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‘Chaperone:’ Drowsy and Funny! Theater Review



<p><figcaption class=Aldolpho (James Moye) seduces the Drowsy Chaperone (Nancy Opel) in the Broadway musical, “The Drowsy Chaperone,” which plays through July 20 at the Ahmanson Theatre downtown.

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Aldolpho (James Moye) seduces the Drowsy Chaperone (Nancy Opel) in the Broadway musical, “The Drowsy Chaperone,” which plays through July 20 at the Ahmanson Theatre downtown.

Visit the shabby apartment of a Broadway musical lover and escape into his vivid imagination, where glamorous starlets and handsome young men spring out of the refrigerator and the pullout bed to act out their outrageous love story.
The musical “The Drowsy Chaperone,” playing through July 20 at the Ahmanson Theatre in downtown, first premiered at the theater in 2005 and went on to become a Broadway hit and winner of five Tony awards.
Jonathan Crombie, who plays a fanatic musical fan (Man in Chair), tells the audience that he likes to listen to his favorite cast album, a 1928 fictitious hit, “The Drowsy Chaperone,” whenever he feels blue. He informs the audience that the ’20s was a time when “All the world was a party — for the wealthy anyway.”
Just as the album begins to play on the turntable, the apartment turns into a stage, where Broadway starlet Janet Van De Graaff plans to give up show business to marry a man she just met. On her wedding day, all havoc breaks lose as her producer, a Latin lover, and some gangsters try to break off the wedding to keep her in the biz.
Clever one-liners and puns written by Don McKellar and Bob Martin (who debuted the Man in the Chair role) abound, such as when a gangster disguised as a pastry chef asks, “Do I make myself perfectly éclair?”
Crombie, in a tattered sweater and with unkempt hair, wins over the audience with his performance as the pitiful, yet lovable musical nut. He has every line of the musical memorized and dances along with the actors and actresses, while commenting on the clichés of 1920’s musicals. When the producer (Cliff Bemis) bellows, “Oh, Lord in Heaven” as he contemplates how to stop the wedding, Crombie says, “Now, that was a little overplayed.”
Occasionally, the musical is interrupted when the phone rings or the record sticks, causing the singers to repeat the same lyrics or lines. At one point, the landlord (Chuck Rea) comes inside the apartment to fix a power outage, oblivious to all the Broadway actors and actresses.
Lead actor Mark Ledbetter, as the All-American bridegroom, steals the stage with an impressive tap-dancing performance to shake his pre-wedding jitters. He and his best man (Richard Vida) dance until their feet literally smoke while singing Lisa Lambert and Greg Morrison’s witty lyrics “rhythm make ’dem cold feets trot down the aisle.”
Equally impressive, lead actress Andrea Chamberlain as Van de Graaff whisks around the stage, singing “I don’t wanna show off no more,” while diving through hoops, serenading a snake out of a basket, and escaping from a straitjacket, Houdini style.
Actress Nancy Opel portrays the Drowsy Chaperone, a theatrically over-the-top drunk stumbling around the stage. Her character’s task is to make sure Van de Graaff doesn’t see the bridegroom before the wedding ceremony, but she’s too busy refilling her glass. When Van de Graaff asks her if she has ever considered marriage, she says, “I only drink for pleasure, not out of necessity.”
The most comedic singing performance belongs to actor James Moye as the Latin lover, Adolpho. Adolpho tries to seduce the Drowsy Chaperone, whom he has mistaken for the bride, with a song that extols his own big ego. “The lovely ladies always cheer Adolpho,” he croons, filling the theater with his big voice and nearly losing the interest of the very lady he is trying to attract.
Be prepared to leave the theater with your cheek muscles hurting from laughing so much. It’s no wonder the show, directed and choreographed by Casey Nicholaw, won the New York Drama Critics’ Circle and Drama Desk awards for best musical.
Tickets range from $30 to $90. The theater is located at 135 N. Grand Ave., at Temple Street.
Information: www.centertheatregroup.org or call CTG Audience Services at (213) 628-2772.

Merchants Group Eyes Events To Promote Local Shopping

More than 20 local business owners attended a second merchants meeting at the Chamber of Commerce office on July 8 to discuss events that could promote shopping in Pacific Palisades. ‘We had a nice turnout of enthusiastic merchants,’ said Roy Robbins, owner of the gift and stationery store on Swarthmore. All of the town’s merchants were invited and need not belong to the Chamber to attend these ongoing meetings. Many of the merchants wanted to know how this group’s function differs from SHOPP, which also promotes local shopping. Marni Diamond, former co-owner of Spanky Lane on Via de la Paz, started SHOPP (Shop Pacific Palisades) early this year. ‘Marni is raising awareness to encourage people to shop locally,’ Robbins said. ‘We’re all about giving residents a reason to stay in town when they shop. The two groups are working in tandem.’ ‘Our goal is to come up with about a half-dozen events or campaigns to entice customers to keep shopping in the Village,’ explained Denise Martinez, owner of Boca, a woman’s clothing store on Swarthmore. ‘The Chamber felt that the timing was right to resurrect an effective merchants group,’ Robbins said. ‘Everyone recognizes that the economy is tough.’ ‘This is a way to create camaraderie and promote events,’ Martinez said. ‘We are also more powerful as a group,’ Robbins said. The first promotion will be a coupon card that features a one-time, 20-percent-off-any-item discount at about 40 participating stores. The card should reach Palisades homes in early August. The merchants also discussed plans to make holiday shopping in the Palisades more enticing. They hope to open the season the day after Thanksgiving with a tax-free day, free parking, and evening hours. Participating merchants will decorate their store windows, with customers asked to vote for their favorite. On December 5, there will be a holiday stroll, like the one on Montana Avenue; the following Friday, Santa will come to town during the annual Ho!Ho!Ho! The merchants will meet again in August. Robbins and Martinez are looking for people who are willing to get involved and work on committees. People who have an idea for a shopping promotion can e-mail info@palisadeschamber.com.

Residents Hope Speed Humps Will Curb Speeding on Akron

Residents living on Akron Street have long been upset and frustrated by the many cars speeding along that curvy, hilly connector road between Bienveneda Avenue and Lachman Lane. In the past year, for example, more than 10 parked cars have been scraped or had their side mirrors damaged, and numerous pets have been injured or killed by careless drivers, according to a neighborhood survey. Akron’s posted speed limit of 25 mph is hardly a deterrent, neighbors told the Palisadian-Post. Hoping to slow traffic, residents of the 69 homes that line the street have tried for years to have speed humps installed, but had always been rejected’until this spring, when they achieved a partial victory. A petition for a speed hump on upper Akron between Chattanooga and Lachman Lane was approved on May 5. Residents received a letter stating, ‘As you know, this location was earlier investigated for excessive speeding, and speed humps were recommended as the appropriate traffic measure.’ L.A. Principal Transportation Engineer Glen Ogura has confirmed that a speed hump will be installed on upper Akron by the end of July. Dan Urbach, who lives on lower Akron between Chattanooga and Bienveneda, has applied for a speed hump on that portion of the road. ‘We have his application and we are in the process of doing a study,’ Ogura said. Once the study is completed and if it confirms that the requirements for a speed hump are met, the next step is to have at least 75 percent of the residents sign the petition. The upper-Akron petition garnered 83 percent support. The process to acquired the first speed hump started in February 2007 when Akron residents Andrea and Roger Barton wrote to Department of Transportation Engineer Mohammad H. Blorfroshan, ‘This will be our neighborhood’s third attempt for requesting speed humps on this street,’ the Bartons wrote. ‘Last year the city recognized the speed problem and installed a stop sign on the corner of Akron and Chattanooga, but unfortunately, drivers continue to drive at unsafe speeds past our homes before arriving at the stop sign, which is rarely acknowledged. ‘The speeding problem is very serious. Two dogs were hit and killed yesterday, I was very close to being hit by an SUV while crossing the street with my two-year-old son.’ The couple concluded the letter, ‘Please help us keep our children, neighbors and pets from becoming fatalities. It’s only a matter of time and we would hate to have to reference all three requests in court if anything were to happen.’ Other neighbors recounted their traffic stories: ‘A blue Volkswagen was speeding up Akron and hit a six-month old retriever. They didn’t stop,’ said Katherine Orlinsky. ‘Our car has been in the body shop twice. Everybody has a story.’ ‘People honk at us when we’re trying to back out of our driveways,’ said Diane Braverman, and Gloria Kim commented: ‘My biggest fear is someone is going to take the curve [between Chattanooga and Bienveneda] too fast and hit my boys’ bedroom, which is next to the front yard.’ Hal Schwabe, a retired LAPD officer, told of a drunken driver who recently was speeding on Akron, hit and totaled a Prius, then drove off. Schwabe got into his car and followed him to Lachman Lane, where the driver had hit a truck and wall. The male got out of his car, accompanied by his young son, and said, ‘It’s not my car, I wasn’t driving,’ and started to leave. Schwabe told him he had to stay and the man punched him in the face. The man was subsequently subdued and arrested.

Democrats Fete Political Courage Winners

Honoree Phil Donahue, the former talk show host and co-producer of the feature documentary,”Body of War,” showed excerpts from the film at Sunday’s banquet.
Photo by Rich Schmitt, Staff Photographer

Five political and social activists were honored at the third annual Anne Froehlich Awards Dinner for Political Courage on Sunday at the Fairmont Miramar Hotel in Santa Monica. Hosted by the Pacific Palisades Democratic Club, the event drew a crowd of more than 300 (at $135 per person), despite its mid-summer timing, and celebrated the spirit of Anne Froehlich, who was one of the club’s founders and for over 50 years was its president, treasurer and matchless volunteer until her death in 2005. The first Froehlich dinner honored Daniel Ellsberg and Ron Kovic, who joined the festivities Sunday, and the 2007 awards went to Valerie Plame and Joseph Wilson. This year, Anna Burger, a top-ranking officer at Service Employees International Union (SEIU), the nation’s largest and fastest growing union, introduced the first honoree, Robert Greenwald. ‘He’s a great filmmaker and a great agitator, who uses his creativity to take on important political battles,’ said Burger, who’s the first chair of America’s newest labor federation, Change to Win. ‘My grandfather was a union organizer,’ Greenwald told the audience, ‘and one of the highlights of my young life was going with him to Union Square to listen to people give political speeches.’ Greenwald’s films have addressed numerous social issues and include ‘Iraq for Sale: The War Profiteers,’ ‘Wal-Mart: The High Cost of Low Prices,’ and ‘Outfoxed: Rupert Murdoch’s War on Journalism.’ Through Brave New Films, he also uses the ‘quick strike capability’ of the Internet to produce video campaigns that are viewed by millions of viewers in a short span of time (e.g., ‘The Real Rudy,’ ‘Fox Attacks Obama,’ ‘The REAL McCain’). ‘An amazing revolution is going on,’ Greenwald said, thanks to the Internet. ‘We had a paid team of editors, producers and researchers working incredibly hard for six or seven weeks on the McCain video, but then we reached almost three million people in just four weeks’without having to buy one second of TV advertising, because people like you are sending it forward.’ Noting that ‘this ability to reach people and motivate them without a gatekeeper in the way”and without having to buy a cable network”is a whole new world,’ Greenwald challenged the progressive Democrats in his audience to capitalize on the Web revolution. ‘There’s no excuse not to do something, to get involved and take action to bring about the social change we want.’ Congresswoman Maxine Waters, one of the most vocal opponents against going to war in Iraq, introduced the next two honorees, Betty and Stanley Sheinbaum of Brentwood, who have toiled decades as political and social activists. ‘Betty and Stanley are two of the kindest, most generous and most caring human beings I have ever known,’ said Waters, who noted that they have given their home, resources and leadership to countless organizations over the years, while ‘calling people to task’ on various political and humanitarian campaigns. Betty, 88, delivered an inspiring, heartfelt speech that will be published in next week’s Palisadian-Post. Her husband, also 88 this year, spoke into a microphone at his seat and commented, ‘It is clearly happening, very rapidly, that the Democrats are on their way back. It’s very heartening to me that this is happening, and let’s keep going!’ Dinner co-chair Alice Lynn introduced the final three award-winners: former talk-show host Phil Donahue and filmmaker Ellen Spiro, who co-produced this year’s critically acclaimed documentary ‘Body of War,’ and Tomas Young (in absentia), whose story is told in the film. His mother, Cathy Smith, spoke on his behalf.

Council Joins Street Furniture Fight

L.A. City officials and CBS/Decaux have proposed placing public-amenity kiosks (PAKs) in Pacific Palisades as part of a 20-year contract. PAKs are freestanding three-sided or two-sided structures, which have one or two advertising panels and a panel for a local vicinity map, community poster or public-service announcement. This PAK is located on Spring Street in downtown Los Angeles.  Photo: Courtesy CBS/Decaux
L.A. City officials and CBS/Decaux have proposed placing public-amenity kiosks (PAKs) in Pacific Palisades as part of a 20-year contract. PAKs are freestanding three-sided or two-sided structures, which have one or two advertising panels and a panel for a local vicinity map, community poster or public-service announcement. This PAK is located on Spring Street in downtown Los Angeles. Photo: Courtesy CBS/Decaux

Wanting to prevent the City of Los Angeles from installing street furniture displaying advertising in the Village and on Sunset Boulevard, the Pacific Palisades Community Council voted unanimously last Thursday to pay for legal research. The Council agreed to join the Brentwood Community Council and neighborhood associations in Century City and Westwood, which have hired attorney Beverly Grossman Palmer to discuss strategies for how to legally battle street furniture. The Council voted to contribute $5,000 toward the legal research. Another Palisades organization, P.R.I.D.E, donated $1,000 to the Council for the cause. Brentwood Community Council Chair Wendy-Sue Rosen had asked the Council to contribute to their efforts at the previous Council meeting on June 26. Council Vice Chair Susan Nash, an attorney, will represent the Council during the meetings with Palmer. ‘I think we need to fight this vigorously,’ Council member Mike Stryer said. ‘I think we need to be strong.’ The City and CBS/Decaux signed an agreement in 2001 to install 3,350 bus shelters, newsstands, public toilets and kiosks displaying advertising (mostly of upcoming movies) citywide in the next 20 years. The city receives a guaranteed share of the total profit (about $150 million) from the advertising revenue and uses the money for beautification projects. On Thursday, Guillermo Gonzalez, CBS/Decaux director of street furniture operations, told the Council that his company would like to place a bus shelter on the corner of Via de la Paz and Sunset and two public-amenity kiosks (PAKs), one at Sunset and Castellammare and the other at Sunset and Pacific Coast Highway. ‘We have to be in the [Village],’ Gonzalez said. ‘Some people are for the bus shelters because people take the bus, especially with high gas prices. Some people don’t see any use for the PAKs, so we are willing to take a couple outside the downtown area.’ PAKs are freestanding three-sided or two-sided structures, which have one or two advertising panels and a panel for a local vicinity map, community poster or public-service announcement. Council Chair Richard G. Cohen informed Gonzalez that the Council is concerned that the contract between the city and CBS/Decaux violates the city’s General Plan. Beverly Palmer, an attorney with Strumwasser & Woocher, found that the contract violates the city’s General Plan, which protects scenic highways (such as Sunset Boulevard) and scenic corridors (San Vicente) from advertising signs, as well as Brentwood and Pacific Palisades Specific Plans, which have signage restrictions. ‘We embrace the Specific Plan, and we think it protects our Village and Sunset,’ Cohen said. Lance M. Oishi, L.A. Department of Public Works contract administrator of the coordinated street furniture program, said City Attorney’s Office reviewed the city’s plans and determined that the Specific Plans restrict signage on private property but not on the public right-away. Therefore, the Department of Public Works can decide how sidewalks are used. ‘We recognize that people don’t agree with that,’ Oishi said. ‘But that is where I sit to facilitate the contract.’ Cohen asked if CBS/Decaux would consider locations outside the Specific Plan area, since the Council does not want the proposed bus shelter on the corner of Via de la Paz and Sunset. ‘Your position is that you get to do what you want to,’ Cohen said. ‘But if you want to be friends, we ask that you respect the intent of the Specific Plan. We would like the opportunity to find alternative sites that don’t violate our principles.’ In response, Gonzalez said, ‘We need a bus shelter in the heart of the Village. That’s our position.’ Cohen then asked whether CBS/Decaux would agree in writing to not install any more street-furniture items in the Palisades if the Council agreed to install a bus shelter and two PAKs. Gonzalez replied that he would speak to his boss about the possibility. The Council decided to search for alternative sites that might satisfy CBS/Decaux and the community. To install the street furniture, the contract stipulates that the City Council, Bureau of Street Services and CBS/Decaux can propose sites, Oishi said. Community outreach is done and residents can suggest alternatives to the proposed sites, which will be considered. Each City Council member then decides whether to sign off on the proposed sites for his or her district. In the future, there is a possibility that if a City Council member doesn’t approve enough locations in his or her district to comply with the contract, the entire City Council could vote on where those items will be placed, Oishi said. ‘It’s a proposal that has been discussed,’ he said. ‘It may or may not happen.’ Oishi continued that the city would like to install the street furniture soon in order to start receiving the monetary benefits. Although the money is divided evenly among the Council districts, the furniture is not distributed equally. The street furniture is issued to districts on the basis of need, the city’s obligation under the contract and revenue requirements for the program. Districts 11 and 5 (Westwood, Century City and Sherman Oaks) are expected to install the majority of the street furniture. The City is behind on complying with the contract because of community opposition, Oishi said. The idea was to install all of the street furniture within the first two to five years of the contract, so there would be 15 to 18 years to generate advertising revenue. So far, CBS/Decaux has paid the city about $18 million, but if the city had rolled out the street furniture on schedule, it would have received about $32 million to date, according to a letter from the Office of the City Attorney. ‘We have done our due diligence; this is the third time we’ve come to these meetings, ‘ Oishi said of working with communities to find preferable locations. ‘There is a sense of urgency. We need to move forward to make this program successful.’

PaliHi Pool Groundbreaking August 1

Rose Gilbert’s Last-Minute $900,000 Donation Seals the Contract

The Maggie Gilbert Aquatic Center, supported by a $2 million donation from teacher Rose Gilbert, will be built on the corner of Temescal Canyon Road and Bowdoin Street, featuring a deep ten-lane competition pool and a shallow two-lane teaching pool. Rendering: Courtesy Maggie Nance
The Maggie Gilbert Aquatic Center, supported by a $2 million donation from teacher Rose Gilbert, will be built on the corner of Temescal Canyon Road and Bowdoin Street, featuring a deep ten-lane competition pool and a shallow two-lane teaching pool. Rendering: Courtesy Maggie Nance

Legendary English teacher Rose Gilbert donated another $900,000 for the Palisades Charter High School’s state-of-the-art aquatic center on Tuesday. At the board of director’s meeting, Gilbert presented the board with a cardboard check, and said, ‘I’m the God fairy who came in the middle of the night, so put on your swimsuits.’ Gilbert, 89, had already donated $1.1 million for the center, which will be named after her late daughter and swimmer, Maggie Gilbert. Her latest contribution brings the total amount the school has raised to about $2.6 million. The board of directors had agreed earlier that the school would not break ground until 75 percent of the funds were in the bank. The estimated cost of the aquatic center is $3.5 million. The high school has received four bids from pool contractors for the project and two of those bids are in the $3.5-million price range, said Gregory Wood, chief business officer. ‘Thanks to Rose’s $900,000, we are really in the position to move forward,’ Wood told the board on Tuesday. Gilbert had only one stipulation for her donation ‘ she wanted a groundbreaking ceremony on Friday, August 1. ‘My birthday is August 2, and I wanted it before my 90th birthday,’ Gilbert said. ‘I have never written a check that big, but I feel like I am doing it for Maggie and for every kid at PaliHi.’ Gilbert said she envisions the pool being used for physical education classes, and she hopes there will be a requirement that all students have to learn to swim in order to graduate from high school. The PaliHi pool committee’s goal was to secure 75 percent of the money and host a groundbreaking ceremony in August, said Jeanne Goldsmith, whose consulting firm was hired to fundraise. Before receiving Gilbert’s latest donation, the committee had about $1.6 million raised and was searching for ways to fill the gap to meet the August deadline. ‘Rose has done a lot to make this happen,’ Goldsmith said. ‘She is an amazing woman.’ The board voted unanimously to give the pool committee the authority to select a pool contractor. To honor Gilbert’s request, a groundbreaking ceremony will be held on August 1 from 3 to 5 p.m. at the high school. The aquatic center will be built at the corner of Temescal Canyon Road and Bowdoin Street, replacing the outdoor handball and basketball courts. The main 10-lane pool and adjoining two-lane lap pool will be available for water polo games, water aerobics, diving, swimming lessons, lap swimmers and more. The center should be complete in summer or fall of 2009. PaliHi still needs another $900,000 to complete the project. Wood said that if necessary, the school could easily secure a loan for that amount. By renting the facility to swim teams and aquatic groups outside school hours, the pool should generate about $540,000 in annual revenue. He expects the pool will cost about $370,000 to operate and the remaining $170,000 could be used to pay off the loan. Goldsmith said she doesn’t plan to slow fundraising efforts. A group of PaliHi students in a marketing club are promoting the pool. They and other supporters have hosted neighborhood parties and more are planned. Supporters have also raised $15,000 by spending two hours on the phone seeking donations and plan to raise more money through phone solicitations. Board member Eileen Savage, who is also on the pool committee, wrote in a letter to the Palisadian-Post that the pool will be available for community use daily for about two hours before school starts (5:30-7:30 a.m.) and six hours after school ends at 3 p.m. ‘ The pool will also be open on the weekends and most holidays (closed on national holidays) and during summer vacation. Since PaliHi will be contracting with groups such as swim clubs and water polo clubs, the school will post updates quarterly on lane availability for community members, Savage said. ‘Our goal is to meet the needs of as many community members as possible, while ensuring that our students benefit from aquatics as part of their regular PE curriculum and that we have facilities that support the school’s athletic programs,’ Savage wrote.

Riley Headed for Olympic Games

Ali Riley will play for the New Zealand women's soccer team at the Summer Olympics in Beijing in August. Photo: David Gonzales/Stanford Athletics
Ali Riley will play for the New Zealand women’s soccer team at the Summer Olympics in Beijing in August. Photo: David Gonzales/Stanford Athletics

Ali Riley has been doing magical things with a soccer ball ever since she first laced up a pair of cleats. Now, she’s about to make more magic in Beijing, China, as a member of the New Zealand national team, which will be making its first appearance in the Olympics. Riley, a junior at Stanford University, already has 19 caps for the Football Ferns and will play a vital role in midfield at the Summer Games next month. “I have dreamed of going to an Olympic Games since I first picked up a soccer ball,” Riley said. “I am truly honored to have been given the opportunity to represent my country.” Riley, 20, was an All-CIF and All-Mission League player at Harvard-Westlake High in North Hollywood and has placed first in her age group in the Palisades-Will Rogers race several times. She was the Palisadian-Post’s Female Athlete of the Year in 2006. “We are very proud of Ali making the New Zealand Olympic squad,” Stanford Coach Paul Ratcliffe said. “Everybody involved in our program is looking forward to watching Ali represent New Zealand in China, and the New Zealand-United States game [August 12] where she will face former Stanford teammates Rachel Buehler and Nicole Barnhart.”

Howland’s Camp Starts Monday

UCLA Coach Ben Howland will be back at Palisades High next week for his annual youth basketball camp.
UCLA Coach Ben Howland will be back at Palisades High next week for his annual youth basketball camp.
Photo by Rich Schmitt, Staff Photographer

UCLA men’s basketball coach Ben Howland and his staff will conduct a youth basketball camp at Palisades High next Monday through Friday, July 21-25. The five-day camp is open to boys and girls ages 6-12 and will include passing, dribbling and shooting drills as well as three-on-three and five-on-five games. Camps run from 9 a.m. to 3 p.m. each day. Cost is $325 per player and space is limited. For more information, visit the Web site at www.camphowland.com. It will be the third consecutive year that Howland and his staff will conduct their camp at Palisades High. The inaugural camp in 2006 attracted 124 kids and guard Darren Collison dazzled his young audience with a shooting exhibition. Last year, it was forward Lorenzo Mata’s dribbling display that had the kids equally impressed. Howland led the Bruins to the Pac-10 title and their third consecutive NCAA Final Four appearance in March. Considered one of the top college coaches in the country, Howland owns a 126-45 record in his five seasons at UCLA (a .737 winning percentage). He was named Pac-10 Coach of the Year in 2006. Before arriving in Westwood, he led Northern Arizona and Pittsburgh to the NCAA tournament–making him one of just a handful of coaches to take three different schools. Howland’s teams are known for tenacious man-to-man defense.

Pali Blues Dominate Home Finale

Pali Blues midfielder Brittany Klein dribbles towards goal Friday against Real Colorado at Stadium by the Sea. Photo: Lawrence Shin
Pali Blues midfielder Brittany Klein dribbles towards goal Friday against Real Colorado at Stadium by the Sea. Photo: Lawrence Shin

BY JEFF GOODMAN Palisadian-Post Intern The Pali Blues had been doing it all season long, outplaying their opponents on both ends of the field and dominating from start to finish. So it was no surprise that, in their last regular season home game the Blues put forth an effort that impressed not only their fans but also their opponent. The Blues scored first and never looked back, adding three more goals in the first half alone en route to a 6-0 shutout over Real Colorado last Thursday night at Palisades High’s Stadium by the Sea. Having already clinched the W-League’s first Western Conference championship the Blues (11-0-0) showed why they are unblemished heading into Friday’s season finale against the Los Angeles Legends. The Cougars (3-2-3), who lost 5-1 to the Blues in their first meeting, found the rematch even tougher. Kara Kabellis scored the first goal of the game in the 16th minute. Collette McCallum found the net twice in 10 minutes, and her corner kick to Amy LePeilbet netted the Blues’ fourth goal in the 43rd minute. “I thought we were pretty efficient,” Blues Head Coach Charlie Naimo said. “We had pretty good possession, and we were able to get quality chances. It’s nice to see us break through with a bunch of goals.” The Blues kept up the pressure after halftime and were rewarded twice. Jill Oakes scored on a header in the 62nd minute and India Trotter capped off the night in the 73rd minute with a smooth crossover and a low shot that bulged the back left corner of the net. The offensive explosion was a welcome sight for Naimo, whose team scored more goals against the Cougars than it did in its last three games combined. The defense, however, has been as good as any coach could want: six shutouts in the last six games. In fact, the Blues haven’t surrendered a goal since their last game against Real Colorado in Centennial on June 8. So with the defense a stone wall and the offense suddenly clicking, the Blues look to be a force to be reckoned with when the postseason begins later this month. Winning the conference was merely the first step for a team looking more and more like a juggernaut every game. “That was goal number one,” said Naimo, who hopes to reach the finals for the third time in five years. “Obviously, you cross it off the list, and the next goal is regular season champions. Then we go on to the ultimate prize.” For Naimo, the prize of the night was being able to give ample playing time to all six reserves. Such depth, coupled with a healthy lineup and a little bit of luck, is crucial to a run for the league crown, he said. Naimo is not surprised by his team’s success, even in its inaugural season. “The ownership wanted to give something great to the Palisades,” he said. “I started working back on this project in October, and from day one the goal was to challenge for a championship.” Now that goal seems very much within reach. The Blues and Legends kick off at 7 p.m. tomorrow at Citrus College. The Blues defeated their cross-city rivals 4-0 in their first meeting May 17. Having previously coached the United Soccer League’s New Jersey Wildcats, Naimo is quite familiar with his competition and said several teams in the East are capable of challenging the Blues in the playoffs. “I believe on paper we have the most talent but that doesn’t mean there aren’t teams out there who can beat us,” Naimo said. “I have the advantage of knowing them but they may not know us.” The Blues will be the West’s top seed for the playoffs and have a bye in next Tuesday’s divisional round. The conference semifinals are next weekend and the league championship match is August 2 in Virginia Beach.

A Home for Exiles Clings to a Hillside



<p><figcaption class=The architecture of Villa Aurora, built in Paseo Miramar in 1928, was loosely based on Roman, Moorish and Middle Eastern elements fused in a style called Mudéjar.
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The architecture of Villa Aurora, built in Paseo Miramar in 1928, was loosely based on Roman, Moorish and Middle Eastern elements fused in a style called Mudéjar.
Photo by Rich Schmitt, Staff Photographer

Villa Aurora may be the most secret cultural heritage monument in Pacific Palisades, often confused with the “other” villas in town—the Getty Villa and the Villa Leon, whose Italianate portico stands like a sentinel looking over Pacific Coast Highway.
While its seclusion in the hills of Paseo Miramar serves Villa Aurora’s primary mission as a retreat for writers and artists, its programs, musical events and receptions remain a mystery to many Palisadians.
Villa Aurora was built in 1928 for judge Arthur Weber, one of the developers of Miramar Estates (Paseo Miramar), who reportedly patterned the house after a small castle he had seen near Seville. Authenticity was key, importing wood for a ceiling from Spain, and the patio fountain from Italy.
The house with its 14 rooms on three floors is distinguished by its “carpets” of majolica tile produced by the Hispano-Moresque Company of Los Angeles.
The location on a challenging hillside was selected by the Los Angeles Times for a Demonstration Home intended to promote Miramar Estates as a superb location, “the ocean terminus of Beverly Boulevard (Sunset).” The project was used as a model of design, quality construction and up-to-date amenities, including an electric dishwasher.
As a consequence of the Depression, the neighborhood developed slowly and Weber’s “villa” remained a lonely place, with few neighbors. In 1939, partly because of the impact of the isolated life on Weber’s young son, the family moved to Santa Monica.
Perhaps the biggest misconception of the villa is its very name. Former resident Lamont Johnson recalled that in the early 1960s, the neighborhood wanted to give the little enclave a European cache by titling the major Mediterranean-style structures with French and Italian sounding names. Marble plaques were produced with a variety of romantic sounding names and affixed to nine houses, including Villa Aurora.
The real story of Villa Aurora and the genesis of its important history and current mission began with German novelist and Nobel Prize nominee Lion Feuchtwanger, who managed to escape Nazi persecution and settled in Los Angeles in 1941.
Smitten by the climate and the ocean, Lion and his wife Marta purchased the villa despite its having been thoroughly neglected while in bank foreclosure. Windows were broken, there was a foot of dirt on the floors, and the garden had turned to weeds. Gradually the Feuchtwangers cleaned up the house, purchased second-hand furniture, and with proceeds from Lion’s book sales purchased more lots for privacy. They built paths down the hillside and bridges over the ravines; Marta planted trees and designed flowerbeds with roses and seasonal varieties. Lion’s generous income from movie rights permitted them both to indulge their hobbies—Marta to buy trees and Lion to assemble a new library.
Soon the Feuchtwanger home became a Mecca for friends and compatriots, including fellow émigrés Bertolt Brecht, Thomas Mann and Salka Viertel.
Charles Chaplin was a frequent guest, and Charles Laughton gave Shakespearean readings in the garden. The Feuchtwangers and Manns also took turns hosting large dinner parties at which the men read from their latest manuscripts.
Despite the 8 p.m. curfew imposed on them by the wartime U.S. government, which designated the Germans “enemy aliens,” many of the writers accepted the restrictions and used the long evenings productively, working on their manuscripts.
After the war, the House Un-American Activities Committee charged many of the émigrés with “premature antifascism”—being opposed to fascism before the U.S. entered World War II.
Feuchtwanger was called before the committee and action on his citizenship papers was repeatedly delayed. He appeared before the committee a week before he died (in 1958), missing his final, ironic vindication. Marta was told the day before his death that her citizenship request had been granted and that, had he lived, Lion would have become an American citizen as well.
Marta continued to live in the house, pledging it to USC upon her death to establish the Feuchtwanger Institute for the Study of Exile Literature. She also donated Lion’s library, their house and the gardens to the university.
His bequeath opened the new and most important chapter in the story of Villa Aurora.
Challenges ensued, most critically the financial support of the Villa. USC’s subtle threat to sell the house to assure the upkeep of the library energized political support in Germany and birthed the idea of the Villa Aurora as an artists’ residence, and the formation of Friends of Villa Aurora, to assure the villa’s financial future.
The Friends, a private nonprofit organization in Berlin, began a major restoration of the house between 1992 and 1994, which involved shoring up the foundation, stabilizing the hillside and replacing all the pipes and electrical circuits.
A major assist in reducing overhead arrived with the designation of the Villa as a Historical Landmark in California, which resulted in a reduction in real estate taxes.
By the fall of 1995, the Villa was prepared to welcome the first two artists in residence, and in December of that year the Villa officially celebrated its new identity.
A local director was appointed and since that time, Villa Aurora and the Feuchtwanger Library (which resides for the most part at USC) have co-sponsored a variety of programs and projects.
These days, Villa Aurora continues its core activity, the Artists in Residence program, which each year brings up to 16 individuals for three-month stays. These young artists—painters, writers, playwrights, photographers, dancers—are not required to be German citizens but must be living and working in Germany to qualify to apply.
In addition, the Villa offers an annual Feuchtwanger Fellowship, which provides a residency of up to 12 months to a writer from anywhere in the world who is being persecuted or forced to live in exile.
The Villa staff organizes individual presentations for each of the artists and works closely with local cultural and education institutions to organize readings, exhibitions concerts, screenings, workshops panel discussion, salons and receptions.
The upcoming LACMA exhibition, “German Art after 1945,” will provide an opportunity for programming between the two institutions.
This year, the 50th anniversary of Feuchtwanger’s death, has also produced a number of local programs in conjunction with the library at USC.
While Villa Aurora retains much of Lion Feuchtwanger’s library and personal possessions, its lifeblood is the artists and visitors who continue to energize the intellectual and artistic connections. It functions as a living memorial to the great artists and intellectuals who found refuge from Nazi Germany in Southern California and it also reminds us of the importance of fighting for freedom of expression around the globe.