Earl Henry Down, who was found guilty in 1987 of one count of second-degree murder of 15-year-old Clinton Heilemann, a student at Palisades High School, and three counts of attempted murder, has been denied parole. At a January 5 hearing at Vacaville, the Board of Prison Terms also mandated a 15-year denial for further parole hearings under Marsy’s Law, which was passed last November by voters, giving victims and their families increased rights. The board, which bases parole requests on several factors including future employment and living plans, improvement through self-help programs, education, remorse, restitution and responsibility for the crime, heard from several speakers including members of Justice for Victims of Homicide; the deceased’s father and sisters; and friends Kenneth Waco and Matthew Williams, who was wounded in the shooting on Los Liones Drive on July 3, 1987. Williams told the Palisadian-Post that there were more than 75 letters from the community, as well as a letter from L.A. Chief of Police William Bratton, asking the Board to deny Down a parole. Down’s sister and brother were at the hearing. Both said that if he was paroled, they would try to help, but the brother is in an assisted-living facility and the sister is from Arizona, which meant that neither qualified as a location that Down could be released to. Down, 57, has two daughters; neither attended the hearing. At the proceedings, Down’s entire criminal history was open to review. Williams knew that when Down was sentenced in 1987, he was already a convicted felon, but Williams did not know that Down had previously been charged and convicted of child molestation, chasing people down on the freeway and fighting with them, wife beating, voyeurism against children and teens, multiple drug offenses and beating a police officer. ‘It took 45 minutes to just go through what he did in the ’70s,’ said Williams, who attended the entire four-hour hearing. ‘His history was horrible; it was sordid.’ The board expressed concern about Down’s violent attacks that seemed to escalate and especially his history of violence against children. In Williams’ statement to the Board, he said, ‘We have been sentenced to a lifetime of parole hearings, in which we are forced to relive Clinton’s murder and reiterate the reasons why this inmate must remain incarcerated.   His unprovoked attack on us was vicious, terrifying, excruciatingly painful and deeply traumatic. He threatened a group of youths without reason or provocation, physically assaulted one, and as they fled in fear of their lives, he shot them, permanently wounding two young adults [Daniel Dawson and Williams] and killing a 15-year-old boy.’ Heilemann was an altar boy at Corpus Christi, and an Eagle Scout candidate.
Thursday, January 29 – Thursday, February 5
THURSDAY, JANUARY 29 Pacific Palisades resident Nancy Spiller (recently featured in the Los Angeles Times) discusses and signs her funny, satirical novel ‘Entertaining Disasters: A Novel (With Recipes),’ 7:30 p.m. at Village Books on Swarthmore. FRIDAY, JANUARY 30 The Chatham Baroque Ensemble with guest trumpeter Barry Baugess and guest organist Webb Wiggins will give an 8 p.m. concert at St. Matthew’s Church, 1031 Bienveneda. Tickets at the door: $25 for adults, $10 for students. Contact: www.stmatthews.com/musicguild
Theatre Palisades presents Neil Simon’s ‘Lost in Yonkers,’ through February 15 at Pierson Playhouse, 941 Temescal Canyon Rd. Directed by Sherman Wayne and produced by Martha Hunter and Pat Perkins, the play runs Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. Tickets: call (310) 454-1970 or visit www.theatrepalisades.org. SATURDAY, JANUARY 31 L.A. Opera Speakers Bureau representative Bonnie Helms will discuss renowned 19th-century composer Richard Wagner, 2 p.m., in the Palisades Branch Library community room, 861 Alma Real. The talk (with music) will focus on Wagner’s four-opera epic ‘The Ring Cycle.’ MONDAY, FEBRUARY 2 Horticulture expert Dave Lannom is guest speaker at the Pacific Palisades Garden Club meeting, 7:30 p.m., at the Woman’s Club, 901 Haverford. The public is invited. (See story, page 12.) WEDNESDAY, FEBRUARY 4 Baby and toddler storytime, for ages under 36 months accompanied by a grown-up, 10:15 a.m., Palisades Branch Library community room, 861 Alma Real. Due to the structure of this storytime, latecomers will not be admitted. One child, one lap, please.
Breast cancer specialist Dr. Patricia Ganz will talk about the current state of detection, diagnosis, treatment and cure, noon to 2 p.m. at Kehillat Israel, 16019 Sunset. The charge is $25 per person; $30 at the door. Call (310) 459-2328.
Reflections on the President’s Inauguration

By ALICE LYNN Special to the Palisadian-Post Words can never fully capture the emotions I felt while witnessing the Presidential Inauguration of Barack Obama; pictures seem flat without the depth or expanse of dimension, and without the sounds of voices echoing joy and jubilance. But on the cold, crisp, sunny morning of January 20th, my two children and I were witness to a historic event that still leaves me reeling. The stories began on Monday, as my son Eric and I walked from our hotel, first to the Hart Senate Building, where we stood for over two hours with thousands of others in a security line to pick up our Inaugural tickets from Senator Boxer’s office, and then to the Congressional Office Building and Congressman Waxman’s office for additional tickets. Everywhere one looked, strangers spoke, new friendships formed, and hugs were freely given. We all seemed to be experiencing a new depth, a new connectedness that is uncommon in our lives; we were all celebrating together, and the feelings emanating from these human connections were astounding. Monday night over dinner with fellow Palisades friends, Gail Wirth and her daughter, Hannah, we shared experiences. Earlier, Gail had met Jesse Jackson as he was leaving our hotel and ironically, sitting next to us, was Jackson’s son, Jonathan, and his friends. A spirited conversation developed, and when Jonathan learned I was a therapist, we spoke for some time on the changing black family and the dynamics he witnesses among his friends, all successful in business but often feeling less sure in their parenting and marital roles. How does one capture the emotion experienced by being part of this extraordinary event? Perhaps it is best told in the vignettes of stories, of lives touched that so moved my family and me. ‘ There was the white judge, a Republican, who drove from North Carolina with his two teenage children, who never had voted for a Democrat, and who spoke of how moved he was by Obama and his message of hope. ‘ There was the African American foreign service officer from Maryland who spoke of his difficult time in foreign countries as diverse as Turkey, China and Morocco and how tarnished our reputation has become. He spoke of the enormous hope that America would once again regain our world standing. ‘ There was the white owner of an office furniture store, the campaign director from North Dakota, who spoke of meeting Obama and how they talked for over 20 minutes on being parents, and his warm impression of the man, of his poise and genuineness, who is our President. ‘ There was the African American family from Colorado who brought their two school-age boys to see the first black president inaugurated so they could someday tell their children they were witness to this historic event. ‘ There was the young hearing-impaired white woman, a recent graduate of Gallaudet University in D.C., who had experienced her first involvement in politics working on Obama’s campaign, and who with her Latina friend, a recent Stanford grad, were overjoyed at being able to attend the Inauguration. ‘ There was the 92-year-old African American woman from Missouri, who with tears in her eyes said, ‘Never in my lifetime did I expect to see a black man become President.’ ‘ There was the hearing-impaired white couple signing with enthusiasm and smiles. ‘ There was seeing the T-shirt on an African American man in his 50s that read ‘My President Looks Like Me!’ We walked, and we waited for hours in the biting cold, with thousands of others, and there was not once an incidence of unruly behavior or negativity. People of all complexions and nationalities, the able and disabled, with walkers and wheelchairs, the very young to the notably old’all Americans were represented, and we all felt the experience of coming together. When Eric and I arrived at our standing position in front and to the right of the Capitol, we looked back over the Mall and could barely take in the emotion of seeing thousands and thousands of faces stretching beyond the Mall and the Washington Monument to the Lincoln Memorial. My daughter Jennifer and her husband were standing just behind the Reflecting Pool and had even a greater perspective of the multitudes. No one else, my son observed, could have or has affected and energized and excited our country and the world in so profound a way as Barack Obama, simply by his rhetoric and inspiration. My daughter reflected on change in feelings between the races; having lived in D.C. with her husband for 10 years, she said the anger often seen was clearly absent, replaced by reconciliation between the races. As a young girl, a daughter of an Armenian immigrant, I remember keenly the road trip my family took in the summer of 1951. We were driving though the South. I had seen the ‘whites only’ signs, the difference in outdoor movie theaters and the homes distinctly differentiated by race. But when we stopped at a Fosters Freeze one hot summer day, and I went to the side of the building for water, and saw the two fountains, I ran back to my mother with great excitement to announce, ‘They have colored water!’ It was then that the full impact of racial division hit me. It is an experience that has never left.   (Alice Lynn, an active member of the Pacific Palisades Democratic Club, coordinated a group of about 20 friends who attended the Inauguration.)
PaliHi Elevator Delayed, Gym Repaired
Palisades Charter High School’s physically handicapped students still do not have an elevator to reach their second-story classes. In 2004, the Los Angeles School District began developing plans to install a long-sought elevator, located near the library, and construction started in May 2007. ‘We’re anticipating the elevator will be complete and certified in May,’ said Neil Gamble, LAUSD’s director of maintenance and operations. PaliHi mother Lainie Sugarman, whose son has had to use crutches on and off throughout high school, said she remembers being told that it would take six months to install the elevator. When the Palisadian-Post reported on the progress last September 18, LAUSD officials predicted the elevator would be up and running by December. ‘It’s absolutely insane,’ Sugarman said last Friday. ‘Talk about bureaucracy; all they keep doing is delaying it.’ Her son, Alon, will graduate in June. The school buildings, which are connected by an outdoor walkway on the first and second floors, do not have an elevator because they were constructed long before the Americans with Disabilities Act of 1990, said PaliHi Executive Director Amy Dresser-Held. To assist students with physical disabilities, heart conditions, seizure disorders or broken bones, the school attempts to schedule their classes on the first floor or provides an assistant to help them with the staircase, Dresser-Held said. Students with moderate to severe disabilities are in a classroom on the first floor. The elevator, with a projected cost of $623,233, is still not complete because of issues with the fire alarm, Gamble said. LAUSD, which owns the school grounds and is in charge of maintaining and upgrading the buildings, hired an electrical engineer who designed the instructions for installing the alarm based on the school’s site conditions and code requirements. The contractor followed those instructions when installing the alarm, but the Division of the State Architect (DSA) inspector was concerned about how the alarm was mounted, Gamble said. The fire alarm may have to be redesigned and both LAUSD and DSA will have to inspect and certify it, Gamble said, adding he anticipates this process taking two months. Then, the district and the state inspector will have to test the overall function of the elevator and approve it before its operational. When LAUSD started the project, workers discovered an underground vault with wires and pipes that had to be relocated before construction of the elevator could begin, Dresser-Held said. ‘It’s not unheard of to have different site conditions in construction, especially when dealing with existing buildings, that delay the project,’ Gamble said. o o o In other facilities news, the Post reported on December 11 and January 1 that LAUSD found unacceptable levels of lead in the water at PaliHi in November, and all of the 22 drinking fountains were capped. During winter break, PaliHi purchased 10 individual carbon filtration systems for selected drinking fountains. ‘We made it a priority to fix at least 10 fountains in the most trafficked areas throughout campus because we were distributing bottled water for free,’ Dresser-Held said. All the other drinking fountains will remain capped until LAUSD can make the necessary repairs. Buildings constructed before 1989 may have lead in the water because they have brass fixtures, galvanized pipes or pipes where lead solder was used. PaliHi opened in 1961. o o o Over winter break, LAUSD also finished re-piping PaliHi’s gym for a cost of $623,421. The district began that project last May because the aging pipes were leaky and rust was contaminating the water. PaliHi administrators had expected the project would be done when school started in September. This fall, students were unable to use the restrooms or wash up after gym class, team practices and home games.
Business Is Strong at Stokes Tire Pros

Photo by Rich Schmitt, Staff Photographer
Although the economy is as deflated as a flat tire, business is thriving for Castellammare resident Jon Stokes, owner of Stokes Tire Pros in Santa Monica. His shop also services brakes, shocks and struts, and does vehicle maintenance and oil changes.   This third-generation family businessman thinks that one of the reasons his company has been so successful in a down economy is honesty.   ’If you bring your car in and tell me you want new brakes, and we look and see you still have two months left, I’ll tell you to bring the car back in two months,’ Stokes said. He gives the same candid advice to customers who believe they need a new set of tires.   In addition, Stokes credits his long-time employees, who have been specially trained in helping car owners select the right tires. ‘I have quality employees,’ he said. ‘They’re about putting good wheels on your car.’   Stokes has been in the business of fitting tires for Vipers, Lamborghinis, Porsches and BMWs, as well as family cars and vans, for more than 30 years.   One challenge he faces is helping customers understand tire costs. ‘People don’t realize that tires are tied into petroleum prices. Tires now cost 25 to 30 percent more than two or three years ago.’ Stokes said. When asked if the recent plunge in oil prices will result in lower tire prices, he said no, and cited several factors, including rising shipping costs .   ’America is not a manufacturer any more and products are not made here,’ he said, noting that the leading tire manufacturers have plants worldwide.   Another factor is the trend in automobile manufacturing to give each new car a specific tire, which means all of the models require different tires. Manufacturers make more tires, but less of specific models, and less production of an item results in higher costs.   Last Friday morning, a high-performance Viper was having four wheels replaced at a cost of $2,000.   ’A race car cannot do what it can without the specialized rubber,’ said Stokes, who spends his spare time racing cars in the Super Unlimited and Super Touring classes at Willow Springs, Button Willows and Fontana racetracks. In 2006, he won a Sportsman of the Year award, and in 2007 he was a time-trials champion with his Caterham Super 7.   ’Tires will win a race or lose it,’ Stokes said. ‘I can change how the car feels or handles just by changing the tires.’ The Stokes family business history began in the late 1930s, when Jon’s grandfather, Bill, opened a gas station on Pontius and Idaho in West Los Angeles.   His father, Jack, eventually opened four stations, the last of which was located on 10th and Wilshire in Santa Monica in 1966.   Beginning at age 9, Stokes worked in that station, helping to wash windows and check tire pressure alongside an employee who was also a hockey fan. Because of that influence, Stokes wanted a career as either a professional hockey player or a rock star. ‘Either would have been fine,’ Stokes said, laughing.   After graduating from North Hollywood High School, where his favorite class was woodworking, Stokes started his career with a furniture company. His goal was to make enought money to go to hockey camps and spend more time with his rock band, Witness. So when he had enough money saved to support himself for awhile, he would quit. And when he ran out of money, he’d go back to work.   That lifestyle stopped about 35 years ago when his dad bought a retail tire store at 1117 Santa Monica Blvd., where Stokes Tire Pros now stands. He gave up his lease on Wilshire and combined the service station and retail business crews. When several employees didn’t get along, and quit, Jack asked his son to help.   ’I was working in a high-end, cabinet-building store, and I would have kept that job forever,’ Stokes said. ‘What was supposed to be short-term turned into my life career.’   With his 13 employees, it is obvious that Stokes likes where he is in life. ‘I enjoy amateur racing, I enjoy interacting with customers and I enjoy the business,’ said the 18-year Palisades resident, who has three sisters who grew up in this area: Kim, Christy and Kelly. Contact: (310) 393-0767 or visit www.stokestirepros.com.
‘Last Beat’ Standing

Photo by Rich Schmitt, Staff Photographer
‘Corso’s a poet’s Poet, a poet much superior to myself. Pure velvet … whose wild fame has extended for decades around the world from France to China.’ ‘ Allen Ginsberg Call him the Beat Generation’s Zeppo. Or Gummo. Or maybe it’s Shemp. Nunzio ‘Gregory’ Corso did not become a college graduate’s household name like his fellow literary assassins and drinking buddies Jack Kerouac, Allen Ginsberg and William S. Burroughs. But those in the know knew who he was: the real deal. ’The Beat writers were reacting to the mechanistic world in which 16 million people were killed during World War II,’ says Palisades writer/director Gustave Reininger, whose new documentary, ‘Corso: The Last Beat,’ chronicles the author’s final years. ‘They had a certain worldview and it was celebrating spiritual values. They had amazing core values. They were very dedicated to get the African-American arts, lingo, and jazz into the mainstream, as well as Latino and other minorities. They also became the voice of middle-class kids who wanted to be heard.’ Several generations since the Beats shook up literary circles, middle-class kids are still appreciating the avant-garde writers, including actor Ethan Hawke, born in 1970 and a Corso reader since his teens. The ‘Training Day’ star, a friend of the late poet, appears in, as well as narrates, Reininger’s movie, which is currently seeking distribution. Garrulous and mealy-mouthed in old age, the colorful Corso, as on display in the ‘Last Beat’ film, reminds this reporter of an Al ‘Grandpa Munster’ Lewis. We see this firebrand cut a march to the sea across Europe like a literary General Sherman. In Paris, he taunts a P’re Lachaise Cemetery guard near Jim Morrison’s grave, brazenly challenging the description ‘poet’ that appears on The Doors singer’s tombstone in favor of Oscar Wilde, buried several plots away. We watch the man behind such powerful poems as ‘Power’ and ‘The Whole Mess’ Almost’ revive ghosts at old haunts such as Harry’s Bar in Venice, and Hotel Richou (a.k.a. ‘The Beat Hotel’) on Paris’s Rue Git de Coeur, where Corso had lured his famous friends (Burroughs wrote ‘Naked Lunch’ there). We can not believe what we’re watching when Corso visits Rome’s Protestant Cemetery and burns the ashes of Allen Ginsberg (well, a photo of him anyway) on Percy Shelly’s headstone. Later in ‘Last Beat,’ Hawke pays the poet a hospital visit and recites Corso’s ‘Marriage,’ which he had memorized at age 16. Like Hawke and singer/songwriter Patti Smith, who also appears in the film, Reininger, a Pacific Palisades resident of 22 years, is no stranger to the entertainment industry. As a writer, he created ‘Crime Story,’ the 1980s NBC program that coat-tailed on ‘Miami Vice.’ Although ‘Crime Story’ ran for only 17 episodes, it garnered three Emmy nominations. Reininger also wrote a ‘Miami Vice’ episode (‘Forgive Us Our Debts’) in 1986. Throughout the ’90s, Reininger developed projects for TV and film with Michael Mann, Penny Marshall, Paul Verhoeven and Dino DeLaurentiis. He also consulted on ‘Homicide,’ wrote various pilots for CBS and ABC that did not go to series, and worked as a script doctor on features. ’I’m originally from Kentucky,’ Reininger says. ‘I started out in international investment banking, lived in London and Paris, then settled in New York.’ In 1987, Reininger and then-wife, Gale, moved out to California with their 1-year-old son. Today, Haven, 23, is a Yale graduate. Daughter Olivia, 17, attends the Putney School in Vermont after graduating from Corpus Christi School and St. Matthew’s, while Isabel, 14, attends Corpus Christi. The Reiningers also had a daughter, Anthea, who died from a tainted vaccine. She is buried at St. Matthew’s. Reininger is active in the Palisades. He is on the vestry at St. Matthew’s, and, for a decade, he served as assistant scoutmaster for Boy Scouts Troop 223. By the mid-1990s, Reininger began feeling the itch. He wanted to direct and ‘get out of this pigeonhole of being a writer of cops-and-robbers shows,’ he says. The film that evolved into ‘Corso’ stemmed from Reininger’s lifelong fascination with the late-1950’s Beat Generation. ’There was this explosion of creativity taking place in the ’50s and ’60s,’ he says. ‘This [Beat youth movement] was the first time that this happened in the history of the world. ’There’s this resurgence of interest among young people today with the icons of youth culture,’ continues Reininger, who is almost single-handedly spearheading the Corso revival. From January 15 through February 7, the University of Cincinnati has been hosting ‘I Gave Away The Sky: A Festival Celebrating Life and Legacy of Gregory Corso,’ which Reininger helped organize, with the participation of Cincinnati Conservatory of Music and the Art Institute of Cincinnati. The exhibit includes the original manuscript of the Beat poet’s masterpiece, ‘Bomb.’ ’Corso liked to paint portraits of poets,’ Reininger says. ‘Everyone from Poe to Orpheus to the Greek god Hermes and Dickinson. He was a very good painter. He was friends with Robert Motherwell, Jackson Pollock and Larry Rivers.’ Ever since ‘Sea Chanty,’ his first poem at 15, Corso had built his work, his personal mythology, on the premise that the mother he never knew was long gone; a downbeat subtext that ran through all his compositions”’Bomb,’ ‘Destiny,’ ‘How Not to Die.’ The melancholy of his mother, who had given him up for adoption at an early age when she fled Corso’s abusive father, fueled his poetry, which got him through hard times, including life on New York’s streets and prison time for petty crimes. And then, halfway through ‘Last Beat,’ filmmaker Reininger himself becomes the crucial player in resolving the mystery surrounding Corso’s missing mother. What’s remarkable about ‘Corso: The Last Beat’ is that the camera is there as Corso’s final years evolve from a requiem for days past to a surprising reboot of his personal history, played out before the viewer’s eyes. The search for Corso’s mother takes hold of the documentary’s narrative, as Reininger pushes and challenges the iconoclast on film. ’We’re sitting around, looking at the flood in Venice,’ Reininger recalls. ‘I said to Gregory, ‘You’re doing those readings and what you’re doing is repeating yourself. It’s not developing.’ He said, ‘[Expletive] you! You had a mother!’ ’So I suggested that we could find her grave. Whoo! He didn’t like that. He said, ‘You just want to see me cry at her grave on film!” Reininger visited Corso’s mother’s place of birth, the Vatican, New York Cardinal Joseph O’Connor, Governor Mario Cuomo: ‘All dead ends,’ he says. Then came a chance encounter in Manhattan. ’I had just sold my apartment on 84th Street, and I met a little old Italian lady,’ says Reininger, who told her about his quest for Corso’s mother. ‘She says, ‘Do you know what I do? I’m a bounty hunter for bank deposits.” The woman found Corso’s sister, Marie, who had incurred two parking tickets. Reininger drove up to the Poconos to Marie’s doorstep, and Marie helped him find Corso’s mother. As it turns out, she was still very much around” an uneducated former coffee shop waitress who had been residing in Trenton, New Jersey, all along”a mere half-hour’s drive from her son”oblivious to beatnik culture. The inevitable reunion forms ‘Last Beat”s dramatic centerpiece. Soon after, Corso died in 2001, when he was buried at the Protestant Cemetery, next to his literary hero, Shelly. ‘His life came full circle,’ says Reininger. Filmed over nine years with a small crew, ‘Corso”The Last Beat’ is the culmination of uncontrived cinematic miracles. Initial financing for Reininger’s film came from a foreign investor. Along the way, he secured additional funding from several private investors and the support of Benetton, which has the world’s largest Beats library at their corporate headquarters in Milan. ’I originally wanted to do a narrative feature about the Beats,’ Reininger says. That was until he ran the idea by Ginsberg, who suggested that he make a documentary about Corso. Reininger enjoyed filming Corso and Ginsberg together. ’They were completely fused,’ Reininger remembers. ‘They had a friendship that was so intimate, it was indescribable because they had gone through so much. They had met each other at a dyke bar, the Pony Stable. Soon after, Gregory was watching a woman sunbathing nude. Turns out it was Allen’s girlfriend. One of Allen’s rare forays into heterosexuality. ’I picked up Gregory at a very tender, poignant moment in his life when his friend [Ginsberg] had died.’ Ginsberg passed away early in the shoot, in 1997, when Reininger suddenly shifted his film’s focus to Corso, the only surviving Beat, as Corso renews his Beat association at a time when he was on the cusp of burying his literary past. Reininger opines why Corso may be the least known Beat: ‘Allen was a publicist, Kerouac’s ‘On The Road’ was a novel that caught a generation’s attention, and Burroughs, bizarreness.’ Couple that with Corso’s loathing of publicity or any ‘scene.’ And yet, even though, chronologically, Corso was the baby of the Beats, to the other writers, he was the most revered and profound, according to Reininger: ‘Kerouac got a football scholarship to Columbia, Ginsberg’s father taught at Columbia, Burroughs went to Harvard. They saw Gregory as the real thing. Someone who came up from the working class.’ Philosophically, Reininger short-hands the Beats this way: ‘Kerouac introduced Buddhism into Christian circles, Ginsberg introduced Buddhism to Jewish circles, and Corso stuck to basic Roman-Greco values. ’For a while,’ the filmmaker admits, ‘I thought he was one of the greatest con artists I had ever met,’ as their Euro-trip hi-jinks included Corso translating hieroglyphics on the wall of the Louvre, or contacting the Duke of Caniglia Nico from a Veneto gas station. ‘Then I began to realize what a remarkable life this guy has had.’ As Reininger discovered, ‘Gregory never had a choice. Poetry was his only way in life.’
Longtime Residents Ann Kerr, Ken Adams Exchange Vows

Photo by Rich Schmitt, Staff Photographer
Ken Adams and Ann Kerr were married on Sunday, December 28, in a quiet family service in Ann’s garden with the Pacific Ocean glistening in the background. Their combined seven children and 10 grandchildren were all present, as well as members of their extended families. Officiating was Palisades resident Andy Kelly, a close friend of Ken’s and Ann’s families who introduced the couple in the summer of 2007. A selection of classical music and popular ballads was played by Ken’s sister-in-law Mary Ann Cummins and her daughters Emily and Anna. The bride and bridegroom are longtime Palisadians, who, with their late spouses, Malcolm and Mimi, raised their respective families in town, where they attended local schools. Ken is a graduate of UC Berkeley and Columbia Law School and served as a navigator in the Air Force during the Korean War. Before practicing law, he was a business manager of a local opera company. Ann studied at Occidental College, the American University of Beirut and the American University of Cairo and eventually taught at the latter two universities. She currently runs the Fulbright visiting Scholar Enrichment Program at UCLA. She is the author of two books: ‘Come with Me from Lebanon’ and ‘Painting the Middle East.’ Noting their one-month anniversary, the couple say that they ‘are celebrating every week to catch up, so it’s already four!’ They are heading off on their delayed wedding trip on Saturday to Costa Rica, and then to Puebla, Mexico, to visit Ann’s son, John, and his wife, who are on sabbatical there.
Sculptor McGilvray Exhibits New Work at TAG Gallery

Palisadian Camey McGilvray will be exhibiting her sculptures from Wednesday, February 4 through Saturday, February 28, at TAG Gallery, 2903 Santa Monica Blvd., Santa Monica. A reception for the artist will be held on Saturday, February 7 from 5 to 8 p.m. McGilvray studied art at St. Lawrence University, The Art Students League and The New School in New York City, and at the University of the Americas in Mexico City. Her work has been exhibited in galleries across the country, including The Pen and Brush Gallery in New York City, the Schomberg Gallery, and the Frederick Wiseman Museum of Art. She is co-founder of the Abbot Kinney Art Gallery in Venice. Recently, her sculptures were featured in the movie ‘The Truth is Always Complicated’ by independent filmmaker Ryan Barton-Grimley, to be released this year. McGilvray uses wood and metal to create abstract, contemporary sculptures that tell a story or convey emotion. The artwork is evocative rather than representational, and it relies on the shape and placement of the component pieces, the shadows cast, and color and texture to convey its message to the viewer. In ‘Smithereens,’ for example, hundreds of wood pieces ‘fly’ out in all directions, evoking debris scattering everywhere after an explosion. In another piece, ‘Heart on Fire,’ flame-like shapes and brilliant colors evoke the emotion. The gallery is open Wednesday through Saturday, 11 a.m. to 5 p.m. For more information, contact 310-829-9556.
Plant Expert to Talk About Matchmaking
Because horticulturalist Dave Lannom brings a career’s worth of plant experience, he will be prepared for whatever topics his audience may want to learn more about when he addresses members and guests at the Pacific Palisades Garden Club meeting on Monday, February 2 at 7:30 p.m. The Garden Club meets at the Woman’s Club, 901 Haverford. Lannom, a professor at Mt. San Antonio College for 27 years, will explore plant propagation, with examples and printed materials. He will also take questions on horticultural topics. Most plants reproduce more of their kind through production of seeds. This is sexual propagation involving the exchange of genetic material between two parent plants. Many ornamental plants do not come ‘true’ from seed. To increase the numbers of these plants, gardeners and horticulturists use asexual propagation, a process in which new plants are genetically exact copies or clones of a single parent plant. The methods used in asexual propagation range from taking leaf cuttings from African violets to grafting apple cuttings onto rootstocks. ’I’ll mention cuttings briefly, especially grafting, because it’s exciting,’ Lannom tells the Palisadian-Post. ‘It’s kind of a lost art. For example, that’s what gives you to ability to have several varieties of fruit on one tree. ‘Sexual propagation, the romantic part of breeding in ornamentals, only makes up 12 to 15 percent,’ he continues. ‘More has been done breeding ornamentals in the last 20 years to achieve certain characteristics. We breed for smog resistance and for qualities that have come back into favor, such as fragrance in roses.’ In addition, Lannom says that companies like to specialize in new introductions that have become popular mainly through skillful marketing. He sites the company Proven Winners that ‘brings back old plants your grandmother used to grow, such as ‘Parrot’s Beak,’ (lotus vine), renamed today ‘Amazon Sunset,” he says. Other expanded varietals include the coral bells. There has been an amazing amount of breeding in last five years with coral bells (heuchera), which come in a range of colors, shapes and sizes.’ Lannom started working in a nursery at the age of nine and graduated from Cal Poly with a B.S. degree in horticulture and a master’s degree in agricultural science. Although now semi-retired, he still teaches several classes a semester, including his favorite, basic horticulture.
Ware Ready for “Super Sunday”

Matt Ware has come a long way since his days at Calvary Christian School in Pacific Palisades. In fact, his winding road has led all the way to Super Bowl XLIII in Tampa this Sunday. A backup defensive back now in his third season with the Arizona Cardinals, the 26-year-old played in 13 games this season and made 14 solo tackles to help lead his Cinderella team to its first Super Bowl ever. Ware, who was born in Santa Monica and grew up just outside the Palisades in Malibu, was a multi-sport star at Loyola High, where he played quarterback and safety for the Cubs, and went on to start at cornerback for three seasons at UCLA under Coach Karl Dorrell. He was picked in the 21st round of the 2001 Major League draft by the Seattle Mariners and played center field for two seasons in Arizona rookie league. Ware began his pro football career with the Philadelphia Eagles in 2004. Ware will be donning jersey #22 on Sunday and hopes his number is called numerous times in this, the biggest game of his young career.