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Assembly Candidates Address Key Issues

California State Assemblywoman Julia Brownley, Republican candidate Terry Rathbun and Green Party candidate Linda Piera-Avila are vying to represent the 41st District in Tuesday’s election.   Since Brownley took office in November 2006, she has concentrated mainly on education. This past two-year term, the Democrat said she is most proud of two education bills she carried that were passed into law. One bill gives community colleges the option of raising non-resident student fees, while the other helps foster children stay at their home school even when they must move to a different neighborhood.   ’A lot of foster children move a lot and school is their family,’ said Brownley, a Santa Monica resident who served on the Santa Monica-Malibu Unified School District board for 12 years and was board president three times.   If elected, Rathbun, an Encino resident who owns a small informational-technology consulting business, said he would focus on school financing. He would like to reform Proposition 98, which passed in 1988 and requires a minimum percentage of the state budget to be spent on K-14 education.   ’There is a lot of corruption, and the money is being misdirected,’ Rathbun said, noting that he thinks the money is being spent on administration rather than in the classroom.   Brownley disagrees, saying, ‘I actually think we are disinvesting in education.’   She doesn’t think that the formula for distributing money established by Proposition 98 needs to be changed, but the system needs to be more transparent, so that it is easier to see how money is distributed and spent at the local districts.   This past term, Brownley carried a bill, AB 8, that would have convened a working group to create a simple, more transparent accountable system, but Governor Arnold Schwarzenegger vetoed it. She plans to introduce a similar bill and is hopeful that if Jerry Brown is elected governor, he will sign it.   Piera-Avila, a Santa Monica resident and physical therapist, agreed with Brownley that schools are inadequately funded. Fixing the problem, she thinks, calls for changing how the government functions.   ’We need to reboot and start over with a new constitution,’ said Piera-Avila, noting that she would advocate for a constitutional convention. She believes the current constitution is ineffective and the root cause of the state’s budget problems.   The state had to close a budget gap of $24.3 billion in 2008 and $60 billion in 2009. The 2010 budget closes a gap of $19.3 billion by a combination of expenditure reductions, federal funds and other solutions.   All three candidates agree that the two-thirds vote required to pass a budget is ineffective, so they all support Proposition 25, which changes the vote required to a simple majority.   ’Our state legislature is constitutionally mandated to pass a budget on time, yet they have not done that for the last 20-plus years due to the two-thirds majority requirement; we need to fix this problem,’ Rathbun said. Rathbun, who served for nine years in the U.S. Navy and earned his associate’s degree in business from Pierce College, said he thinks one way to help balance the state’s budget is to reform pensions and increase the retirement age of government employees.   ’From a business perspective, when you are low on income, you scale back on spending,’ Rathbun said. ‘In Sacramento, they don’t take that approach.’   Brownley responded that government officials should be responsible and that the government is already working closely with unions to make difficult decisions regarding pensions.    ‘People who work hard and have a full career deserve a pension,’ Brownley said. ‘I believe this should be negotiated locally.’   Piera-Avila, who attended California Lutheran University and Cal State Long Beach, earning degrees in medical technology and physical therapy, respectively, pointed out that healthcare benefits are a huge part of pensions, so she thinks a universal healthcare system would help lower the cost.   ’Healthcare should be a right, not a privilege,’ Piera-Avila said, noting she would advocate for a single-payer healthcare system.   Piera-Avila added that another way to help with the budget crisis would be to establish a state bank, so that loans could be made to businesses and students at a fair interest rate and the interest could be invested in California.   Brownley, who has a bachelor’s degree in political science from George Washington University and a master’s degree from American University, has also directed her energies towards environmental conservation. This past term, she attempted to pass legislation that would ban single-use plastic bags. If re-elected, she plans to continue to pursue legislation.   Rathbun, who serves on the L.A. County Republican Central Committee for the 41st District, criticized her efforts, saying he thinks incentive programs are more effective than mandates. In addition, he believes local municipalities should make such decisions.   Plus, ‘it’s going to force more businesses out of the state,’ Rathbun said.   Brownley contends that the legislation would create a market for reusable-bag manufacturers.   ’Critics say it’s a job killer for California, but it’s just the opposite,’ Brownley said. ‘It’s a green-job creator.’   There are three plastic manufacturing companies in California and making plastic bags is a small part of their business, Brownley said. As part of the bill she tried to pass, the companies would have received money to retool so they could make reusable bags.   She also explained that a statewide ban is needed because if each city has different regulations, it would be too confusing for the consumer.   Piera-Avila, a member of the City of Santa Monica’s Urban Forest Master Plan Task Force and the Pico Neighborhood Association, said she supports Brownley’s efforts to ban plastic bags.   ’We need to do more,’ said Piera-Avila, who ran for Santa Monica City Council in 2008. ‘We need to prepare for the time when the availability of oil is over.’

Scarecrow Winners in YMCA Contest

YMCA scarecrow contest originator Cindy Simon poses with the grand-prize winner
YMCA scarecrow contest originator Cindy Simon poses with the grand-prize winner “Wolfgang Yuck,” created by Kiley (right) and Hayden McKay. Photo: Suzanne Trepp

A scarecrow is placed in fields to discourage birds from feeding on crops, but the creative entries in Palisades-Malibu YMCA scarecrow contest were fashioned to scare sea creatures, UCLA and USC fans, and even Dementors (from Harry Potter). Inspired by Pacific Palisades resident Cindy Simon in 2007, the contest asks visitors to the Y’s pumpkin patch at Simon Meadow to vote for their favorite scarecrow. This year’s grand-prize winner was ‘Wolfgang Yuck,’ constructed by Palisadians Kiley (10), Hayden (4) and mom Kim McKay. The werewolf scarecrow came complete with a table, food samplings and a restaurant letter grade of A. The Halloween menu featured ‘whine pairings’ such as Edward Cullen’s 2005 pinot noir to accompany ‘Type O consomm’ with spicy fresh road kill.’ Customers are warned at the bottom of the menu, ‘Please allow 20 minutes for preparation and six to eight weeks for recovery.’ The idea for the scarecrow came from Kiley, who attends Calvary Christian School. ‘I watch the Food Channel and I wanted to have a scary food guy,’ she said. ‘Mariko,’ a beautiful mermaid scarecrow designed by retired Canyon Elementary School teacher Dorothy Miyake, took first place and won the handicraft artistry award. Peter Straus, executive director of Prime Time Sports Camp, accepted the Fairy Tale Award for his K-8 students’ entry ‘Old Skool.’ His students at the Westside Leadership Magnet in Marina del Rey built it during an after-school program. Cub Scouts from Troop 223 (Den 4) constructed an ‘Elvis’ scarecrow, and a ‘Professor Snape’ was the brainchild of Cad, Sophia and Zora Magner. Moritz, Nichoh and Chamonixe Brighton built a ‘Baby Superhero Mickey Mouse’ scarecrow; Chelsea Trotti made ‘Mr. Budget Cuts’ complete with a sign reading ‘What the hay, it’s tough all over,’ and the Reid family constructed a colorful entry titled ‘Ringie Reid the Ringmaster.’ A ‘Tommy Trojan’ scarecrow constructed by FOC (Friends of Cindy) and a ‘Coach Wooden’ scarecrow built by the Trepp family kept the USC/UCLA rivalry alive in the pumpkin patch. ‘It was fun,’ said Palisades Elementary mom Laura Schneider, who created ‘Pegleg Pumpkin Pete’ with her sons Luke (8) and Jake (3). ‘The hardest part was coming up with a creative idea and then figuring out how you get the scarecrow to stand up.’ Cindy Simon emceed the awards ceremony, while fellow organizer Suzanne Trepp snapped photographs. ‘This year we had 15 entries, which is the most we’ve ever had,’ Simon said. Simon and Trepp became friends while working on the YMCA board and co-chaired the kick-off event for the pumpkin patch on October 10. The pair is already planning the winter festival kickoff, which includes the sale of trees and hand-blown glass ornaments, children’s games and arts and crafts. ”We love to find excuses for families to visit Simon Meadow,’ Trepp said.

Robertson Details How Budget Crisis Impacts Street Services

As a result of the city’s budget crisis, the L.A. Bureau of Street Services has lost 349 staff positions and has fewer working days, which will result in a reduction in services, according to William Robertson, the bureau’s director. In fiscal year 2009-10, the department had 1,155 employees, and it now has 806. In addition, ‘the bureau uses 220 working days as the base for planning operations, which is now reduced by 26 days for mandatory furloughs,’ Robertson told the Pacific Palisades Community Council on October 14. Robertson said he intends to continue to deliver as many services as possible, but his main focus will be on resurfacing and maintaining streets. His department received $94 million for the pavement preservation program, and he plans to make improvements to 735 miles of streets, which includes 235 miles of resurfacing, 400 miles of slurry sealing and 100 miles of crack sealing. L.A. has 6,500 centerline miles and more than 28,000 lane miles. Robertson would like to maintain the street-cleaning program with non-posted residential streets being swept on a four-week frequency and posted routes once per week. However, the department has lost 15 motor-sweeper operators to the city’s early-retirement incentive program. He assured the Council that street sweeping would continue in the Village portion of the Palisades. ‘We are working with the city administrative officer to lift the hard hiring freeze on these positions,’ Robertson later told the Palisadian-Post. ‘Initial impacts from the lost positions have resulted in missed posted route cleaning and an increase in non-posted routes frequencies up to six weeks.’ Robertson plans to use $5 million from the state’s gas tax (paid at the pumps) to pay contract workers to trim about 50,000 trees this fiscal year. He recognizes that this is hardly enough, since there are 700,000 trees (1,000 species) in Los Angeles. ‘We will select the trees based on our prior years’ trim cycles and actual need,’ he said. On October 14, community members asked for repairs to specific streets. Robertson responded that the bureau plans to repave Akron Street between Lachman Lane and Bienveneda Avenue and fix the broken warning rail at 705 Enchanted Way.   He offered to send one of his workers to investigate the street collapse on El Oro Lane and the dead trees in the Highlands around Michael Lane and at the bottom of Palisades Drive. He also said an investigator would look at the camphor trees on Toyopa Drive and the standing-water problem on the 600 block of Radcliffe Avenue near Haverford Avenue.   Residents desiring to trim a tree in front of their home can apply for a permit from the city at no cost, and they can utilize their own contractor to perform the work, Robertson said. Communities may also consider renting a pothole truck, small tree trimming crew or motor sweepers for street cleaning through the department’s personal services program.   ’The work is scheduled for weekends, and we sit down with the community beforehand to identify the work they want done,’ he said. ‘We provide an estimate and the community knows exactly what they get for their money.’   Anyone interested in purchasing such services should e-mail Robertson at william.robertson@lacity.org. For other service requests or inquires, call 311.   ’I receive approximately 175 e-mails a day regarding normal city business,’ Robertson said. ‘I read all my own e-mails and answer them as quickly as possible.’

Mary W. Sullivan, 89; Teacher, 49-Year Resident

Longtime resident Mary W. Sullivan, a beloved family member, extraordinary teacher and cherished friend, passed away October 20 at the age of 89.   Born Mary Harriet Ward in Brookline, Massachusetts on August 16, 1929, she earned a B.S. in education at Framingham State College, a master’s degree in education at Harvard and a master’s degree in special education at Chapman College.’   In 1947, Mary married Arthur F. Sullivan, and proceeded to live in Solvang, Cheyenne (Wyoming) and Santa Monica before moving to Pacific Palisades in 1961. She had three daughters, Nancy, Debbie and Cary, before the marriage ended in 1972.’   Mary taught elementary school for more than 35 years in Massachusetts and California, including several years at Corpus Christi School and 20 years at LAUSD’s Birdielee Bright Elementary.’ She was a longtime member of Corpus Christi Parish and active in the community, including the PTA and the Girl Scouts (as a troop leader). She was also a member of the Junior Women’s Club, Las Doradas and the Delphian Society.   ’Mary W’ was often described as one of the coolest ladies on the planet.’   She is survived by her daughters Nancy Sullivan of Beverly Hills and Cary Sullivan, husband Rocky Dawuni and their daughter Safiyah Dawuni of Pacific Palisades, and granddaughter Riley O’Donnell of Nipomo, California. Her beloved daughter Debbie Sullivan, last of Long Beach, passed away in 2004.’   A memorial mass will be held at Corpus Christi Church in Pacific Palisades on Saturday, October 30, at 11 a.m. In her honor, pledge time to read with a child at www.target.com/reading or to the LA Youth Network at www.layn.org.

Dean Haase; Father, Owner of Brad’s TV

Dean Haase, a dedicated and prominent’service provider in Pacific Palisades, passed away’on September 29 in the comfort of his home with his daughter by his side. He was 56. Haase was born on May 19, 1954 to Gerhard and Elma Haase. He grew up in Santa Monica, graduated from’Santa Monica High School in 1972, and attended trade school where he’specialized in’audio/video installment.’ A highly skilled business entrepreneur,’Haase started Brad’s TV in 1977, and moved to the Palisades in 1995.’He truly loved being part of the’community that he served for 33 years, priding himself on the high quality of personal service he provided to his many’customers. In October 2008, Haase received’word’from his doctor’that he had stage four lung cancer and was given a prognosis of four to six months to live.’A true fighter with a zest for living,’his determination and positive attitude’allowed him’to’enjoy two more years of good times’with his family’before his’journey came to an end. He continued to work up until three months before his death. He is survived by his long-time partner, Gloria Schnider; son Jason, a student at Cal State Fullerton; and daughter Krista and her partner Nicholas Jackson and grandson Riley of Playa del Rey.   Haase was honored at a private family memorial on October 4.

Thursday, October 28 – Thursday, November 4

THURSDAY, OCTOBER 28

  Storytime for children ages 3 and up, 4 p.m. at the Palisades Branch Library community room, 861 Alma Real.   Pacific Palisades Community Council meeting, 7 p.m. in the Palisades Branch Library community room, 861 Alma Real.   Cindy Laverty, a national caregiver expert, homecare consultant, radio host and motivational speaker, discusses and signs ‘Caregiving: Eldercare Made Clear & Simple,’ 7:30 p.m. at Village Books on Swarthmore.

FRIDAY, OCTOBER 29

  Actress Kathy ‘Cissy’ Garver will discuss and sign ‘The Family Affair Cookbook,’ a book she co-authored with Geoffrey Mark, 7:30 p.m. at Village Books on Swarthmore.

SATURDAY, OCTOBER 30

Friends of the Palisades Library book sale, 8:30 a.m. to 1:30 p.m. in the Palisades Branch Library parking lot, 861 Alma Real.

SUNDAY, OCTOBER 31

  Family-oriented Village Fair, presented by the Pacific Palisades Chamber of Commerce, 11 a.m. to 3 p.m. on the quad at Palisades High School. Free admission.

MONDAY, NOVEMBER 1

Local nature photographer Jim Kenney will be the guest speaker at the Palisades Garden Club meeting, 7:30 p.m. at the Woman’s Club, 941 Haverford. (See story, page 11.)

WEDNESDAY, NOVEMBER 3

  Baby and toddler storytime, a lap-sit mix of songs, finger plays, stories and flannel boards for children under the age of 3 and their grown-ups, 10:15 a.m. at the Palisades Branch Library.

THURSDAY, NOVEMBER 4

”””Storytime for children ages 3 and up, 4 p.m. in the Palisades Branch Library community room, 861 Alma Real.

John Beaver’s Turn of the Lathe

A 13-year Pacific Palisades resident, John Beaver uses an assortment of gouging chisels and lathe to fashion his turned wood art pieces.
A 13-year Pacific Palisades resident, John Beaver uses an assortment of gouging chisels and lathe to fashion his turned wood art pieces.
Photo by Rich Schmitt, Staff Photographer

When John Beaver comes across recently cut trees, he doesn’t think about a crackling fire or a vanishing forest, he imagines the logs transformed into one of his turned wood art pieces. For the past year and a half, the Pacific Palisades resident has scavenged felled logs he finds on Temescal Canyon Road or on the Village Green and hauling them to his home workshop. He has wrung beauty out of the Tipu trees on the Village Green, the sycamores and eucalyptus in Temescal, and even turned his Christmas tree into a bowl. A collection of his turned wood pieces will be on display at the Contemporary Crafts Market from November 5 through 7 at the Santa Monica Civic Auditorium. Turned wood is a form of woodworking that is used to create wooden objects on a lathe. Beaver’s artistry is no mere hobby; this is a man who dedicates at least six hours a day to what has become a passion. A passion that appears to have no similarity to his previous profession as a television commercial producer. ‘Actually, there are a number of similarities between photography and woodworking,’ Beaver explains. ‘The artistic and technical skills are directly correlated, and each involves problem-solving and patience.’ Beaver was a product specialist whose major accounts were Taco Bell and MGA Toys’the maker of the Bratz dolls. ‘You wouldn’t go into product photography if you lacked patience,’ he says. ‘Just to light a cell phone for a commercial might require 17 different takes.’ But, the business was his love. His company, John Beaver Productions, was doing fine until two events turned the course of his life: Bratz dolls began to ship all its business to Italy and Taco Bell moved its headquarters to the Midwest. ‘I was a photographer from the time I could walk,’ says Beaver, who grew up in Santa Barbara and graduated from Pepperdine with a major in film and television. ‘But, over the last decade, I could see that the film business was changing course; digital photography was killing us.’ As the business grew harder and harder, Beaver decided to get out. ‘For the first time in my life, I felt that mentally I was over the film business.’ Beaver can’t say that woodworking had been a hobby that he then moved onto center stage. His father did have a workshop and was an avid woodworker, who when he turned 60 took 12 weeks off and went to a woodworking school in Maine. ‘He loved it, but he was more of a cabinetmaker,’ Beaver says. But the lathe that Beaver’s father had given him lay unused in his garage for nearly 10 years, except for the several occasions when he fired it up to make nose cones for his radio-operated model airplanes. In July 2009, all this changed. Beaver turned his attention to woodworking and began to teach himself the basics. He practiced with the lathe and the numerous chucks and chisels that are part of a woodturner’s tool chest, first making yoyos for his girls. (John and his wife Candy have two daughters, Lauren and Rachel, who are now 15 and 13 respectively.) Then he challenged himself by trying a segmented piece. A segmented piece is fabricated from wood segments glued together and built up to make the shape. These pieces are then put on the lathe, just as a single piece of wood is carved and shaped. There some 30,000 woodworkers in the country, and less than five percent attempt segmented woodturning, Beaver says. Working out the geometry for segmented pieces is part of the challenge and Beaver thrives on ever more difficult concepts. Another triumph and one of his signature designs is the wave. ‘Most people can’t figure out how you put a wave around a bowl. Even a guy on the design team at Macintosh said ‘How the hell did you do that?’ After practicing on his own for a year, Beaver attended two workshops at the Center for Furniture Craftsmanship in Rockport, Maine, where he learned more techniques. He loved it. There were 10 students in his first workshop, mostly there out of casual interest. ‘I was really serious,’ Beaver says. ‘In the second workshop, which covered more advanced techniques on carving and cutting things away, I was the most dedicated student. I was the first one in the workshop in the morning and the last one to leave.’ Beaver has expanded on his wave design, incorporating it in both and closed vessels, recessing it and molding it, as if applied to the outside of the bowl. Along the way, he learned the characteristics of the wood he works. He favors walnut not only for its warm color, which contrasts well with other woods, but also because of its versatility. Maple carves wonderfully and its light, honey color can be beautifully accented with mahogany. Beaver finds a trove of interesting woods in the Palisades, including beech, cedar, carob and birch. But Bradford pear, found in Temescal Canyon, is susceptible to warping. With all his art pieces, Beaver has yet to enter the commercial market. Some of his pieces are on display at the Easton Gallery in Montecito, and he has won several juried shows, including two awards from the American Association of Woodturners and top prizes from the association’s exhibition space at the Orange County Fair. For the Contemporary Crafts Market, Beaver will display 25 to 30 pieces, including an assortment of his wooden bracelets. ‘I am taking all of this slowly,’ he says. ‘My first goal was to have my work in a gallery and my second was to show here in L.A. Now I’ll wait to see what the reaction is.’

Sondheim’s Musical Revue Hits Theatre Palisades Stage

Theatre Palisades presents ‘Putting It Together,’ the musical revue showcasing the songs of Stephen Sondheim from November 5 through December 12 at Pierson Playhouse, 941 Temescal Canyon Rd. The show, directed by Cathering Rahm, draws its title from a song in ‘Sunday in the Park with George,’ and was devised by Sondheim and Julia McKenzie and premiered in England in 1992.   In the production, two couples tell their stories through song and dance. Themes of romance and marriage, passion and heartbreak, betrayal and hope are expressed with Sondheim’s signature wit and style. Familiar songs include, ‘Everyday a Little Death (‘A Little Night Music’), ‘The Ladies Who Lunch (‘Company’), ‘Lovely’ (‘A funny Things Happened on the Way to the Forum’), and ‘Pretty Women’ (‘Sweeney Todd’)   Performances are Friday and Saturday at 8 p.m., Sunday at 2 p.m. For tickets ($22-$18), call (310) 454-1970 or visit theatrepalisades.org. Parking is free in the theater lot.

Jim Kenney Talks on Flora of Santa Monica Mountains Nov. 4

Inveterate nature photographer Jim Kenney will be the guest speaker at the Palisades Garden Club meeting on Monday, November 1 at 7:30 p.m. at the Woman’s Club, 941 Haverford. A Pacific Palisades resident since 1965, Kenney enjoyed a long career as a dentist while at the same time developing his interest in the botany of the Santa Monica Mountains. ‘With the help of my friends and dozens of books, I have become quite familiar with the plants of the region,’ he told the Palisadian-Post in a 1998 interview. Kenney collaborated with is friend, author Milt McAuley, on the ‘Wildflowers of the Santa Monica Mountains,’ wherein he combines botanical accuracy with aesthetic excellence. All of the flowers have been photographed in their natural habitat. ‘I began taking pictures in 1974 in the campaign to keep Los Liones from being developed into condos,’ he said. By inventorying the trees and plants of the canyon, the supporters were able to establish the area as an important coastal plant community. Kenney once studied alpine and sub-alpine botany in Yosemite with the late Carl Sharsmityh, the man he call ‘the saint of Yosemite.’ Kenney says of him, ‘Next to John Muir, Carl knew more than anyone about Yosemite. I was one of his students when he was 78 years old, and he died at 94!’ A by-product of Kenney’s photography is his keen interest in hiking, and he is often up, out and back before most Palisadians have had their morning cup of coffee. In the last few years, Kenney has trailed birds with much the same zeal he devotes to plants. ‘A lot of photography is happenstance and luck, but you have to be prepared,’ Kenney said in a 2007 interview. He is particularly interested in shore birds and has chronicled seasonal events at Malibu Lagoon, which attracts more than 200 species on their yearly migrations.

Dramatic Force of ‘Tosca’ Hits the Mark

Music Review

In 1948, Leonard Bernstein, frustrated over not finding his genius in opera wrote, ‘If I can write one real moving American opera that any American can understand, I shall be a happy man.’ One can understand why he was perplexed, given the rich repertoire of the Italian opera canon, particularly Puccini’s works that through melody and libretti aim for the heart and strike the center of human emotion’love and passion.   ’Tosca’ for all its theatricality and mixture of the religious and the sensuous, continues to hold its top position in worldwide popularity for having introduced one of the most fiendish villains in the lyrical repertoire’Scarpia.   The Los Angeles Metropolitan Opera opened the 2010-11 season these past two weekends with its third production, continuing its intention of introducing to audiences the favorites in the repertoire.   From its inception two years ago, the fledgling company has progressed in its goal of casting the best in talent, and this year the company accomplished a major step-up in presentation. Now ensconced at the Miles Playhouse in Santa Monica, the company presented a fully staged production thanks to the extraordinary set design by Josh Shaw. True to the stage directions from the opera’s debut in Rome in 1900, the visual style was enhanced from the opening scene when the spectator is thrust immediately inside the church of St. Andrea delle Valle. There is no overture. The opera begins with the three striking chords, signaling the motif typical of Scarpia’the dreaded chief of the Roman police.   The plot is dramatic enough, offering an opportunity for both lyrical expression and expansive acting. The trick for the major roles, Tosca, Scarpia and Cavaradossi is to establish their character to the extent that we understand their intentions and believe in their emotional world. This was thoroughly accomplished by the trio last Friday evening.   In the end, however, it comes down to the voices, and the Met is loaded with talent. Linda Jackson’s Tosca makes one forget everything else. How can one not weep with pathos after listening to ‘Vissi D’arte’ (Love and music, these I have lived for, nor ever have harmed a living thing) in the powerful second act.   The genius of Scarpia, subtly delivered by Alex Britton, is a portrait in seduction. A master of lascivious designs, Scarpia is frighteningly demonic, and yet deliciously self-satisfied. ‘I strive for what I desire, and when I have won it I throw it away and turn to some new attraction,’ he divulges unabashedly in the second act. His desire for Tosca is enflamed by her passionate loathing. ‘The spasms of hatred are not so very remote from those of love,’ he cynically declares.   Josh Shaw has found a comfortable berth in singing Puccini’s tenor roles. His Cavaradossi delivers a passionate plea, tinged with pride and handsome nobility in the difficult role of handling his Tosca’a woman of quick temper, and a prima donna by profession who is something of a spoiled child.   One cannot say enough about music director Galina Barskaya, who has proved herself to be an invaluable adjunct to all the Met’s productions. In ‘Tosca,’ she outdoes herself not only mastering the complicated score, but also conducting the singers from her console.   One word about the libretto. While the plot line is fairly easy to follow, the translation is particularly lyrical, even poetic at times. So, it was distracting when the superscript lagged behind the action, a technical glitch that is easily remedied.