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Schumacher to Climb in Boulder

Jenny Schumacher will compete in the American Bouldering Series next week in Colorado.
Jenny Schumacher will compete in the American Bouldering Series next week in Colorado.

Palisades Highlands resident Jenny Schumacher, a seventh-grader at Paul Revere Middle School, will be in Boulder, Colorado, next week to compete in the American Bouldering Series, a national rockclimbing competition. Bouldering is a sport that requires climbing without the use of a rope. Schumacher, 12, is the top-ranked climber in her age group in Southern California and will be facing 19 other competitors in her category nationwide. For the past four years, she has climbed with her team, the Rock Warriors, at Rockreation in West L.A. Schumacher is making her second trip to Nationals. On weekends, she often climbs outdoors in Malibu and other areas. Once a climber reaches the age of 14, if he or she makes the national team (by finishing in the Top Three), then the climber is invited to the world competition. USA Climbing is the national governing body of competition climbing in the United States and promotes three competition disciplines: bouldering, sport and speed climbing. The bouldering discipline, in which Schumacher competes, is represented by the American Bouldering Series.

Hiete & Linville Marry

Terri Hiete and Geoff S. Linville
Terri Hiete and Geoff S. Linville

Terri Hiete, daughter of Mary and Kurt Hiete of Pacific Palisades, married Geoff S. Linville, son of Janice and George Linville, on September 21. The rose garden ceremony and dinner-dance reception took place at The Ritz Carlton Hotel in Marina del Rey. Tracey Hiete, the bride’s sister, was the maid of honor. The bridesmaids included Tiffany Hiete, the bride’s sister, and friends Jack Songaila, Marissa Irvin, Katie Rhames, Shannon Linville, the bridegroom’s sister, and Lauren Hiete and Jenn Hiete, the bride’s sisters-in-law. The best man was Matthew Pohlson, friend of the bridegroom. Groomsmen were David and Robert Linville, the bridegroom’s brothers, Brady Hiete and Ryan Hiete, the bride’s brothers, and friends Ryan Cummins and Patrick MacManus. The ringbearer was nephew Bradley Hiete. The newlyweds honeymooned in Costa Rica. They are at home in Encino.

Perez and Biermann Wed

Michelle Biermann and Jason Perez
Michelle Biermann and Jason Perez

Jason David Perez, son of long-time Palisadians Judge David D. and Penny J. Perez, married Michelle Biermann on Saturday, September 29 at the Ahwanee Hotel in Yosemite Valley. The celebrant was the bridegroom’s father, a retired Superior Court judge. The reception dinner was held in the Mural Room of the hotel. Friends of the bridegroom from Corpus Christi school and former Palisadians Jin Takemura and Drew Phillips, attended the weekend festivities, as did the bridegroom’s sister, Heather Austin and her husband, Travis, and their daughters, Brooke and Grace. Also in attendance were Jason’s grandparents, Annette and Harold Faust of Woodland Hills. The bride’s sister, Carrie Lantermann and her husband, Steve, joined the celebration along with the bride’s brother, Bryan Biermann, and his wife Cathy and their son Gavin. The bridegroom attended Corpus Christi School and Loyola High School. He received his B.A. in sociology with a minor in sports management from UC Santa Barbara. Jason earned his master’s degree in sports management at the University of San Francisco. The bride, daughter of Mrs. Melinda Barry, attended Simi Valley High School and earned her B.A. in history at Cal State Northridge. The newlyweds work in the insurance industry and reside in West Los Angeles.

Palisadian Produces Poignant Soundtrack

Palisadian G. Marq Roswell (right) who, recently produced the soundtrack to
Palisadian G. Marq Roswell (right) who, recently produced the soundtrack to

When watching a movie, the soundtrack might be something that generally goes unnoticed. Not because it is unimportant, but because if done correctly, it flows seamlessly with the film and viewers, enthralled with the movie’s action, might be unaware of any music at all. When done poorly however, it’s a different story. Songs become like nails on a chalkboard, distracting viewers from the advancement of the story, forcing them to dwell on the poor musical selections. Such is not the case for ‘The Great Debaters’ soundtrack, whose songs enhance the film, taking the viewer back to the Depression era South. The film, which opened on Christmas Day stars Academy Award winners Denzel Washington (who also directed the film) and Forest Whitaker. The film revolves around the efforts of a debate coach (Washington’s character), who struggles to get debate team at the historically black Wiley College on equal footing with whites, despite the prevalence of lynch mobs and Jim Crow laws. Soon, his team is debating with the Harvard debate team, in the first American interracial college debate. The soundtrack was produced by Palisadian G. Marq Roswell and features remakes of authentic pre-1935 blues and gospel songs that Roswell, his team and Washington hand selected (out of thousands of potentials). The songs were re-recorded by modern artists Alvin Youngblood Heart, Sharon Jones, Teenie Hodges, The Carolina Chocolate Drops, Billy Rivers &The Angelic Voices of Faith, David Berger & The Sultans of Swing, Art Tatum and Marian Anderson and were recorded in the soul capital of the world, Memphis, Tennessee at Arden Studios. ‘With more music intensive movies, it all starts with the script and the scenes in the movie inform what the soundtrack will be,’ Roswell said. ‘Denzel wanted, as the absolutely authentic pre-1935 music.’ Apart from recording in Memphis, one of the biggest highlights for Roswell in producing the soundtrack for ‘The Great Debaters’ was researching a early 20th century music catalog of blues, soul, pre-swing and gospel music, much of which was new to him. ‘One thing that made this such an incredible experience was the research that my partner [Jeff Powell] and I did. It was just unbelievable, to explore this one era of music, that connected the Harlem Renaissance to the most stripped down, raw, traditional music, all in the same tapestry of the African American music world at the same time,’ Roswell said. ‘We were like kids in a candy store.’ Roswell had soon chosen between 20 to 30 songs for each scene, including scenes at school dances and at juke joints that would feature musicians in the actual movie scenes. ‘Before we blinked, we had a good album’s worth,’ Roswell said. He also mentioned that Washington was crucial in making final selections for songs. ‘His ears were extraordinary in what he would pick out of a lot of songs,’ he said. ‘He would just astound us the way he would do that.’ Once modern artists were chosen, Roswell and Washington began production on the soundtrack. ‘The songs that we worked on were traditional and we came up with our own arrangements for the movie’creating something from a traditional song that would work with the movie and match the style of the scene.’ Then it was on to Memphis. ‘Those sessions at Arden Studios were magical in the way that they came together,’ he said. ‘To be able to work with such amazing artists, I didn’t have to do much.’ Roswell has lived in Pacific Palisades since 1984. ‘It’s one of the most extraordinary places to live in the world,’ he said. He lives in the Alphabet Streets with his wife Karen and their son Cal, 3. He is a sixth-generation Californian whose family settled on the Rancho Camulos, a 40-acre plot with a rancho house, small chapel and schoolhouse (right off 126 Hwy., 10 miles north of Magic Mountain) that still stands today, as a national historic site.

Art Exhibit ‘Acts’ Out First Amendment Issues

Transcending Partisan Politics in 18th Street Art Center’s ‘Patriot Acts’

Zeal Harris
Zeal Harris

As you enter the 18th Street Art Center in Santa Monica, you are greeted by a colorful, cartoon-y, ostensibly cheerful wallpaper that might superficially evoke pop artist of the moment Takashi Murakami. But upon closer inspection, this work comments on our national obsessions and consumptions”war and food”in the form of hot dogs, pie slices, cookies, donuts’and tanks! Hillary Mushkin’s ‘Untitled (Junk Food Camo)’ is one of a dozen works comprising the art exhibit ‘Patriot Acts,’ which runs through March 28. Palisades resident Clayton Campbell, the Center’s artistic director since 1994, devised four topics under the over-arching theme, ‘The Future of Nations,’ for the artists to frame their art: ‘The Constitution,’ ‘Demographics,’ ‘Urban Environments’ and ‘War as a Way of Life.’ He enlisted various curators and artists to create new works around these sub-themes. Part one of four of a year-long, multi-pronged exhibit, ‘Patriot Acts,’ curated by Linda Pollack, represents the work of 13 artists spanning a gamut of styles and media, including installations, wall hangings, books, paintings, and a series of postcards. ‘These themes are based around election-year issues and civic engagement”which 18th Street thinks is very critical”without being partisan,’ Campbell says. ‘This is not political art where it’s agitprop. There’s not a piece in here where it’s ‘I hate Bush’ or ‘I love the Republicans.’ It’s more about the broader issues of citizenship and what freedom really means. These artists are really stretching it beyond the election, going deeper into these issues.’ Rebecca Ripple’s ‘Absolutely if you will,’ executed in paint and graphite, literally presents shifting shades of meaning and gray area. The work consists solely of text: ‘Absolutely’ scrawled across a wall; ‘if you will’ across the counter opposite it. The phrases fade in and out. According to Pollack, the former comments on an overused vacant blanket term, while the latter can be interpreted as a somewhat passive-aggressive command. The visual highlight of the show might well be Zeal Harris’ folk/na’ve art mixed-media mural ‘Devil’s Rejects,’ a colorful, surreal landscape inspired by an Iraq War vet’s stories and peopled with characters in a circus-like atmosphere. Harris also has a piece titled ‘Jody and Fee La Beau Haunting.’ Pam Strugar and Shirley Tse’s ‘AWOL AWOL’ (some word play at work, as this installation utilizes a pair of false walls) is a mixed media, two-artist, two-parter that includes skiing champion John ‘Madcow’ Hembel’s quote, ‘Freedom to me is skiing at 150 mph,’ across one of its panels. Nearby, a monitor features various people interviewed about the meanings of ‘freedom.’ Another multi-media work, Vincent Johnson’s ‘The Ballot of History,’ casts a voting booth as its centerpiece and illustrates various voting technologies both on a wall and in book form to make its point. Projects such as Meena Nanji and Tommy Gear’s ‘Transmission from ‘Alphahville’ (a twin-monitor installation referencing Godard’s 1965 futureshock caveat which depicted a society controlled by an ominous master computer), are interactive (says Pollack, it comments on ‘two different pulses that shape our intellectual landscape’), but none are as interactive as the ‘Habeas Lounge,’ created by Pollack herself ” a red-and-white, all-purpose room with Valentine’s Day-ready d’cor wherein various visiting guest speakers lecture on voting issues. Performance art by Adam Overton, Susan Silton’s offset lithography ‘The Five W’s,’ and Sara Hendren’s video ‘Tools for Historical Imagination’ round out the show. ‘It’s good art,’ Campbell surmises. ‘It creates a conversation instead of shoving a political view in people’s face.’ ‘Patriot Acts’ runs through March 28. The next Habeas Lounge will begin at 1 p.m. on Sunday, February 3, featuring a round-table discussion with the topic: “How to Improve the World: Artist-Citizens on Hope, Apathy, Healing, and Piece of Mind [During Wartime].’ The discussion, presented by Art Spa, will be followed by a group participatory performance of ‘What Do We Do Now?’ The 18th Street Arts Center is located near the intersection of Olympic Boulevard at 1639 18th Street. Contact: (310) 453-3711 or visit www.18thstreet.org.

Trotting Into The (Maui) Sunset

Kalee Farberow and her father Stuart started a retirement stable for older horses in Lahaina on the island of Maui.   Photo courtesy of Bobbie Farberow
Kalee Farberow and her father Stuart started a retirement stable for older horses in Lahaina on the island of Maui. Photo courtesy of Bobbie Farberow

What is it with girls and horses? Horses are certainly beautiful, graceful, elegant creatures. And if you nurture them, train them, praise and, yes, discipline them as you would a child, the horse and the girl form a close relationship. Numerous stories have become children’s classics, like the ‘Black Stallion’ series and Margaret Wise Brown’s many books, often based on real girls and their horses. A modern-day girl-horse story has been unfolding in of all places on Maui, where 10-year-old Kalee Farberow’s love for horses grew into a 16-acre retirement home for old and infirm horses. The granddaughter of Palisadian Bobbie and the late Mort Farberow (Mort’s Deli), Kalee started riding at age 7 at the Ironwood Ranch in the out country of the small Hawaiian Island, a trail riding facility, whose boarders include strange bedfellows, from Shetlands to Clydesdales, Kalee says. ‘My dad started taking me up there after school, and I loved helping out with the horses and getting them ready to go on the trails,’ says Kalee, who recently spent the holidays in the Palisades visiting her grandmother (‘Tutu’). Her dad Stuart is a policeman in Lahaina and a ‘cowboy’ the rest of the time. Kalee is a friendly, trendy little girl, attached to her cell phone and decorated T-shirts, but with an unselfconscious confidence. Her knowledge of horses is sure. She describes them with accuracy, observes their habits and afflictions and possesses a strong horse sense. Over the course of her visits to Ironwood, Kalee fell in love with a retired Appaloosa named Harrison Ford. ‘I would go up to the ranch every day and brush him out and he would put his head and neck on my shoulder,’ she says. Harrison was sick: Kalee knew that he had cancer and that the owners were going to have to retire him–or put him down. ‘The ranch owner said that if my dad could get some land, they would give me the horse. My dad started working on getting the land to keep him on. ‘One day, I went to the ranch to see Harrison and he was not there. He had been in a lot of pain, so they put him down. I was really sad and cried. I was the only one at the ranch that cried but when they all saw me cry, then they started to cry.’ Kalee told her dad that she wanted to start a retirement stable. ‘If they do pass away they could do this in open air,’ she says. ‘Harrison died in his stall because there wasn’t enough pasture.’ Stuart’s friend Dave Minami at West Maui Land Company took Kalee’s idea to his bosses, who ‘took all of two minutes to say yes.’ They provided the 16 acres of fenced-in agricultural land to use as pasture for the horses, and provided water. After Stuart completed the barn, made of old telephone poles, Kalee’s Retirement Stable began operation in March 2007, with its first two residents’Chuck Norris and Ted Danson. It didn’t take long for neighbors to notice that something very special was going on. People began stopping by and asking how they could help the horses. ‘I was overwhelmed with what Kalee and Stuart were doing and decided to get involved,’ Lahaina Inn owner Toni Johnson said. ‘I thought a Web site would be a great way to spread the word, and kaleehorses.com was created.’ For Kalee, now a fifth-grader in the Maui public school, the story is all about her friends–the five horses who now reside at the ranch. In her own words, she has written a book that introduces us to the horses with glowing descriptions of their beauty, history and their quirks. ‘Chuck Norris is a painted horse and Appaloosa mix with a little bit of thoroughbred in him,’ she says. ‘He has two different colored eyes. He is 17 hands, 32 years old and grumpy. He was at Ironwood ranch for 22 years and is a retired trail horse. He has a little arthritis and trouble shedding.’ Prior to Ironwood Ranch, Chuck was a barrel racer on the Big Island of Hawaii. Kalee, who has also participated in the sport, says the rodeo event consists of a horse and rider maneuvering as fast as they can in a cloverleaf pattern around three barrels. A keen observer and nobody’s fool, Kalee knows all about Chuck, whom she describes as a ‘very stubborn horse. He does not want help and he does things when he wants to and on his own terms. He loves to be ridden and roll in the dirt, but he does not like baths.’ Not all the horses are bridle-able, Kalee says. For example, Faith Hill, the only filly on the ranch, who her own white name plate with pink lettering, had her back broken when she was two, so she’s not domesticated. ‘She was a rescue, her owner couldn’t keep her,’ Kalee reports. ‘She’s also a camera hog and loves attention. She’s a normal 4 ‘-year-old kid–she throws tantrums, gets mad and stomps off.’ Because the retirement stable is just a short distance from her home, in Lahaina, Kalee goes with her dad to feed the horses in the morning before school. They repeat the exercise in the afternoons. Weekends are reserved for riding, if the ground isn’t too wet. The horses are well cared for. They’re bathed twice a month with Mane and Tail, although Kalee says she uses her L’Oreal apple and pear detangler on their manes and tails. Dan ‘the hoof man’ regularly checks their shoeless hooves, and because of the horses’ ages, the Maui equine veterinarian visits every six months. The realities of maintaining five retired horses are hard work and food and supply costs run approximately $300 a month. Kalee’s Retirement Stable is currently awaiting nonprofit status, which will open the way for more fundraising and donations. Knowing full well that she cannot save all the horses she’d like because of space limitations, Kalee has future dreams that expand in all directions. ‘One day I saw this little girl riding her bike near the pasture and she had a basket on the front of her bike with a little pouch of carrots. She wasn’t afraid. Another little girl, with Spinabifida, came by to ride one of our horses. I sat behind her on Ted, and she loved it. She held the reins and I taught her about horses and the animals. When the ride was over, she would not take the helmet off’she wanted to ride again! ‘I would like it if kids with special needs knew they could come and do stuff with the horses,’ Kalee says. ‘If they see the older horses with problems and that they’re okay, it makes them feel better. ‘We would love to have kids come and feed and brush the horses. If people come by and see our truck, they can stop and talk. ‘It makes me happy to know that if my dad and I didn’t take these horses, they wouldn’t be here anymore’that we’re saving them.’ For more information, visit kaleesretirementstables.com

The State of View Rights in Palisades

OPINION

By KEITH TURNER Special to the Palisadian-Post Pacific Palisades is a special place, tucked between the ocean and mountains, where many homeowners enjoy sweeping views of Santa Monica Bay, the shoreline, canyons and dramatic, undeveloped mountain landscapes. But in every neighborhood in the Palisades, homeowners’ view rights are under attack by a nearby construction or remodeling project that increases the ‘footprint’ of the existing home. Homeowners in almost every neighborhood have had to go to court during the past five years to enforce or protect their view rights. During the past year, the Los Angeles Superior Court has issued preliminary injunctions that stopped construction of two separate Palisades projects because the proposed construction would have infringed or obstructed another property owner’s view rights. A halted construction project is an expense that no developer or homeowner wants to bear. The litigation process is often avoided by most homeowners because of its cost to the homeowner and the unpredictability of the result to the entire community. The reality is that it costs at least $50,000 to $100,000 in attorneys’ fees and related litigation expenses to take a case to trial. (In 1985, California enacted a comprehensive law for homeowners associations, the Davis Striling Act. That law provides for the recovery of attorneys’ fees to the prevailing party. Thus, a homeowner can more likely afford the risk of litigation with the hope of recovering the attorneys’ fees they incur in enforcing their view rights. Because most of the CC&Rs in Pacific Palisades were recorded before 1985, it is not clear whether they are subject to Davis Striling Act.) Both sides of a view rights dispute and the overall community suffer from the unpredictability factor. For instance, in 2005 the Court of Appeal in the Zabrucky v. McAdams case added the word ‘unreasonably’ to the Marquez Knolls’ CC&Rs, which originally provided in relevant part: ‘No’structures erected’may at present or in the future obstruct the view from any other lot….’ Thus, CC&Rs now read: no structure ‘may at present or in the future unreasonably obstruct the view from any other lot.” (The Marquez Knolls CC&Rs also limit residences built on lots within the subdivision to one-story, single-family dwelling.) The other Palisades neighborhoods’ CC&Rs are probably subject to the same judicial rewriting as what happened to the Marquez Knolls CC&Rs. On first blush, adding the word ‘unreasonably’ seems to be a reasonable compromise between the competing rights: a property owner’s right to freely develop and use his or her property; and the protection of a neighbor’s view rights. But the practical effect it has created is great uncertainty in terms of both what construction or remodeling is permissible and what is relevant to resolve a view dispute in court. Instead of simply looking at whether the existing project expands the original ‘footprint’ and obstructs the view, now parties try to make almost everything relevant to prove whether a project ‘unreasonably obstructs the view’ or not. Every aspect of a complaining homeowner’s personal life has now become fodder in a view rights dispute. Instead of a one- or two-day trial about how the intended project differs from the original project, cases have become a five- to ten-day court trial on all sorts of personal issues that seemingly have nothing to do with how the new project obstructs the view. Often, homeowners faced with a construction or remodeling project that will obstruct or infringe on their view will first try to resolve the issue with the developer or their local homeowners’ associations. The view rights battle is often between a ‘spec’ home builder who is trying to maximize house size–and profits–against long-time residents. Because some of the major Palisades homeowners’ associations have been sued for involving themselves in such disputes, they may be reluctant to get between the parties. Once the actual construction has started, it is generally more expensive for both sides in terms of legal fees to resolve the matter. Also, it can be very stressful for a family when a neighboring project infringes on their enjoyment or use of their property. Thus, homeowners are often very frustrated and feel powerless in these situations. Many attorneys involved in these disputes have been advising both sides to seek a negotiated settlement before resorting to expensive litigation. But the stakes are high for the defendant because a court could order a project that it deems to be in violation of a protected view right to be demolished or modified. Over 95 percent of lawsuits end in settlement, and the money spent on litigation generally does not sufficiently advance either side’s position. The Zabrucky v. McAdams appeal case was retried last year in Santa Monica Superior Court, and the judge found that the construction project at issue did not ‘unreasonably obstruct’ the plaintiffs’ view because only 10 percent of the overall view was obstructed. On appeal, the homeowners, Mr. and Mrs. Zabrucky, are arguing that the phrase ‘unreasonably obstruct’ needs an objective definition because of the uncertainly and litigation cost that phrase has caused. Seventeen other Marquez Knolls residents have filed their own ‘amicus’ brief, arguing that ‘unreasonably’ should not apply to expansions of existing houses, and the Marquez Knolls Property Owners Association has joined with that brief. The Court of Appeal in downtown Los Angeles is scheduled to hear arguments on that issue at 9 a.m. on March 7. Thus, the time is now for Palisadians with opinions on either side of the issue to act. Property owners need a measure of certainty to know that their recorded rights are going to be interpreted and enforced consistent with the community’s aesthetic values. Palisadians on either side of the issue need to make their views known, including to their neighborhood associations. Individual homeowners and their associations can also make their views known to the courts through ‘amicus’ participation in pending cases and appeals. In any event, the upcoming Court of Appeal hearing and decision in the Zabrucky v. McAdams case may very well decide the future of view protection rights in Palisades. (Keith Turner (ktuner@turnerliu.com) is a Pacific Palisades resident and real estate litigation and title attorney. He is also a founding partner in the ‘Pacific View Rights Center’ (http://pacificviewcenter.com) with fellow Palisadian and attorney Don Erik Franzen, who is lead counsel in the pending Zabrucky v. McAdams case. The View Rights Center provides mediation, arbitration and litigation services for view rights-related disputes.)

Mr. and Miss Palisades–Where Are They Now?

By FRANCES SHARPE Special to the Palisadian-Post With the Mr. and Miss Palisades Teen contest coming up March 5, we decided to check in with some of the past winners to find out about their latest achievements. LAURIE KRANTZ (1979) This Palisades High graduate has been living in Colorado for the past five years. Laurie, 47, came back home to Pacific Palisades about two years ago to take care of her ailing mother. During this time, she realized how much she missed living here. When her mother passed away, Laurie made the decision to move back to the Palisades permanently with her 8-year-old daughter. A colon hydrotherapist and a former massage therapist, Laurie plans to set up a practice in the Palisades when she makes the move this fall. GABE FUAD ‘GABE’ SAGLIE (1990) Gabe, 35, earned a B.A. in English from UCLA in 1994 and a master’s degree in broadcast journalism from USC in 1997. Now, he’s putting his education to use in Santa Barbara, where he is a senior editor and company spokesperson for Travelzoo, a travel media company based in New York. Gabe also produces a food and wine radio show called ‘The Grapevine’ and is the editor of ‘Wine & Dine Santa Barbara,’ a quarterly that can be seen at www.wineanddinesb.com. Gabe and his wife Renee have a two-year-old son, Gabriel Harrison, and are expecting another son in late March. RONI FELDMAN (1997) Roni, 27, admits that he was very shy back in high school and that it was out of character for him to enter the Mr. Palisades contest. Winning the event improved the self-confidence of the artist who displayed his paintings for the talent portion of the competition. Roni has since earned a degree from UC Santa Barbara’s College of Creative Studies in 2002 and is currently pursuing a Master of Fine Arts degree at Claremont Graduate University. Roni’s artwork has been featured in exhibits nationwide, and upcoming shows are scheduled in Australia and Europe. A major solo exhibit is set for May 1-30 at Toomey-Tourell Fine Art in San Francisco. His artwork (which can be viewed at www.ronifeldmanfineart.com) is also on exhibit through March 15 at See Line Gallery in Santa Monica. COLIN MAXWELL (1998) After earning a BFA degree from New York University in 2004, Colin started working as a dancer in New York City. The 25-year-old currently lives in Harlem and is preparing for a city-wide dance competition. He credits the Mr. Palisades contest for giving him the confidence he needs to be a performer. RACHEL MIZRAHI (1999) During the Miss Palisades contest, Rachel told the audience that she had always wanted to be a teacher. Now, the 24-year-old is living out that dream as a fourth-grade teacher at Topanga Elementary. Her path to teaching began with an undergraduate degree from UC Irvine and followed with a master’s degree from USC. Rachel currently lives in Santa Monica. LIZ BURGHDORF (2001) Liz, 22, showed off her singing chops in the talent portion of the Miss Palisades contest. Lately, she’s been honing her comedic acting chops. After attending Santa Monica College for a few years, Liz was accepted to The Groundlings, the renowned improv school that has turned out dozens of famous comedic actors, including Will Ferrell, Jon Lovitz and Lisa Kudrow. Still a Palisades resident, she is currently auditioning for roles and has appeared as the lead in a short film and in a showcase for her acting class. GILLI MESSER (2004) A sophomore at Barnard College in New York, Gilli, 19, is majoring in anthropology with a minor in French. She loves living in New York, where she participates in college theater productions and auditions for professional acting roles. Last summer, Gilli traveled to Africa with a group of students from Columbia University to make a documentary about using activities like song and dance to help teach African orphans how to protect themselves from AIDS. GENNA ROCHLIN (2006) Currently senior class president at Palisades High, Genna tap-danced her way to the title of Miss Palisades. Last fall, she played singles on the girls tennis team and helped her team win their third consecutive city championship. Genna has been actively involved with the American Red Cross and is currently president of PaliHi’s Red Cross Club. She plans to attend a four-year university. (Frances Sharpe is a professional writer, magazine editor and ghostwriter. She became involved with the Mr. and Miss Palisades Contest when her husband, Wil Sharpe, served as a judge a few years ago. She enjoyed the event so much she began working with the committee on an informal basis and has now joined the committee.) LUIS SAGLIE (1991) A PaliHi grad, Luis, 33, attended UCLA where he studied piano and composition and also became involved with musical projects as a conductor. In 1996, he moved to Vienna, Austria, where he studied opera and orchestral conducting at the University of Music and conducting and composition at the Vienna Conservatory. In the field of musical composition, Luis holds a conservatory diploma, a B.A. and an M.A. His compositions’commissioned by instrumentalists, chamber ensembles, universities and artistic centers’have been performed in Europe, Chile and the U.S. In 2006, he conducted the Vienna premiere of his first opera, El d’a de la liberaci’n, and he is currently working on his second opera. In March, he is moving back to California, where he plans to break into the world of film music as a composer and conductor. Visit: www.luissaglie.com. RAMIS SADRIEH (1993) As vice president of the Pacific Palisades Chamber of Commerce, Ramis has become a familiar face around town. His Technology For You! business (technologyforyou.com), which offers one-stop solutions for home and office technology, won the Chamber’s Best New Business Award in 2005. Ramis, 32, also organized the town’s first Technology Fair last spring and is treasurer of PAPA, the Fourth of July parade organizing committee. Ramis, who earned a degree in math and computer science from UCLA and an MBA from Pepperdine, is married to Sara Boroomi. They are expecting their first child in March. CHRISTIAN SAGLIE (1996) After graduating from PaliHi in 1997, Christian earned a BFA in musical theater from NYU’s Tisch School of the Arts, where he directed and acted in several stage productions. Christian, 28, also attended law school in San Diego before moving back to Los Angeles, where he worked at top talent agencies and management companies in the entertainment industry. These days, Christian is focusing on a career in music. In 2007, he created Broadsound Studios (www.BroadsoundStudios.com), a company that creates original music for film, television, radio and the Internet. Christian is also the assistant to a well-established composer in West Los Angeles. He remains active in the local community and has hosted the Mr. and Miss Palisades contest two times. NOAH KARP 1999 At 25, Noah is a graduate of Cal State University Long Beach with a degree in creative writing. Noah, who worked as a copy editor at the Long Beach Union, is currently taking a poetry class at UCLA. A true Renaissance man, Noah has a wide range of interests, including Zen philosophy. He performs ‘poi,’ a form of fire twirling, and works as a personal trainer at Spectrum in the Palisades. SEAN FRIAR (2001) For the talent portion of the teen contest, Sean played an original composition on the piano. Today, composition is still the main thrust of his studies. In 2007, Sean, 22, earned degrees in music and psychology from UCLA. He is currently pursuing a doctoral degree in music composition at Princeton University as part of a four-year Roger Sessions Fellowship. In June, he won a prestigious Morton Gould Young Composer Award from the American Society of Composers, Authors, and Publishers. In addition to composing, Sean continues to perform as a piano soloist and has sung in choirs at UCLA and Princeton. TOMMY SOBEL (2002) In 2007, Tommy, 22, earned a degree in biology with an emphasis in neuroscience from Duke University. For the past two and a half years, he has been working on a research project at the UCLA Ahmanson-Lovelace Brain Mapping Center. His work will appear as a chapter in an upcoming academic book. Tommy, who made a film for his Mr. Palisades talent, also works as a production assistant at Kennedy/Marshall Company, a film production firm in Santa Monica. His most exciting career moment so far has been working as the personal assistant to the executive producer on the set of the upcoming Indiana Jones movie. ANNE MARIE BARRETTE (2003) A senior at Stanford University, Anne Marie, 22, is majoring in biology. For the past two years, she has also been working for a biotech company in Palo Alto and doing research in a multiple sclerosis lab on campus. Anne Marie finds the work very exciting because it uses cutting-edge technology that very few people have access to. She plans to apply to medical and graduate schools and hopes to pursue a career in medical research studying rheumatoid arthritis. When she isn’t working or studying, she plays intramural volleyball and plays the piano. She also loves cooking and is starting a food blog. RILEY KARP (2004) After one year at USC as a music major, Riley, 20, switched to Santa Monica College. Now, he is planning to transfer to a UC campus in the fall. Even though he wants to change his major to earth sciences, Riley still finds time for music. He plays jazz and classical piano and has performed for private parties and has been hired as a studio musician. When he isn’t studying or performing, he works part-time at Santa Monica Music Center. JAY SOBEL (2005) At 19, Jay is a sophomore at UCLA where he lives on campus. Jay, who made a film for the Mr. Palisades contest, began his college career as an economics major but is thinking about switching his major to film. He has been very active in starting a new fraternity that is due to open this semester. For the past few years, he has also been working as a camp counselor at St. Matthew’s summer day camp.

Man Arrested After Driving Dead Woman to the Palisades

Members of the Los Angeles Police Department, detectives and the LA County coroner were all at the Mobil station at Sunset Boulevard and Swarthmore Avenue on Monday morning, investigating the death of Yolanda Martinez.
Members of the Los Angeles Police Department, detectives and the LA County coroner were all at the Mobil station at Sunset Boulevard and Swarthmore Avenue on Monday morning, investigating the death of Yolanda Martinez.
Photo by Rich Schmitt, Staff Photographer

It was rainy and windy early Monday morning when Pacific Palisades Mobil Station attendant Kazi Uddin took $10 for gas from Carlos Gutierrez, who was driving a red Honda Prelude. Then the night got stormier. Uddin was unaware that a second man had crawled out of the Prelude and was screaming for help. Other customers at the station dialed 911, around 2 a.m., and within minutes police were on the scene. ‘They closed the station down,’ Uddin told the Palisadian-Post. ‘They told me to stay inside.’ It was only later that he discovered that Yolanda Martinez, 37, had been found dead in Gutierrez’s car. ‘How she died and how it happened, it’s very shocking,’ Uddin said. According to an L.A. Times report, Gutierrez, 25, Martinez and Gutierrez’s uncle, 38, were at a Silver Lake night club. At some point the three left the club, after both men had been drinking heavily. Gutierrez started driving west and at some point got angry with Martinez and his uncle. Senior Lead Officer Michael Moore told the Post Wednesday that it was unclear whether Gutierrez had told them to get out of the car or whether they had elected to do that on their own. Once they were out and walking, Gutierrez plowed into them with the car, fatally injuring Martinez and breaking his uncle’s legs. The exact location of the crime is unclear. The uncle was taken to Santa Monica Hospital and Gutierrez was taken into custody. ‘Nobody can figure out where this happened,’ Moore said. ‘Even the suspect and uncle can’t figure out where it was.’ According to Moore, Gutierrez was taken back along the route, which was mostly along Sunset Boulevard, but couldn’t remember where it had happened. ‘It could have been Beverly Hills, West Hollywood, there’s no way to tell where it happened,’ Moore said. The Mobil station re-opened about 9 a.m. Monday morning, once the Los Angeles Coroner had transported the body. Police towed the car, which is considered evidence. According to Moore, Gutierrez was booked on murder charges, because it appears the act was deliberate. The homicide remains under investigation.

Stop-Sign Cameras in Temescal Bring $100 Tickets, Anger and Controversy

The photo-enforced stop sign in Temescal Gateway Park, located at the right-turn up to the Palisades-Malibu YMCA pool, has become controversial as residents question whether it is possible to get a ticket even after coming to a complete stop.
The photo-enforced stop sign in Temescal Gateway Park, located at the right-turn up to the Palisades-Malibu YMCA pool, has become controversial as residents question whether it is possible to get a ticket even after coming to a complete stop.

Since video enforcement at two stop signs in Temescal Gateway Park began five months ago, drivers have received 2,283 citations at $100 each, representing $228,000 in gross revenue. Eighty percent of the money collected goes to the Mountains Conservatory Recreation Area (MCRA) and 20 percent goes to Redflex Traffic Systems Inc., an Australian-based company that owns and operates the cameras. After receiving four $100 tickets for allegedly failing to stop at the stop sign just below the YMCA pool in November, businessman Gary Solomon was puzzled. He was sure he had stopped. He always does on the way to dropping his child off at a preschool in the canyon, and he hasn’t had a moving violation since he was 18. After talking to other preschool parents at the Palisades Jewish Early Childhood Center and Little Dolphins, he realized that he wasn’t alone. ‘How could so many good people be scofflaws?’ Solomon wondered during an interview. ‘They’re just taking their children to preschool or the YMCA pool.’ The problem began in late September, when the camera was installed at the stop sign along the canyon road about a quarter of a mile above Sunset. At that location a motorist either goes straight or turns right and goes uphill to the pool. The posted speed limit is 15 mph, but with two speed humps before the stop sign, it’s hard to accelerate much above the posted speed. In addition, turning left at the stop sign takes the driver immediately over yet a third. unmarked speed hump. Two weeks ago, Solomon took a friend, who is also an engineer, to the stop sign to observe and possibly figure out how he got his four tickets. The two watched cars for about an hour and then noticed something of interest. If a car stops two feet before the white line, the wheels do not hit the sensor in the road. The markings of where the sensor is located is easily seen. This means a car can come to a complete stop without starting the sensor. When the car starts again, rolling over the sensor, the camera begins rolling as if the car had never stopped. ‘It seems to me that this is a total scam,’ Solomon said. MCRA Chief Ranger Walt Young disagrees with his assessment. Although the magnetic sensors in the road start the sequence, ‘The camera records on a loop, so the entire sequence should be on the video,’ he said. ‘It should show them stopping and then there should be no citation given.’ Young pointed out that a ranger observes all of the video and that it is the ranger that issues the citations, not the camera. ‘The Conservancy doesn’t follow the DMV regulations,’ Palisadian and retired Beverly Hills city attorney Jack Allen told the Post on Tuesday. ‘The stop limit line isn’t where it should be.’ Allen also noted that the state vehicle code does not authorize using automated traffic enforcement at stop signs. Solomon paid his $400 in fines, but is contesting all four tickets. He has asked for a hearing, he still has not been assigned a date. The Conservancy’s Diana Hartman told the Post that once the mail-in coupon requesting a hearing and the payment has been received, a hearing is scheduled within 60 days. Residents, who have received a photo enforcement citation are directed to a Web site, where they can watch the tape of the infraction. The Post was able to obtain a citation and watched the video of a car going through the stop sign. There was a certain amount of jerkiness, but Young explained that this was a function of the Internet download speed. The camera records in real time and is television quality, he said. In a July 12 Los Angeles Times story, after the first camera had been installed at the exit to the parking lot in Temescal in June, Joe Edmiston, executive director of the Santa Monica Mountains Conservancy, said: ‘I’m more worried about a law suit from somebody whose child is killed. We’d be sued for millions for not controlling the interface between visitors and cars.’ Allen took the MCRA to task for failing to have a traffic engineering analysis done to see if there were safety issues and if, in fact, there been serious traffic accidents in Temescal park. A study was not done before either camera was installed. Allen is recommending that the Pacific Palisades Community Council ask Senator Sheila Kuehl or Assembly member Julia Brownley to ask the attorney general for an opinion as to the legality of the stop-sign camera and the procedures the Conservancy is using to enforce it.