that ‘my friend brought me the album ‘Kind of Blue’ by Miles Davis. Right after my dad passed away, I found out that my dad had a massive jazz collection and I popped it right in.’ Soon, Wrubel began digging the sounds of Bill Evans, Horace Silver, and Dave Brubeck. Cannonball Adderley (whose choreographer niece, Janet Adderley, runs the Adderley School on Palisades Drive) was another one of Wrubel’s jazz heroes. Back at The Bakery show, the James Wrubel Trio chugs along full-throttle. Wrubel kicks off one tune with some deliberately off-key ivory tickling. As the song builds steam toward a runaway train tempo, the rhythm section jumps aboard for the ride, pushing the pace faster and faster before the number runs out of locomotive juice, gliding slowly and smoothly towards its finale. Wrubel attributes his discipline to practicing to his longtime teacher Palisadian Nancy Arnold, who taught him from age six right through high school and continues to show support. ‘One of the things that was striking about James is that when he and his sister came to audition for me, he did not want me to leave. His mother kind of had to drag him out. To this day, I noticed, he cannot walk by a piano without playing it. It was inspirational for me to teach him.’ Wrubel has also studied with Palisades jazzman John Rangel. By the time he reached Dartmouth (class of 2004), Wrubel fell into a pocket of older musicians, many of them jazz guitarists, who became his mentor figures. ‘It was kind of informal–Eddie Palimieri, Wynton Marsalis, Stefon Harris, Cuban/Latin jazz guys Arturo O’Farrill–they would come to perform, conduct master classes, listen to you play and offer critiques.’ The irony is not lost on Wrubel, that in predominantly WASP-y New Hampshire, he got his crash course on international, multiethnic music. These days, Wrubel adds, ‘My focus has shifted to contemporary players. I like harmony, I like big chords. I play everything from salsa, Latin jazz and bossanova.’ Everything except, perhaps, the music that most people his age listen to. He’s just not interested. ‘I could, but it’s not challenging, technically and harmonically.’ Yet for all of his rejection of contemporary groups, the James Wrubel Trio often opens their second set with their twist on the suicidal-somber ‘Exit Music (For a Film),’ a Radiohead track from the closing credits of (appropriately enough) Baz Luhrmann’s ‘Romeo + Juliet.’ So, you see, the Trio isn’t your grandfather’s jazz combo. Currently a pre-med student enrolled at USC, Wrubel remains content to practice his creative outlet on the side. This is not a bad jazz city,’ Wrubel says of L.A.’s small but loyal jazz community. ‘Los Angeles has a good variety of clubs and musicians.’ Along the Jazz Bakery’s wall, mammoth oils of Armstrong, Holiday, and Miller smile out of the darkness. If casual jazz guy James Wrubel doesn’t watch his back, his portrait may one day join them.