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Make-An-Outfit Emphasizes Creativity



<p><figcaption class=Pacific Palisades resident Elizabeth Wiatt (above) is the co-owner of a new clothing boutique, Fashionology, which opened in Beverly Hills on June 14. At left, Santa Monica resident Parker James, 7, and her mother Mimi James design a tank top at the touch-computer screen.
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Pacific Palisades resident Elizabeth Wiatt (above) is the co-owner of a new clothing boutique, Fashionology, which opened in Beverly Hills on June 14. At left, Santa Monica resident Parker James, 7, and her mother Mimi James design a tank top at the touch-computer screen.
Photo by Rich Schmitt, Staff Photographer

The words “Dream it” are painted in bright orange bubble letters inside Fashionology, a new fashion boutique in Beverly Hills for ‘tweens’ and teens.
The familiar phrase captures the philosophy of the store created by Pacific Palisades resident Elizabeth Wiatt and her business partner, Jamie Tisch. The women ask girls to use their imagination to make and design their own clothing rather than simply buy it. The concept is similar to the popular store Build-A-Bear (where kids make their own bear) except with clothing.
“We believe in creative empowerment,” Wiatt said in an interview at her boutique. “We want girls to feel like they can express themselves.”
The women opened their boutique at 342 N. Canon Dr. on June 14 after working on the concept for nearly two years.
It all started because “Jamie and I wanted to teach our children to sew,” Wiatt said. The mothers, who met 15 years ago through their husbands, figured it would be a great idea to make fashion a creative, collaborative activity.
They hired Big Buddha Baba, a Los Angeles firm that creates interactive media experiences for theme parks, museums and retail destinations, to develop an environment for girls ages 6 to 14 to create fashion. They soon realized that it would be too difficult to teach a young girl to sew in a few hours, so they developed a simpler design experience.
A girl selects a solid-colored tunic, hoodie, tee or skirt and then uses a design pad or touch-computer screen to choose from five different looks: Malibu, Rock, Peace, Pop and Juku.
If a girl selects Malibu, for example, she can decide what graphics she would like on her apparel, such as an ocean wave, dolphin or a seashell. She can add a charm, pin, stud, clip or patch that match the surfer theme. When she finishes designing her outfit, the total cost is displayed on screen. The average price is $42, but it depends on how much “bling” is added, Tisch said, laughing. One girl walked out with a $100 dress.
“It’s a really chatty, social experience,” Wiatt said, adding that a group of girls will gather around one screen to give one another suggestions.
The girl then prints out her design for one of the eight fashionologists (retail workers) who heat-transfer the graphic onto the clothing. The girl receives a tray of her embellishments (pins, charms and patches) to take to the Make-it table.
The fashionologist will teach her to sew on a patch using a string and needle as well as how to put on the studs. The entire process takes 20 minutes to two hours depending on how much thought the girl puts into her creation. At the end, the girl’s photo is taken.
“It’s a congratulations moment,” Wiatt said. “The photo is not about how she looks in the design; it’s about memorializing her creative process.”
It’s an activity where parents can also help out, Tisch said. “We’ve found that mothers even like to make their own.”
While developing the concept, Wiatt and Tisch received feedback from their daughters — the target demographic. Wiatt’s daughters (Caroline, 7, and Isabel, 8) and Tisch’s daughters (Elizabeth, 10, and Holden, 8) acted as fit models for the clothing and helped choose the colors for the apparel. At one point, the mothers almost discarded a graphic of a girl with a tree growing out of her head, but their daughters loved it and the image has since become one of their best sellers. Elizabeth even thought of the name for the store.
“They helped so much that I think they were going to unionize at one point,” Wiatt said with a laugh.
Wiatt, 41, and Tisch, 39, also brought their own fashion expertise to the venture. After graduating from Columbia University in New York with a degree in literature, Wiatt became an editorial assistant for Vanity Fair and Vogue in New York. She moved to Los Angeles in 1992 to work as a writers’ agent and later became the West Coast editor for Marie Claire.
“I knew I wanted to somehow be involved with fashion, and I was exploring it through magazines,” Wiatt said. “It was so creative and fun.”
She worked at Marie Claire for five years before deciding to stay at home with her daughters. Wiatt, whose husband is Jim Wiatt, CEO of the William Morris Agency, also focused her energies on nonprofit work, mainly in the environmental field. She is a member of the Natural Resources Defense Council.
Wiatt incorporated her commitment to the environment into Fashionology. The carpet inside the boutique is made of recycled materials and the clothing tags are made of post-consumer recycled paper printed with soy ink. “We are very conscious about the environment,” she said.
Tisch, who lived in Pacific Palisades for a several years, worked for five years as the national sales manager of PG Collections, a clothing manufacturer in Los Angeles. She earlier earned a degree in business marketing from the University of Alabama.
“I have always been into fashion as a consumer, and I moved to L.A. because that is what I wanted to do,” Tisch said.
She left her job in 1996 to marry her former husband Steve Tisch, film producer and co-owner of the New York Giants, and raise their three children (Holden has a twin brother Zachary). Tisch also became dedicated to charity and co-founded the Entertainment Industry’s Women’s Cancer Research Fund.
She and Wiatt are excited by the success of their store. Since opening, celebrities have shopped there, including actress Emily Osment from the television show Hannah Montana, and Sabrina Bryan from The Cheetah Girls.
Fashionology’s three birthday-party packages ranging from $60 to $300 plus tax/per guest are also a hit, accounting for a third of their business. By the end of 2008, the moms plan to expand their Web site (www.fashionologyla.com), so that girls can design clothing at home.
“We can empower girls across the country to make their own designs,” Wiatt said.

Lindsay Aydelott and Noah Kovner Wed in Woodside Ceremony



<p><figcaption class=Noah Kovner and Lindsay Aydelott were married in July.
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Noah Kovner and Lindsay Aydelott were married in July.

Lindsay Catherine Aydelott, daughter of Mike and Cathy Aydelott, and Noah Andras Kovner, son of Virginia Kovner and the late Joel Kovner, married on Saturday, July 26, in Woodside, California.
Lindsay hails from San Carlos. She went to UC San Diego and received a B.A. in sociology. She attended UCLA for her graduate degree in education and currently works as graduate student advisor in the history department at UCLA.
Noah grew up in Pacific Palisades and earned a B.A. in economics from UC San Diego. He is the manager of an Enterprise Rent-A-Car branch in Santa Monica.
After a honeymoon in Italy, the couple are at home in L.A.’s Palms neighborhood.

Luttgens Named CEO of Girl Scouts of Greater L.A.



<p><figcaption class=Palisadian Lise Luttgens
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Palisadian Lise Luttgens

Lise L. Luttgens has been selected as the Chief Executive Officer for the soon-to-be-formed Girl Scouts of Greater Los Angeles, effective Sept. 1.
The new Girl Scout council will be the result of a historic merger of six Los Angeles area legacy Girl Scout councils. Angeles Girl Scout Council, Girl Scout Council of Greater Long Beach, Girl Scouts – Joshua Tree Council, Girl Scouts – Mt. Wilson Vista Council, Girl Scouts – Spanish Trails Council, and Girl Scouts of the San Fernando Valley are participating in an ongoing merger process to form a single council that will serve Girl Scouts throughout the greater Los Angeles community and parts of San Bernardino County beginning Dec. 1.
A Palisadian since 1984, Luttgens received a bachelor’s degree in psychology from Beloit College in Wisconsin, a master’s degree in public health (hospital administration) from Yale University’s School of Medicine, and an advanced fellowship in academic medical center administration from the University of Michigan. She completed the Executive Management Program from the UCLA Anderson Graduate School of Management and received certification from the College of Executive Coaching. Luttgens is vice president of the Board of Trustees of the Los Angeles Ronald McDonald House and past president of the Organization of Women Executives. Luttgens is a resident of the Palisades Highlands and the mother of a 19-year-old daughter currently attending Colorado College.
A former Girl Scout, Luttgens a founded the Los Angeles-based firm Luttgens & Associates, Inc., in 2001, which specializes in non profit and health care organizations.
“Leading during this time of transformation and creating a new structure for these young women is a wonderful next step,” Luttgens said. “I am very excited to be working with the existing CEOs, their staffs, and their boards to achieve a smooth transition and create a new vision for Girl Scouts of Greater Los Angeles.”

LACMA Acquires Former Palisadians’ Photo Archive



<p><figcaption class=Julia Margaret Cameron (England, 1815-1879) “Mrs. Herbert Duckworth,” c. 1867, Albumen print from a collodion negative.
The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, and promised gift of Carol Vernon and Robert Turbin.

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Julia Margaret Cameron (England, 1815-1879) “Mrs. Herbert Duckworth,” c. 1867, Albumen print from a collodion negative.
The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, and promised gift of Carol Vernon and Robert Turbin.

The Los Angeles County Museum of Art (LACMA) has acquired The Marjorie and Leonard Vernon Collection, a group of more than 3,500 prints that forms one of the finest histories of photography and collections of masterworks from the 19th and 20th centuries.
Highlights, including seminal photographs by Ansel Adams, Julia Margaret Cameron, Edward Steichen, W.H. Fox Talbot and Edward Weston, will be presented in LACMA’s exhibition, “A Story of Photography: The Marjorie and Leonard Vernon Collection,” opening October 5 in the Ahmanson Building. Through the largesse of Wallis Annenberg and the Annenberg Foundation, the collection becomes the most significant and valuable gift of photography in the museum’s history.
Annenberg’s support of LACMA includes a new study room, opening in early 2011, that will allow for access to the entire photography collection at LACMA.
Marjorie and Leonard Vernon, former Pacific Palisades residents now deceased, began to amass their expansive collection in 1976.
“People thought we were crazy,” Leonard recalled in an interview with the Palisadian-Post in 1999. “Our kids thought we were crazy!
“Three generations of people now have been surrounded with photographs,” Leonard continued. “In 1936, Life magazine began to use photos not only for reportage but also for illustration, so photography became a very significant part of their lives. It took another generation to realize that they were also surrounded by a very strong art form.”
The Vernons cultivated a group of works with global significance that especially highlighted the riches of West Coast photography in the early and mid-20th century. The collection grew over the years to include works by 700 photographers, with the earliest photographs dating from the 1840s. The couple were also pioneer Los Angeles collectors and supporters of local talent.
The collection was acquired from Carol Vernon and Robert Turbin, including a partial gift of a selection of the photographs. “My parents would be pleased to know that the collection they so passionately fostered will remain together in Los Angeles, a city rapidly developing into a photography collecting hub,” Carol said.
Key works on view in the Vernon collection will include Ansel Adams’ “Moonrise, Hernandez” (1941), one of his most famous and most difficult photographs to print, as well as Edward Weston’s “Nude” (1925), from what Weston considered the finest series of nudes he created, and Imogen Cunningham’s “Magnolia Blossom” (1925), which exemplifies the photographer’s interest in pattern and especially plant structures.
Other iconic works represented are Gustav le Gray’s “The Great Wave, Sete” (1856-57), a photograph that demonstrates le Gray’s ambition and invention in capturing the rapid movement of the surf at such an early stage of photography’s technical development. Julia Margaret Cameron’s “Mrs. Herbert Duckworth” (1867), also in the exhibition, is an example of exquisite framing and masterful lighting with the photographer’s niece, later to become Virginia Woolf’s mother, as the subject.
Contact: 323 857-6000 or visit lacma.org.

Local TV Producer Developed Hits From Night Court to Judge Judy



<p><figcaption class=Palisadian TV producer Larry Lyttle in his Rustic Canyon office.

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Palisadian TV producer Larry Lyttle in his Rustic Canyon office.

Photo by Rich Schmitt, Staff Photographer

From courtroom sitcom Night Court to courtroom reality television Judge Judy and Judge Joe Brown, Larry Lyttle developed viable concepts that have endured on the increasingly fickle television airwaves.
A Pacific Palisades resident since 1997, Lyttle put much thought into moving to the area.
“I live in Rustic Canyon,” the veteran television producer/executive tells the Palisadian-Post. “It brings a sense of Northern California. I like some of the restaurants, especially. As a community, it has a nice feel.”
Lyttle grew up in New York City, the only child of a father in real estate and a speech therapist mother. He attended the University of Wisconsin and Northwestern, where he pursued his master’s in journalism, against his mother’s wishes.
“I went to grad school as a way of avoiding law school,” says the wry-witted Lyttle, now in his 50s. “My theory is: you hire lawyers . . . ”
That said, Lyttle admits that he’s “not a tortured writer, but I had a difficult time getting things out in the timely way. Clearly, I could not write a daily column. I had a local little sports show, an RKO show in Chicago—I made $125 a week. I did a lot of writing for that. I wrote the ads. I could never be a screenwriter. I was a prose writer.”
Following graduate school, Lyttle “eschewed journalism. I was selling TV time to ad agencies for NBC in Chicago.”
KTTV brought Lyttle to Los Angeles at the ripe old age of 26 as its national sales manager “making more than I should’ve made. But I wasn’t happy. Somehow I was able to escape the charms of ad sales, and I became a literary agent at ICM.”
At the powerhouse literary and talent agency, Lyttle packaged St. Elsewhere.
“I had an enormous amount of fun,” he says of his four years at ICM, during which time he lived in a modest house north of Sunset on Beverly Glen. “I didn’t have to go through the mailroom. Then I realized that the artist gets 90 percent, the agent gets 10. I wanted to be in the 90 percent.”
Lyttle spent eight years as vice president of creative affairs for Warner Bros. Television until 1990. While a development executive, he launched such shows as Murphy Brown, Life Goes On and China Beach. But it all began with a sitcom called Night Court.
“It was an idea I had with Jeff Sagansky and Brandon Tartikoff , who had witnessed the proceedings of a night court in Philadelpia. We’d go to see the night court, see a crazy judge,” Lyttle recalls. “So we hired a writer [Reinhold Weege, the man behind Barney Miller].” Launched in 1984, the popular NBC comedy––which made Harry Anderson, John Larroquette and Markie Post household names––ran for eight years.
The next year brought Growing Pains, which also ran till 1992 and was ABC’s answer to NBC’s popular Family Ties when it started.
“Everyone thought it was a total joke,” Lyttle remembers. “Then it became the number-one show on TV.” Growing Pains, of course, made a TV star out of Kirk Cameron, and, in its last season, introduced America to a young actor named Leonardo DiCaprio.
Head of the Class, a vehicle for WKRP in Cincinnati star Howard Hesseman, became another hit under Lyttle’s watch; a highlight of which came in 1988 with a two-part episode shot in Moscow, back when it was still the capital of the Soviet Union.
“We had an amazing run,” Lyttle says. “I learned to be careful what you hope for. After eight years, I convinced the people they had to let me become a producer. So I did it, and I didn’t like it. I missed the action and the multitasking.”
Lyttle became president of Spelling Television, then created Big Ticket Productions in 1994 in a pact with Spelling’s host studio, Paramount. When Big Ticket launched, Lyttle intended to name it Blockbuster Television after the video-rental outlet. But the production company’s new corporate parent, Viacom, opposed the name because of the video chain’s unclear fate within the conglomerate. Inspired by Blockbuster’s logo, Lyttle hatched Big Ticket.
Lyttle was particularly proud of the 96 half-hours of Nightstand with Dick Dietrich that launched his company: “It was our first show that didn’t have a script.”
He remembers discovering Judge Judith Sheindlin, the popular personality of a long-running TV show that recently proved topical after footage from her set, rattled by the July 29 Chino Hills earthquake, hit media outlets.
“She came in my office and immediately took over the room,” Lyttle recalled in an article a few years ago. “By the time she was seated, you could feel her personality. And she hadn’t really said a lot of words other than ‘hello.’”
Lyttle offered the feisty family-court judge, with 25 years of gavel experience and zero showbiz experience, her own TV show, originally dubbed Hot Bench. But cooler heads prevailed, and the rest, as they say, is Judge Judy history. A reinvention of the ‘80s courtroom reality show “The People’s Court,” Judge Judy has been on the air since 1996 and has been nominated for 10 Emmys.
Judge Judy became an iconic figure, something I was immensely proud of,” Lyttle says. “We had the first imitator––Judge Joe Brown [in 1998]––so we were right in there.”
Lyttle “realized quickly when Blockbuster funded Big Ticket, there was a changing landscape, an erosion of the TV network audience. You could see by the subtle drop in its numbers.”
Lyttle and Big Ticket produced a number of shows, but by the time he developed a talk show for Caroline Rhea (2002-03), the TV marketplace became less interesting to Lyttle, as reality and reality-competition shows elbowed out demand for Lyttle’s original bread-and-butter: scripted programming.
“Reality TV was always in and out,” Lyttle says. “Now, this is the absolute business model. The probability [of launching a scripted sitcom] is exponentially worse now than it was 10 years ago. In a given year, of 30 comedy pilots, seven or eight would make it. I don’t think there are seven or eight on the air now.”
In June 2003, Paramount Network Television and Paramount Domestic Television folded the 40-employee TV production operations of Big Ticket, and its president departed.
From “Judge Joe,” Lyttle turned to “Senator Joe” for yet another career twist, working three years in politics. He served as Joe Lieberman’s media consultant during the Connecticut senator’s 2000 vice presidential campaign, and, for two years, as a media consultant for Phil Angelides, who ran for governor in the 2006 California elections and lost to incumbent Arnold Schwarzenegger.
Recently, Lyttle split from his wife, author Audrey Lavin (profiled in our August 7 story “Children’s Book Tackles ‘Big Scary Divorce’”). Their children, Charlie, 11, and Zoey, 9, reside in the Palisades and attend Westside schools.
Today, Lyttle is developing a docu-drama for HBO about the Walter Reed [Army Medical Center’s 1997 neglect] scandal, based on a series of Washington Post articles that he and his producing partner, David Halperin, acquired. Philadelphia screenwriter Ron Nyswaner will script.
“There are a lot of things I want to do,” Lyttle concludes. “A few years ago, a few of us tried to buy the [NHL team] Pittsburgh Penguins. I’d like to purchase a hockey team. I have a passion for sports.”
Palisades Penguins, anyone?

Thursday, August 21-Thursday, August 28

THURSDAY, AUGUST 21
Pacific Palisades resident Kaori Tanegashima discusses and signs her autobiography, “Daughter of a Gun,” 7:30 p.m. at Village Books on Swarthmore. Tanegashima proved instrumental to establishing and/or embellishing Asian Studies programs at USC, UC Irvine, and East Los Angeles College.

SATURDAY, AUGUST 23
Movies in the Park offers a free outdoor screening of “The Lion King,” about 8 p.m. on the Field of Dreams at the Palisades Recreation Center, 861 Alma Real.

SUNDAY, AUGUST 24
Highlights from Verdi’s “La Traviata” will be performed in concert version by the Palisades Symphony and nine guest soloists, 7:30 p.m. at the Palisades Lutheran Church, 15905 Sunset. Free admission.

MONDAY, AUGUST 25
Monthly meeting of the Pacific Palisades Civic League, 7:30 p.m. in the music room at the Methodist Church, 801 Via de la Paz. (See Updates, page 1.)

TUESDAY, AUGUST 26
Story-Craft Time, suggested for ages 4 and up, 4 p.m., Palisades Branch Library community room, 861 Alma Real.

WEDNESDAY, AUGUST 27
Weekly writing meeting for all 12-Step programs or anyone with a habitual problem or illness, 7 to 8 p.m. at 16730 Bollinger Dr. Contacts: (310) 454-5138 or e-mail info@12stepsforeverybody.org.
Mountain explorers Jürgen Czwienk and Günter Dyhrenfurth will appear together for the first time at a screening of “To The Third Pole” at Villa Aurora in Paseo Miramar (see story, page 11). The screening begins at 7:30 p.m. Seating is limited and reservations are required: (310) 573-3603. Admission is $10; free for Villa Aurora members. A shuttle service begins at 6:30 p.m. on Los Liones Drive off Sunset Boulevard.

THURSDAY, AUGUST 28
Natasha Bauman discusses and signs her novel “The Disorder of Longing,” the story of a young woman married to a controlling, orchid-obsessed man in Victorian-era Boston, 7:30 p.m. at Village Books on Swarthmore.

Harriet Hacker, 85, Advocate for Seniors

Harriet Hacker, beloved wife, mother and friend, passed away Friday, August 15 at the age of 85. She was truly a renaissance woman writing poetry, loving music and art. She received her master’s degree in gerontology from USC, her MFCC license at 70 and served the senior community conducting therapy groups and workshops. She was preceded in death by her husband, Fred, and is survived by her daughter Gloria, son Bill, and brother Arnold. She will be deeply missed by her family and friends. Memorial services will be held on Thursday, August 21 at 12 p.m. at Hillside Memorial Park, 6001 W. Centinela Ave.

Best Foot Forward for Ferns

Palisadian Ali Riley Lives a Dream in New Zealand’s Olympic Soccer Debut

New Zealand's Ali Riley (left) tries to dribble the ball through USA defender Lori Chalupny during group play at the Beijing Olympics August 12 in Shenyang, China.
New Zealand’s Ali Riley (left) tries to dribble the ball through USA defender Lori Chalupny during group play at the Beijing Olympics August 12 in Shenyang, China.

Competing in the Olympics is every athlete’s dream and lifelong Palisadian Ali Riley made her dream a reality this month in Beijing. The 20-year-old soccer sensation started at forward for New Zealand’s women’s national team, the Football Ferns, who qualified for the Games for the first time in the country’s history. The Ferns went 0-2-1 in their group and failed to advance out of pool play but Riley returned home from China last Thursday with memories that will last a lifetime. She shared some of her experiences on and off the field with Palisadian-Post Sports Editor Steve Galluzzo: PP: How were you chosen to play for New Zealand? AR: My dad was born in Christchurch on the South Island, so I have dual citizenship. I was invited to play for their Under-20 team at the World Championships in Russia and things went from there. I was so happy when I was told I had made the Olympic roster. It’s truly an honor to be selected for the national team. PP: What were your expectations going into the Olympics? AR: I knew it would be tough to medal because all the teams are so strong. The biggest disappointment was our first game against Japan. We needed to win and we were leading 2-0 but they came back to tie us. They just lost in the semifinals so obviously they’re an awesome team. PP: Did you participate in the Opening Ceremonies? AR: Unfortunately no. Soccer was the first sport to start and we had a game the day before that we had to prepare for, but they had a big TV in the lobby of our hotel and we watched some of it from there. We wore skirts and blazers and shirts with silver ferns on them. PP: It must make you proud to know you assisted on the team’s first-ever goal in the Olympics. Can you describe the play? AR: Actually, I’m more proud that we were the first team to qualify. As for the goal, someone played me a great ball, I beat my defender on the right wing and crossed it on the ground to Kirsty Yallop. It’s awesome that she scored because she’s a native Kiwi. PP: What was it like playing that last game against the United States? AR: To be honest it wasn’t that big a deal, other than the fact that I know a lot of their players. Their center back Rachel Buehler is one of my best friends. She just graduated from Stanford. And their backup goalie [Nicole Barnhart] was my volunteer coach for two seasons. It was a sad way for us to end the tournament–they scored in the first minute and seized the momentum right away. But I have no regrets. We really bonded and I hope to be back in 2012 in London. Once you play for one country you can’t play for another, but even if I could I wouldn’t want to. New Zealand is my team. PP: Besides the games themselves, what was your biggest thrill? AR: I’d have to say meeting the [New Zealand] men’s team. They played in Shengyang their first two games and we went to watch the first half of their game against Brazil. They gave us an amazing “haka,” which is a spiritual chant that the All Blacks [rugby] team used to dance to. Traditionally, it’s a challenge to enemies and a welcome to friends. PP: How is playing in the Olympics different than playing in the PAC-10? AR: For me, the biggest difference is that I’ll be playing a totally new system. In the Olympics we played a 4-4-2 formation and I was one of the forwards whereas Stanford uses a 4-4-3. The college level is so high, I know that now being a junior. I gave my all for New Zealand but it’s equally important to play my best for Stanford. PP: Did you get a chance to mingle with the other athletes in the Village? AR: Yes, a little bit. One thing that was cool is we got to meet the Brazilian men’s team. They were at the same hotel so we went tearing down to their floor. They were very friendly, especially Ronaldinho, Anderson and Marcelo. We got pictures with them and they signed one of my jerseys. PP: How does it feel to finally be back home in Pacific Palisades? AR: Besides the jet lag it’s been nice. I’ve been gone since June 10. We did a lot of traveling even before the Olympics… South Korea, New Zealand, Australia, China, Singapore, then back to China. In fact, I left Stanford early and had to take my last final while I was in South Korea for the Peace Queen Cup. The funny thing is I won’t be home long. I head back up to school Thursday and we have our first game Sunday against Pacific. PP: What did you think of the Pali Blues winning the W-League championship right before the Olympics? AR: Unfortunately, I didn’t get to watch any of their games but it’s great that we have such a strong women’s team in the Palisades. I can’t wait to see how the new pro league turns out.

PTC Boys Sweep Singles Titles

Corpus Christi student Ryan Wilson smacks a forehand against fellow PTC player Brandon Michaels in the boys 12s semifinals last Thursday.
Corpus Christi student Ryan Wilson smacks a forehand against fellow PTC player Brandon Michaels in the boys 12s semifinals last Thursday.
Photo by Rich Schmitt, Staff Photographer

Since Steve Bellamy founded the Palisades Tennis Center in 1997 it has evolved into one of the elite junior training facilities in the country. That reputation was put to the test last week when the PTC hosted a USTA Junior Open tournament and by the time it was over local players left little doubt that the moniker is well-deserved. PTC boys swept all five singles championships and added three doubles titles in an event that attracted 200 juniors from across the nation, including players from Texas, Arizona, Nevada, Florida, Virginia and New York. “The Pacific Palisades has become the best tennis community in America,” ATP Tour player Vince Spadea said at the inaugural “Shotgun 21” event, held two weekends ago at the PTC. “If we could make every park in America like the Palisades Tennis Center, tennis would be bigger than the NFL.” Living up to Spadea’s claim, local players stole the show on their home courts. In fact, all four semifinalists in the boys 16s and 18s singles divisions were from the PTC. The biggest winner was Robbie Bellamy, who captured three titles. He dropped a mere six games in his first four rounds, then rallied to beat Victor Vu of Las Vegas, 4-6, 6-4, 10-8 in the final of the boys 14s. Bellamy then teamed with Alex Giannini and the two 13-year-olds won both the 14s and 16s doubles divisions. The 16s title was particularly impressive in that the Palisades duo knocked off one of Southern California’s best 16-year-olds, Burbank’s Trevor Campbell, and his partner Paxton Samammitr of Panorama City, 6-2, 6-3 in the finals. Lucas Bellamy, fresh off victories in his previous two tournaments, continued his hot streak by winning all eight of his sets in the 10s singles division, then paired with Diego Nava of Valencia to reach the doubles final, won by Palisadians Gilbert Chung and Ben Goldberg. Rising PTC star Brandon Michaels dominated the 12s singles, breezing through the draw without dropping a set. With spectators packing the hillside to watch, Michaels beat Michael Genender of Los Angeles, 7-5, 6-4, in the final. Palisasdians Ryan Wilson and Thomas Ryan also made the semifinals. Although the boys 16s draw included only six Palisadians, the final four consisted entirely of PTC players, with Cristobal Rivera beating Giannini in straight sets in the finals. In the boys 18s final, Danny Moss ousted fellow PTC trainee and Crossroads High standout Clay Thompson in a third-set tiebreaker. Moss is headed for Pepperdine next year on a full scholarship. Palisadian Grace Danco won the girls 10s title, beating PTC players Bridget Stokdyk and Sophie Bendetti before edging Diana Silvers in a third-set tiebreaker. Top-seeded Krystal Hansard reached the finals of the girls 16s and fellow Palisadian Samantha Kogan, the No. 2 seed, reached the semifinals. “The players from our program totally dominated this event,” PTC Head Pro Jon Neeter said. “I think it speaks to how strong the players are who train here everyday.” The previous week, the PTC hosted USTA-sanctioned novice and junior satellite tournaments. Lucas Bellamy won the boys 12s satellite, Elizabeth Ryan upset fellow PTC player Perri Zaret in the girls 14s final and Corpus Christi student Christian Gambale won the boys 10s satellite. PTC player Charlie Hollingsworth won the boys 12s novice division.

Wein Knows Dolphins’ Offense

Former Palisadian Larry Wein, who coached 20 seasons at Westchester, is now the Dolphins' offensive coordinator.
Former Palisadian Larry Wein, who coached 20 seasons at Westchester, is now the Dolphins’ offensive coordinator.
Photo by Rich Schmitt, Staff Photographer

Heading into his second season, one of the top priorities for Palisades High head football coach Kelly Loftus was hiring experienced coordinators to assist him with the development of his players. So who better to bring aboard to run the Dolphins’ offense than the man who spent years devising schemes to stop it’former Palisadian and longtime Westchester coach Larry Wein. “Ron coached with me at Hamilton,” Wein said, referring to Dolphins’ defensive coordinator Ron Evans. “At UCLA, Ron played with Kenny Norton, Jr., who played for me at Westchester. He asked if I’d be interested in coaching at Palisades. I talked with Coach Loftus and here I am.” As offensive coordinator, Wein will have a talented group to work with–a rapidly improving line, five or six fast receivers and a highly-touted sophomore quarterback. The question marks for him are in the backfield, for Wein believes success lies in a team’s ability to run. “I like what I’ve seen so far and I think this group is going to surprise a lot of people,” Wein said. “It’s a good group of kids and I’ve enjoyed working with them. They have real good attitudes and are willing to learn.” Wein moved to Cheviot Hills in 2001, 11 years after his younger son David graduated from Westchester. After stepping down at Westchester he took over the program at Hamilton and built it back to respectability. He retired after three seasons at L.A. Hamilton, but last year volunteered at Paul Revere, where both of his sons attended to middle school. He has over 200 wins at the varsity level. “I’ve been fortunate to coach some great players over the years,” Wein said. Among them were Larry Triplett, an All-American tackle who played in the NFL; Aaron Cox, a former wide receiver for the L.A. Rams; and Kevin Johnson, who played tackle for the Oakland Raiders. A Fairfax High graduate, Wein played quarterback at Cal State Los Angeles. He began coaching City football in 1971, where he stayed for 10 years before taking over the head job at Westchester. There he would rack up 162 wins in 20 seasons, including the City championship in 1987. Wein also guided the Comets to numerous league titles’quite often at Palisades’ expense. “It seemed like it was always us and Pali competing for the league title,” Wein remembers. “They had some nice teams, talented teams. I think the difference is we were a little more physical and we were better defensively.” The irony for Wein during his days at Westchester is that the school he grew so accustomed to beating was just minutes from the house on Corsica he lived in for 25 years. In fact, his older son Craig Stewart played cornerback at PaliHi, graduating in 1978. “Craig played with Jay Schroeder,” Wein recalled. “Back then, 80 percent of the school district was familiar with football. Now it’s more like 20 percent. So there are fewer kids playing football.” Ironically, Wein always coached against Palisades when he lived here and now that he’s moved away, he’s coaching at the school he used to consider his archrival. “I raised my family here so it’s nice to be back,” he said. Right now, though, Wein prefers to focus on the task at hand: getting his offense ready for the season. Palisades plays Washington in a scrimmage on September 4 and opens the season against Hollywood Sept. 12 at Stadium by the Sea.