Tomorrow, a worldwide cataclysm will hit, and one of the people responsible will be Michael Wimer.   The Pacific Palisades resident, a partner of director Roland Emmerich at Centropolis Entertainment, is one of the producers of Sony Pictures’ ‘2012,’ which opens in movie theaters worldwide. The mega-budget, special effects-heavy disaster flick (costing an estimated $200 million to make and market) is tracking to be this weekend’s top multiplex draw. That will not surprise fans of Emmerich, who also directed such apocalyptic blockbusters as the 1996 alien-invaders epic ‘Independence Day’ (which grossed $817,500,000 worldwide), Sony’s re-imagining of ‘Godzilla’ in 1998 and the global-warming nightmare, ‘The Day After Tomorrow’ in 2004 ($542,772 internationally). In other words, Emmerich has a reputation for super-sized, city-leveling entertainment.   In ‘2012,’ John Cusack struggles to stay afloat amidst a global apocalypse predicted by a Mayan prophecy, as the U.S. government agency Institute for Human Continuity dispatches ships to ensure the human race’s survival. The film also features Thandie Newton, Amanda Peet, Oliver Platt, Woody Harrelson, Danny Glover and George Segal.   So why does Emmerich relish destroying Los Angeles and other metropolises in his films? Wimer downplays the destructive side of the German director’s brand of science fiction.   ’The special effects are great [in Emmerich’s films],’ Wimer tells the Palisadian-Post, ‘but at the center are human stories. Cusack is trying to keep his family together. It so happens the cataclysm is so gigantic.’ Wimer’s Hollywood journey has been an interesting ride defined by two phases: first as a powerful literary agent and now as a producer.   ’I have commercial tastes,’ says Wimer, who grew up in the Midwest and attended Harvard University. ‘I came into the business 20 years ago because I love short stories. I represented writers and directors.’   After a brief, unsatisfying stint on Wall Street, Wimer took his English degree and his Stanford Business School diploma and moved to Los Angeles in the mid-1980s to start at the bottom: at the mailroom of Creative Artists Agency. From 1986 to 2005, he was a literary agent at CAA, where he represented some of Hollywood’s top directors and screenwriters, including directorial kings of comedy Harold Ramis, Ivan Reitman, Mel Brooks and Frank Oz, as well as action filmmakers Tony Scott and Joel Schumacher, and late writer-directors Michael Crichton (whom Wimer represented on the author’s ‘ER’ deal with NBC) and John Hughes.   ’It was shocking,’ Wimer says, ‘in that [Crichton and Hughes’ deaths] represented the passage of time. These guys played such big roles in my life.’   Wimer explains that Hughes, who fled Hollywood to write screenplays in his native Chicago, ‘found directing very anti-climactic. He didn’t like the way Hollywood worked, [the studio politics].’   At CAA, Wimer’s friends included super-agent Jay Moloney, who hanged himself two days after his 35th birthday in 1999. Moloney was ‘a wonderful guy,’ Wimer says, but ‘the most alluring drug [in this industry] is power, and Hollywood is not a good place for addicts. ‘Hollywood is not a lot different from the way Washington works. The insecurities and the pettiness with the gigantic amount of money and tempered with the real rarity of great creative skill have made it a place where the weak get crushed.’   Wimer notes that not everyone in Hollywood succumbs to ego, power and greed. ‘Mel Brooks,’ he says, ‘is a great example of how kindness gives back a thousand-fold.’   For the past decade, Wimer and his family have resided in Pacific Palisades, which reminds him in temperament of his native Neenah, Wisconsin, a paper mill town in which he grew up the son of a Kimberly-Clark executive in a family of seven.   ’It’s the comfort of Mayberry,’ he says of the Palisades where he has raised daughter Sarah, 12, and son Luke, 7, with wife Sharon, a TV producer who made the Lifetime movie ‘Acceptable’ with Cusack’s sister, Joan. ‘The Palisades is a great place to go trick-or-treating. We have the best Fourth of July parade. I have to be honest, I love the newspaper. It’s really like a community here. It’s authentic. We know our firefighters at Station 69, the local merchants are great. It’s a great place for our kids.’   For years, Wimer’s work as an agent proved successful and gratifying, even as he encountered difficulty in the days following Sarah’s birth, when Sharon was diagnosed with cancer. She triumphed over the disease, but the four-year battle proved grueling and grounding for the Wimers. ‘My most rewarding job is being a father,’ he says.   Five years ago, Wimer finally tired of the ‘anxieties’ that come with an agent’s territory, such as appeasing the whims of important players. He decided to refocus his passion in 2005.   ’Roland was the first person that I told about my decision [to leave agenting],’ he says. ‘Roland said, ‘Well, let’s join up and let’s do this.”   The pair worked together on Emmerich’s remake of the prehistoric ‘10,000 B.C.,’ the first film of 2008 to surpass the $200-million mark. They are now collaborating on adapting Isaac Asimov’s ‘Foundation’ trilogy, a highly anticipated project that has been gestating with various talents for years in Hollywood. Emmerich also wants to helm a human-scale film, the period piece ‘Anonymous,’ which explores whether or not Shakespeare authored all of his great works.   Recently, Wimer launched a TV production company with ‘Rescue Me’ co-creator Peter Tolan. ‘Peter’s one of the best writers,’ Wimer says. ‘That’s where all of the best writing is right now: on TV.’ A funny contradiction is that Wimer and Emmerich (who has made a cottage industry of creating movies depicting the end of the world) are, in real life, obsessed with saving it. ‘Roland has solar panels in his home and a Prius,’ says Wimer, who also does his part. He arrived for his interview with the Post in his Toyota SUV electric vehicle, which costs him just $6 a month to power.   ’I’ve been making sure that all of our productions are green,’ Wimer says, ticking off the measures he took to keep the set of ‘2012’ environmentally correct: renewable wood, recycling sets, biofueled power generators, ‘whatever we can do to reduce our carbon footprint.’   ’As a long time environmentalist and entertainment-industry leader, Michael has brought his creativity and passion to the Environmental Media Association’s executive board of directors for the past seven years,’ says EMA president Debbie Levin. ‘In January, he was instrumental in putting together ‘The Green Inaugural Ball,’ the largest gathering of environmental groups at the inauguration of Barack Obama. Michael brought EMA and 60 other environmental groups to honor Al Gore and to celebrate our new president’s commitment to a green economy.’   The Wimer-organized gala, held at the Smithsonian, included performances by Palisades High graduate will.i.am and matchbox20.   On October 25, the EMA honored Wimer and Emmerich at its own gala, on Paramount’s studio lot, which attracted Harrison Ford, Alanis Morissette, Richard Branson and other celebrities.   ’This was quite an honor,’ Wimer says. ‘I really have to thank my kids because, until Sarah and Luke came along, I never really thought about the power and importance of setting a good example. Now, whether its driving our electric car or recycling our kitchen waste or running a production utilizing green guidelines, it’s all about showing the kids that taking care of the world is the right thing to do.’   Except for this weekend, of course, when the world will be destroyed with catastrophic glee.

In his modest office at Fandango’s West Los Angeles complex, with an untouched lunch on his desk, an animated Chuck Davis eagerly shares anecdote after anecdote with the Palisadian-Post. He paces around as he tells the story of how his 18-year-old son, Jared, a freshman at Brown University, took a business class at Davis’ alma mater with his former professor, Barrett Hazeltine. ‘He got cold-called in his second class,’ Davis says. ‘Hazeltine said to Jared, ‘You know all about cash cows?’ Jared says, ‘I do?’ Hazeltine said, ‘Hasn’t your dad told you all about it?” ‘It was a wonderful bonding moment,’ continues Davis of that ‘full circle’ moment. Davis, of course, does know about cash cows. The Fandango CEO has become a master at turning middling companies around and selling them for hundreds of millions of dollars. The nimble executive vice president of Comcast Interactive Media, which acquired Fandango in April 2007, has always had the knack for adaptation. When he started out in the 1980s, he could not foresee where his career would lead, as there was no Internet. Yet today, the Huntington Palisades resident leads movie-ticket outlet Fandango.com, one of the Internet’s top entertainment sites (according to Alexa, it ranks #233 in site traffic), which sells tickets to more than 16,000 screens nationwide. Before Halloween, Fandango sold 25 percent of the opening night tickets for ‘Michael Jackson’s This Is It’ and the company is currently bracing itself for ‘Twilight: New Moon,’ which has already accounted for 75 percent of advance ticket sales prior to its November 20 release. In addition to Fandango, Davis oversees such Comcast-held entities as Movies.com, which was bought from Disney, and the fashion e-mail newsletter Daily Candy, which will launch its e-commerce site Swirl, a clothing and accessories marketplace, on November 19. Davis comes across as personable and down-to-earth, and, for a man of his position in the business world, humble. He’s not above deferring to a colleague or employee’s expertise. Surrounding himself with the right people at his companies is one secret to his success over the years, and that passion for winning and teamwork transcends to the business arena from his passion for sports. Many Pacific Palisades parents know Davis for his longtime involvement in the American Youth Soccer Organization, coaching Jared and daughter Jenna’s teams. He has coached 600 youth soccer games, winning numerous Area championships. ‘You get to know every team and every family,’ Davis says. ‘You really are plugged into the community.’ Davis grew up in Westport, Connecticut. His father, Joel, was in publishing, releasing such fare as Ellery Queen’s Mystery Magazine and Alfred Hitchcock’s Mystery Magazine. While in high school, Davis would go into his father’s office and mimeograph his sports fanzine, the Pro-Grid Weekly, a broadsheet he’d send out to family and friends. He also sent them out to the commissioners of the four major pro sports. All of them wrote back with thank-you letters, but one of them, NFL commissioner Pete Rozelle, struck up a regular correspondence with Davis. In 1974, when Davis was 13, Rozelle said, ‘Why don’t you miss a day of school and join me for the NFL draft?’ It was a day Davis has never forgotten. Davis went on to intern in Rozelle’s office during his college summers. ‘He loved his sample subscription of Pro-Grid Weekly,’ Davis says, beaming as if relives that defining teenage experience all over again. ‘The opportunity that this man gave me made me the businessman I am today,’ Davis says. After Brown, Davis followed his father into publishing, although not exactly. He tried to matriculate into Time, Inc., home of Sports Illustrated, on the strength of his sports reporting at Staples High School and for the Bruin Grid Weekly, but executives there saw something else in Davis. ‘They told me, ‘You’ll be on the business side,’ says Davis, who joined advertising sales, where he started in 1982 with insert cards in Life magazine. He excelled at Time, Inc., devising strategies and gimmicks to boost magazine circulations. ‘I was one of the first direct marketers in the country,’ says Davis, who helped boost group circulation by 50 percent. Eventually, the writing was on the wall as long-running periodicals Life, Look and Saturday Evening Post faced cancellation. Shortly after New Year’s in 1992, Davis went to TV Guide, which still enjoyed a circulation of 14 million in an era that would soon give way to the Internet age. Seven million subscribers grew to 9 million under Davis’ watch, and he was promoted to senior vice president. Things changed dramatically on August 2, 1995, when Netscape went public. ‘It was massive,’ says Davis, who was playing golf on his birthday. ‘It was the IPO that blew off the doors. AOL was how you got to the Internet, but Netscape was opening the way [to the future of the Internet].’ Within 90 days, Davis received five offers to join new media companies ‘even though I didn’t have a computer.’ One of those companies courting him was Disney. Davis recalls having an interesting conversation with then-Disney chief Michael Ovitz, who told him, ‘We don’t know if it’s [the Internet] a fad, but if it is, you’ll still have a job at Disney.’ Then-Disney Internet Group chairman Jake Winebaum brought Davis into the Disney fold in 1996 and Davis relocated his family”including Jared and daughter Jenna (now 16 and a student at Brentwood School)”to California, where he became president of Disney’s new ecommerce division, overseeing eight Internet product groups. ‘I launched Disneystore.com, Disneyvacations.com,’ recalls Davis. ‘People were very surprised when we actually moved and stayed in California,’ says Jan Davis, his wife of 22 years whom he met at Brown. ‘But we’ve kept our East Coast roots. We’re bicoastal in mentality.’ Scott Schiller, senior vice president of Advertising Sales for Comcast, has known Davis since ‘we met on Super Bowl Sunday in 1997 via phone and spent the entire second half of the Packers-Patriots game figuring out how our worlds collided. We’ve been great friends ever since, and we’ve worked at Disney and Comcast/Fandango together.’ ‘Chuck has an uncanny ability to understand numbers and their implications for a business,’ Schiller says. ‘He knows how to develop and grow a brand. At Disney, he was behind the early years of selling advertising/media, theme-park tickets and Disney merchandise online.’ At the dawn of the Internet, Davis put his money where his mouth was and purchased a vehicle and beloved cocker spaniel Moka, 11, online (Jenna, Jared and Moka even appeared in a 1999 Post ‘Young Palisadians’ article on an initiative to keep Pampas Ricas dog-poop free.) Davis left as president of Disney’s e-commerce division in December 1999 and kicked off the new millennium working at BizRate (which became Shopzilla), where he became president and CEO. ‘BizRate had a great management team and a great customer base,’ says Davis, who started an e-commerce consumer reporter; a click-and-rate venture that turned BizRate into the leading shopping comparison site. ‘When we were almost on empty is when it finally took off,’ continues Davis, who attributes part of that success to simplifying the rating method to a happy-face rating system. ‘It’s important to understand consumers and not overthink things sometimes.’ For the longest time, when the Internet relied on dial-up, most of the online consumers were men, who bought music, electronics, computers, etc. Meanwhile, Davis was readying the Shopzilla site for its close-up. ‘We were betting the women would come,’ Davis says. ‘When high-speed Internet hit the suburbs, they came in droves’ to buy women’s apparel, home goods and other targeted projects. There were 10,000 unique visitors a month at the site when Davis got to BizRate and 2 million per day when he left. In 2005, BizRate sold to E.W. Scripps Company (which owns various daily newspapers and broadcast stations and United Media) for $569 million. ‘They say that I’m good at organizing chaos,’ Davis says with a smile. In January 2006, Davis took charge of Fandango (first as chairman, then as CEO by July of that year). Formed in 2000 by seven of the largest movie theater exhibition companies with the goal of creating a competitor for Moviefone, Fandango had become a limited endeavor with lackluster financials which focused solely on moving movie tickets. Whereas another incoming corporate leader might have purged the company of its staff, Davis retained his employees and introduced methods to re-invigorate them. Even during this difficult economic climate, Davis insists on company perks to keep employees satisfied and engaged, instituting flexibility in working schedules, company-wide lunches twice a week (with excess food delivered to Upward Bound House, a Santa Monica homeless assistance agency), and sports and volunteerism to cement staff bonding and relationships. Davis swells with pride over the fact that Fandango was recognized by the Employers Group as one of ‘California’s Best Places to Work.’ Additionally, Fandango was named as one of the top 50 companies to work for in L.A. earlier this year. He pushed his team to expand the Web site’s scope while doubling the staff, in effect pushing the company to be more ambitious. ‘I wanted to get all of the extraneous words out of the way, to de-clutter the content,’ he says. ‘I thought we could sell more and we did.’ Davis helped Fandango expand its content to include more than 400,000 entertainment listings, more than 500,000 performers and filmmakers, interactive participation such as the Fandango Fan Meter, where moviegoers rank all movies from the best (‘Must Go!’) to the worst (‘Oh, No!’), and departments and features such as movie-related road trips. Fandango has launched its Facebook and TiVo applications, and an iPhone app which has seen 3 million downloads. Fandango’s Web site has grown by more than 30 percent in unique visitors in each of the last two years. Davis ultimately re-branded Fandango into a market leader that made the company so attractive, it led to its acquisition by Comcast. (Fandango executives will not divulge how much the company sold for, but tech blogger Michael Arrington, citing unnamed sources, wrote that ‘Comcast paid $200 million, or perhaps a bit more. We’re also hearing Fandango revenue is in the $50-million-a-year range, split roughly evenly between ticket sales and advertising.’) Davis stayed with Fandango and also became an executive vice president within Comcast’s Interactive Media division, where he is responsible for identifying acquisitions and strategic partnerships for the company. Davis is now in a position to volunteer and give back, which he will do in 2010 as one of the judges of the Ernst & Young Entrepreneur of the Year Awards’ Los Angeles winners (and where he won the 2004 award for BizRate). He is also an active board member of the Young Presidents’ Organization, both in the Los Angeles Chapter and the YPO International Board. Davis also serves on the boards of Shop.org, The Teaching Company (with Bill Barnum), and LeadPoint. ‘It was very Rozellian,’ Davis says. ‘He gave to me and I gave my time to do this.’ Since moving to California, Davis has felt very comfortable in Pacific Palisades. ‘We were blessed by finding this community,’ says Davis, who appreciates the folksiness re-enforced by the town’s traditions. ‘You see it in the July 4 parade, the first pitch at the PPBA and pancake breakfast, the farmers’ market. The key is for the town to not lose that charm.’ Davis’ passion has always been team sports, whether it’s watching NFL football or coaching AYSO soccer. ‘AYSO soccer is the binding force in the community,’ says Davis, who remembers calling 454-KICK as soon as he was about to relocate to the Palisades to enroll his children. ‘They said, ‘Sign up ended two weeks ago, you’re out of luck unless you can coach.” Davis had no experience coaching, but he wasn’t about to let that stop him. He even roped his wife into serving with Denise DeSantis as co-commissioner of the U10 and U12 girls for three years. ‘AYSO stands for ‘All Your Saturdays are Over,” Jan jokes. Davis says his coaching did not interfere with his work at Disney. ‘It was en vogue for a family-minded company like Disney to let executives leave early to coach kids,’ a philosophy that former Disney executives Joe Roth and Charles Hirschhorn shared. In his first year as an AYSO coach in 1996, Davis and prominent Santa Monica orthopedic surgeon Bert Mandelbaum led the Purple Royals to an Under-Six (U6) season. In 2001, Davis and co-coach Barnum led the U10 Rattlers to a 53-8-3 mark. In 2003, the duo took the Rattlers to another Area P U12 championship with a 61-2-4 record. With co-coach Nancy Babcock, Davis led Pali Storm to a 2006 championship victory with a 45-11-10 record. ‘My kids have made it to the Area P championship eight times,’ Davis says. Winebaum, the founder and former CEO of Business.com, has known Davis since they were out of college, working at Time and Disney together. ‘Chuck hasn’t changed much since we were both 22,’ Winebaum says. ‘He and I sat on each other boards. Mine at Business.com, his at Shopzilla.’ Davis and Winebaum, a Brentwood resident, co-coached the Red Fireball in 2004, which won the area championship. ‘His most famous line on the soccer field is when the game is not going so well and we’re behind or tied or whatever, ‘Who’s going to be a hero?,” Winebaum says of Davis. ‘The key to winning is to get those girls to become contributors,’ Winebaum says. ‘Everyone’s got to pull together. He’s good at getting the most out of his team. It’s the same in business.’ Davis hung up his coaching cap three years ago but still volunteers as a referee, having officiated more than 300 youth games. ‘It’s remarkable that as busy as he is that he still finds the time to referee two or three games on the weekend,’ Winebaum says. ‘He’s the mayor of the weekend. He knows more kids through his reffing than probably anyone else in the Palisades.’ When Davis shares his philosophy on sports, he’s also talking about his perspective on the corporate world: ‘One weak link can crater the whole team. Teams win championships, not individuals.’

  Sally Lamb will exhibit new paintings in a one-woman show at the Schomburg Gallery at Bergamot Station, 2525 Michigan. The exhibition opens on Saturday, November 14 with a reception from 4 to 8 p.m.; it runs through December 16.   ’I titled this show ‘Light and Shadow’ because it is the overriding theme running throughout every image portrayed,’ says Lamb, a Pacific Palisades resident.   ’The landscapes are of places I have studied over many decades. Returning to a place time and time again brings a distilled understanding through familiarity. It has kept the process of painting a fresh and exciting adventure.   ’The botanicals in the show are the result of becoming completely enchanted, some years back, with the Brugmansia flower’in particular, the white double blossoms, that curl with long tendrils twisted and dancing in all directions.’ Lamb has enjoyed a varied career, both painting and teaching. She has exhibited in many shows, and has designed the covers for a number of publications, including the new Pacific Palisades Chamber of Commerce Directory.

The Parish of St. Matthew and St. Matthew’s Parish School will join forces for the annual Christmas Faire on Friday, November 20 at Sprague Center on campus, 1031 Bienveneda Ave. All proceeds will be distributed among the Parish outreach partners’23 charitable organizations in total.   St. Matthew’s outreach partners include those who provide vital assistance close to home, like the Westside Food Bank, which is trying to cope with the increase of hunger in low-income families in Los Angeles; and global partners GAIA (Global Aids Interfaith Alliance) which fights AIDS and malaria among the poor in Malawi, Africa.   The Faire offers something for everyone to enjoy; the gift boutique features a combination of handmade goods and specialty items; the food boutique sells baked items wrapped and ready to go; the St. Matthew’s Thrift Shop showcases its best finds; the wine and silent auctions promise a wide selection; and the parties auction will offer a variety of fun gatherings for adults and children alike.   Last year the Ojibwe table was added, which is near and dear to the heart of St. Matthew’s rector, Howard Anderson. He grew up in Minnesota, right next door to the Ojibwe Indian reservation. For the Faire, he brings some of the tribe’s most delicious products, including maple syrup, wild rice and muskrat coffee, all of which are made on the reservation. Purchasing these organic products supports not only St. Matthew’s outreach partners, but also the Ojibwe economy. This year’s raffle will include a Kindle, an iPod Nano, and many other items. The proceeds from this raffle will support Angel Interfaith Network, a St. Matthew’s outreach partner that provides baby supplies and clothing to homeless and low-income families with newborns at Los Angeles County Hospital and USC Medical Center. The Christmas Faire begins at 6 p.m. and admission is free. Because of the wine bar, the Faire may be enjoyed by adults over the age of 21 only.

Walking into the exhibit of photographs by Rex Miller at g169 in Santa Monica Canyon feels a bit like traveling back in time.   The black-and-white images of bluesmen’and women’of the Mississippi Delta look as if they had been taken in the 1930s or ’40s, when some of the blues songs were first recorded.   ’He’s so young,’ one gallery-goer whispers behind Miller’s back, clearly surprised to discover that the filmmaker/photographer is only 47.   It’s in part because his work looks like that of an old soul, comfortable ‘just setting a spell’ in a juke joint in Clarksdale or Greenville, listening to the music. But also in part because the photos, taken in the early 1990s, reflect a world less changed than most of this country in the last half century.   The show opens a window into the Delta blues culture through music, words and images; recordings made by Miller play in the background and stories told by the musicians and others who lived the blues are posted alongside the photographs.   The images hang in rough-hewn frames, and the words alongside are often rougher yet, describing lives filled with hard roads and much pain ‘- but all released, if only for the length of a song, in the blues.   ’Blues is a remedy for whatever it is that ails you. It’s like a pressure value’when you release it, it releases some of the pressure. If you hurt, if there is something you don’t like, sing the blues,’ reads one quote in the show. It’s scribbled on the wall next to a large print showing dozens of prisoners gathered in a yard at the Mississippi State Penitentiary in Parchman. Four men in the center of the crowd are dancing, giving their bodies up fully to some unheard music.   A camera, in the right hands, can always catch someone off guard and reveal something the subject may not intend. But the sentiments expressed in the printed stories here seem raw and honest enough that it’s hard to imagine how Miller was able to elicit them, until he explains that he has been gathering them over nearly eight years.   Frank Langen, the owner of g169, said that at first he wasn’t interested in including the narratives in the exhibit, faithful to the idea that ‘a picture is worth a thousand words.’   But the words here illuminate the pictures, giving them additional power ‘- something Langen now appreciates. The images show the hard edges of the lives lived in the Delta, but the interviews are almost shocking in what they reveal.   ’I was sharecropping too long ‘ If you sharecropping with Mr. so-and-so, and you make 20 bales of cotton, you got to give him 10. He gets that free. No debts come of his 10. The debts be on you. All the poison, the tractor, the gas and all that come out of your 10, and when it winds up, you ain’t got nothin’.   That’s the way sharecropping works. So, I said I’m gonna let that alone. I imagine you would, too,’ reads part of an interview with blues musician James ‘Son’ Thomas.   The words remind us that people still alive today grew up picking cotton, got a dollar a day ‘if you was a good worker,’ and lived with the fear of physical violence if they didn’t do as they were told.   The stories surely ‘take the candy off the music,’ as Arthneice ‘Gas Man’ Jones, one of Miller’s subjects, says.   Miller recorded the words and images while traveling through backwoods into tiny rural crossings and sleeping in shacks, making the acquaintance of bluesmen like Roosevelt ‘Booba’ Barnes and Mitch Pendelton and talking with gravediggers and preachers. A shoot with B.B. King took Miller down the path to a serendipitous meeting with Worth Long, a folklorist and historian who organized black voters and documented the civil rights battles of the 1950s and ’60s.   Long opened doors for Miller across the Delta. And Miller himself was persistent in getting access to places like Parchman, working through a series of wardens and frustrating restrictions.   But the artist also learned the value of just hanging around. There’s something to be said for being in the right place at the right time ‘ but some of that luck is just relaxing into the moment enough to let something happen.   ’You couldn’t show up, take a photo and leave,’ Miller says, in the midst of a story about Barnes’ Playboy Club. The venue is caught in one of Miller’s images with a wild-eyed Barnes out front of an old brick furniture store, with many of its windows boarded-up and its signage spray-painted. Not much to look at, it was still a powerful music scene.   Miller is clearly captivated by the blues, drawn by the ‘amazing intensity of experience’ to be found in the music.   The photographer/filmmaker is currently shooting a documentary on Althea Gibson, a world-class tennis player in the 1950s and the first black, man or woman, to win Wimbledon. He’s off to Forest Hills (once home to the U.S. Open), Palm Beach and other locations far removed from Mississippi.   Miller cites his art as ‘my excuse to go to strange, exotic places.’   But the blues can’t ever be that far behind.   A minister interviewed by Miller quotes an ‘old fella’ as saying ‘things that’s come from the heart reaches the heart.’ And Miller’s heart is full of the Delta blues. ‘All the Blues Gone’ remains on view through January at 169 West Channel Rd. The gallery is open by appointment. Contact Frank Langen at 310-459-4481.