In an effort to relieve eastbound traffic congestion on Sunset Boulevard, the Los Angeles Department of Transportation has proposed widening Sunset from west of Barrington Avenue to Gunston Drive. ‘I want to emphasize that this is a proposed project and that the preliminary plans and proposed designs are still very conceptual in nature and not a foregone conclusion,’ LADOT Transportation Engineering Associate Michael Hunt told the Palisadian-Post. ‘If we ever obtain funding for this proposed project, there will be more thorough community outreach performed.’ LADOT hopes to receive funding from the Los Angeles County Metropolitan Transportation Authority’s Call for Projects program, a competitive process that provides discretionary capital transportation funding for regional projects. The application deadline is April 24. The proposed project is estimated to cost approximately $6.1 million and LADOT is asking Metro for about $4 million with plans to contribute $2.1 million from its Proposition C funding. If LADOT receives money from Metro, construction is tentatively scheduled to begin in 2016-17. Hunt presented the proposal to the Pacific Palisades Community Council at last Thursday’s meeting, but the Council did not take a position and plans to further discuss the matter at a future meeting. So far, several Brentwood community groups have expressed opposition, partially because it violates the Brentwood-Pacific Palisades Community Plan, which prohibts street widening on Sunset Boulevard (a scenic highway) for the purpose of increasing capacity. The groups further argue that the widening would result in the loss of green buffer space between homes and Sunset. Brentwood Hills Homeowners Association, Brentwood Park Property Owners Association, Brentwood Glen Association, Bel-Air Skycrest Property Owners Association, Mandeville Canyon Association and Upper Mandeville Canyon Property Owners Association have sent letters of opposition to City Councilman Bill Rosendahl, representing District 11. ‘The problem is that Sunset has become a popular short cut to the 405 for those commuting from Santa Monica and other Westside areas,’ wrote Tom Freeman, president of Upper Mandeville Canyon Property Owners Association. ‘If a new lane is added, it will simply make the shortcut more popular, bringing in more traffic volume.’ Rosendahl told the Palisadian-Post that he has not yet taken a stance on the issue because he wants to hear from more residents. He added that he has also received letters supporting the project. ‘This is the beginning of a process,’ Rosendahl said, adding that if LADOT receives the funding, a town hall meeting will be held this summer. The goal is to have three eastbound lanes to the 405 from Beverly Court (west of Barrington Avenue) and two westbound lanes into Brentwood from the freeway. Because of right-of-way issues, Sunset will be widened by 10 feet on the south side between Beverly Court and Barrington Avenue and expanded between two to 10 feet on the north side of Sunset between Barrington Avenue and Barrington Place. From Barrington Place to Gunston Drive, Sunset will then be expanded by about seven feet in both directions. ‘The city currently has 25 feet of available right-of-way (from curb face) on both sides of Sunset Boulevard through this segment,’ Hunt said, adding that Sunset has already been widened from Gunston to the 405. Two landscaped medians are proposed between Woodburn Drive and Gunston and one near Barrington Place. Barrington Avenue (south of Sunset) will also be widened by two feet on both sides from Sunset to the shopping area at Barrington Court. ‘The widening will allow the northbound left-turn pocket on Barrington Avenue to be extended and provide much needed additional northbound left-turn storage,’ Hunt said. In addition, Barrington Avenue (north of Sunset) will be extended about five feet on the east side to accommodate two southbound left-turn lanes, Hunt said. There will also be a six-foot sidewalk installed on the east side of Barrington that will wrap around onto the north side of Sunset and end across from Barrington Place. Based on a traffic analysis by LADOT traffic engineers, the widening will reduce travel delay in that entire segment, Hunt said. The expansion would provide a savings of 114 seconds per vehicle or a 39-percent decrease in the morning and 65 seconds per vehicle in the evening or a 50-percent decrease. It would save 75,750 vehicle hours per year in the mornings and 49,500 vehicle hours per year in the evenings. ‘It is a short amount of time for an individual, but it adds up,’ Hunt said, arguing that the project would improve air quality, quality of life, and pedestrian safety. The project will also tie into California Department of Transportation’s (Caltrans) efforts to widen the Sunset overpass, Hunt said. Caltrans has already obtained funding and completed an environmental impact review for the project. The northbound 405 off-ramp to eastbound Sunset will be widened to include one more lane, according to Caltrans spokeswoman Judy Gish. Two left-turn lanes will be added on westbound Sunset, so that drivers can merge onto the 405 northbound from Sunset. Right now, drivers must take Sepulveda Boulevard to Moraga Drive to merge onto the freeway.
Community Panel to Focus on Teen Driving Wednesday
A community meeting on teenage driving’focused on what parents need to know and what they can do’will be held in Palisades Charter High School’s Mercer Hall at 7 p.m. on Wednesday, April 29. Before spring break, two PaliHi student assemblies were held to address the three student deaths that have resulted from traffic accidents during the past two years (Dillon Henry, Travis DeZarn and Nick Rosser). Monica Iannessa, the school’s director of student services and attendance, explained that students spoke openly about racing, drinking and driving, and being a passenger in a car with someone who had been drinking. ‘We wanted a night with the community to share what we learned from those students,’ Iannessa said. ‘Nick’s dad spoke at the first assembly and it was poignant. This meeting will be a discussion of how the community can work together.’ Iannessa and UCLA student Eric Bollens, who was a good friend of Rosser and is co-chair of the Safe Westside youth and education groups, will both speak. They will be joined by an LAPD West Traffic Division patrol officer, a Senior Lead Officer from West L.A., criminal defense attorney Steven Cron and Jim Snelling of Advanced Driving Dynamics in Anaheim. Public- and private-school parents are invited to attend, and light refreshments will be served.
DWP to Impose New Rates and Residential Watering Restrictions
The Los Angeles City Council approved the proposed Department of Water and Power shortage-year water rates last Friday, and many Pacific Palisades residents may see an increase in their bills after the new rates go into effect on June 1. The proposal to authorize the new rates passed with a 9-to-2 vote, with Councilmembers Dennis Zine and Janice Hahn casting the dissenting votes. District 11 Councilman Bill Rosendahl voted for the shortage-year rates because ‘We’re in a crisis,’ he told the Palisadian-Post Tuesday morning. ‘This sends a clear signal to conserve and use water more efficiently,’ Rosendahl said. ‘The vast number of people who do take the conservation steps will see a reduction in their water bills.’ Rosendahl spoke to the Post shortly before voting for Phase III of the DWP drought plan, which passed 11 to 0. This vote approved new watering restrictions, requiring residents to use sprinklers just two days a week and only before 9 a.m. and after 4 p.m. Hand watering is allowed seven days a week, but only before 9 a.m. and after 4 p.m.   ’Residents who have a gardener must also follow these rules,’ Rosendahl said. The new restrictions will go into effect on May 21. Currently, household water bills average about $83 a month, but if residents do not cut their consumption by 15 percent the bill could go to about $92 starting in June. If consumption is reduced, residents may actually pay less than they do now. In figuring the per-gallon water allocation, ‘The LADWP assigns six persons per household, unless notified otherwise by the customer,’ said public information officer Jane Galbraith. ‘The ‘six’ people also take into account outside water use, e.g., the yard and car washing.’ (DWP figures the average L.A. household uses 1,200 cubic feet per two-month billing cycle’a hundred cubic feet is equal to 748 gallons.) This is the third straight year of statewide below-normal precipitation, and even though California has survived previous droughts, Galbraith explained why the problem has become serious this year. ‘Historically, Los Angeles has had a seemingly unending supply of water from the Owens Valley [via the aqueduct], but we are leaving more water there to control dust on the Owens dry lake bed, re-water the lower Owens River and keep Mono Lake stable. Couple this with environmental factors to maintain species in the San Joaquin-Sacramento Delta, and we’re not getting the supplies we once did.’ Last year the city used 211 billions of gallons of water: the projected demand for this year is 208 billion gallons, which means that residents of Los Angeles have already started working towards conservation. ‘We’ve asked all Angelenos to conserve, and they are,’ said Galbraith, noting that citywide conservation has improved 5 percent. The Metropolitan Water District, which is where LADWP obtains 80 percent of its water, is telling member agencies to cut 20 percent, which means LADWP needs to cut an additional 15 percent. In passing the shortage-year rates, the City Council asked for a hardship exemption process to accommodate people with special needs. ‘At the present time, there are no exemptions allowed,’ said a LADWP source. In addition to urging residents to conserve water, city officials are taking steps to conserve. The DWP has begun converting its community property to drought-tolerant landscape, and is asking people who see water wasted on city property to report it at www.ladwp.com.   Also, although the city is not currently limiting new building developments, all new projects must include strict water-conservation methods and follow the standards in the Green Building Ordinance, according to L.A. City Mayor Antonio Villaraigosa’s spokesperson Juan Bustamante. Another way the city has led in water conservation is by installing low-flush toilets and urinals. City officials hope the new rates will encourage residents to take simple steps to reduce water consumption’such as not leaving the water running while brushing teeth, making sure sprinklers work properly, taking shorter showers, fixing leaky faucets, changing landscape watering to fewer days, and xeriscaping. Residents can find out their water allocation by calling 1-800-DIALDWP. After May 1, they will be able to access the information on the DWP Website at www.ladwp.com.
Poetry Gets to the Heart of the Matter
Viewpoint
April is national poetry month, W.S. Merwin was honored this week with a second Pulitzer Prize for poetry for ‘The Shadow Of Sirius,’ and educator Paul Cummins has published a new book, ‘Why Poetry?’ in which he explains the importance of poetry in his life. A teacher and educational visionary, Cummins has spent the last 30 years developing his pedagogical ideas through the various schools he has founded, including Crossroads, New Roads, as well as the New Visions Foundation. And throughout all of this, his steady companion, poetry, has provided ballast for his imagination, philosophies that resonate, a salve for grief, and finally language to explain experience, or as he says ‘language trying to get at the heart of the matter.’ When my children were in elementary school, I, too, would borrow the words of poetry’little messages that I would copy and lay on their pillow at dawn. I copied words that welcomed the day, such the eighth-century Chinese poet Hsueh Tao’s ‘Spring Gazing Song: ‘Blossoms crowd the branches, too beautiful to endure./ Thinking of you, I bloom again,’ or words that expressed a mother’s awe over the miracle of a child, such as Carolyn Kizer’s ‘For My Daughter,’ whose first stanza reads: ‘It was lingering summer/when you announced your birth. As you were rapt in me, rapt in a field-flower haze/of those last, listless days/the waters burst/in a summer storm: Like Beethoven/your bold overture began.’ While contemporary poets do not achieve superstar status equal to that of such early 20th-century poets as Robert Frost, Edna St. Vincent Millay or Wallace Stevens, they now speak to a larger audience”a nation of nations,’ says the former New York Times writer Martin Arnold. There are more poets, more readers and more listeners. Here in Pacific Palisades, the monthly Moonday poetry series, hosted by Village Books since 2003, has attracted an enthusiastic, ever-growing audience that is caught in its inexplicable spell. The magic in poetry can be physical, intellectual (opening our minds to a new way of seeing), and spiritual (the transcendent power of prayer). The respected journalist Bill Moyers, who covered the resurgence of poetry in a series of public television specials in the 1990s, admits that he may not understand a poem thoroughly, but ‘the sounds of poetry are pleasing to me, and I enjoy a poem read aloud even when I do not wholly understand it.’ Moyers says that he found further enjoyment by talking to poets about their lives and by so doing was more likely to hear the poet’s voice in the poem. After years of reading poems and using other poets’ words to explain my rush of thoughts, observations and impulses, I decided to catch what I call the molten orb on the page before it cooled. The poetic language settles upon me in the early morning when I am still in that penumbra before waking. It describes my cat’s tail lying softly on my arm as I do my morning yoga, or the red dawn reflected in a puddle.   Poetry is a way of approximating these things despite the limitations of language’a verbal nonverbal. I try to catch that flash, that thing you sort of get, but can’t explain. Like music and art, poetry is forever trying to answer the question, What is it like to be alive? Paul Cummins, a Palisades resident, will be musing about poetry and signing ‘Why Poetry? Reflections on Poetry,Writing and Culture’ on Thursday, April 30 at 7:30 p.m. at Village Books on Swarthmore.
Thursday, April 23 – Thursday, April 30
THURSDAY, APRIL 23
Citizen of the Year Dinner, sponsored by the Palisadian-Post, honoring 2009 Citizen Marie Steckmest, Golden Sparkplug winners Dick Littlestone and Ilene Cassidy, and Community Defender Award-winner Rich Wilken, 6:15 p.m. (cocktail hour) in the American Legion Hall on La Cruz. Free screening of the 2000 Academy Award-winning documentary ‘Into the Arms of Strangers: Stories of the Kindertransport,’ 6:30 p.m. at Kehillat Israel, 16019 Sunset. Professor Mark Jonathan Harris, the award-winning filmmaker behind ‘Arms,’ will participate in a post-screening Q&A. Underground parking is provided.’ Carol Olson and Cherie Rodgers discuss and sign ‘PTA: Sex, Intrigue and Designer Handbags,’ 7:30 p.m. at Village Books on Swarthmore. This novel is described as the mommy version of ‘Bridget Jones’ Diary.’
FRIDAY, APRIL 24
Maria Semple discusses and signs ‘This One Is Mine,’ a compassionate and wickedly funny satire about the need for more’and the often disastrous choices made in the name of happiness, 7:30 p.m. at Village Books on Swarthmore. Theatre Palisades presents the 2001 Off-Broadway Tony Award winner ‘One Flew Over the Cuckoo’s Nest,’ 8 p.m. at Pierson Playhouse, 941 Temescal Canyon Rd. Performances are Fridays and Saturday at 8 p.m. and Sunday matinees at 2 p.m., through May 10. Tickets: Call (310) 454-1970 or visit www.theatrepalisades.org. St. Matthew’s Music Guild presents the Montreal-based Ensemble Caprice, under the direction of Mattias Maute, in ‘La Folia and the Gypsies,’ 8 p.m. at St. Matthew’s Church, 1031 Bienveneda Ave. The program explores the gypsy-inspired music of Telemann, Schmelzer and Vivaldi plus music by anonymous gypsy composers. Tickets at the door: $10 to $25.
SATURDAY, APRIL 25
Children’s Nature Institute invites grandparents and kids to celebrate Earth Day, 10 a.m. to noon, in Temescal Gateway Park. Signs will direct participants to the meeting place. The cost is $18 per child/ $15 members; grandparents free. Call (310) 860-9484, ext. 105, or visit Allison@cni-kids.org. Caregivers4Caregivers, a Pacific Palisades support group for adult children caring for aging parents, will hold its April meeting, 3 to 5 p.m., at the Aldersgate Retreat Center, 925 Haverford. The group offers mutual support, some laughs and a sharing of resources and services. Please RSVP: (310) 573-9809.
SUNDAY, APRIL 26
Palisades Garden Club Spring Tour, 12 to 4 p.m., featuring six local gardens. The plant market will be located at 1416 Amalfi Dr. Tickets ($25 in advance; $30 on day of tour) are available at The Outdoor Room nursery on Sunset at Los Liones Drive. Healthy Kids Day, 2 to 4 p.m., hosted by the Palisades-Malibu YMCA on Simon Meadow, corner of Sunset and Temescal Canyon Road. Residents of all ages are invited to join long-awaited landscaping projects on the Y’s parcel. (See story, page 12.)
MONDAY, APRIL 27
Monthly meeting of the Pacific Palisades Civic League, 7:30 p.m. in Tauxe Hall at the Methodist Church, 801 Via de la Paz. Public invited. Homes on the agenda include one consent (a carport addition at 481 Almar) and two new business: 15879 Asilomar (new two-story addition) and 1124 Kagawa (addition to an existing two-story residence). ‘
TUESDAY, APRIL 28
Actor and author Orson Bean will be the guest speaker at the annual Author’s Tea, hosted by the Palisades Woman’s Club, 1:30 p.m. at the clubhouse, 901 Haverford. The tea benefits the Braille Institute’s Special Collection, which is designed to increase literacy by offering visually impaired children the opportunity to order a variety of books throughout the year, free of charge. For tickets ($10), call (310) 454-1659 or (310) 230-2792. Storytime for children ages 3 and up, 4 p.m. at the Palisades Branch Library, 861 Alma Real. Public invited. Members and friends of the Pacific Palisades Art Association will have a painting session with a live model, 7 p.m. at the Woman’s Club, 901 Haverford Street.’The public is welcome.’ Chamber Music Palisades concludes its 12th season with music by Mozart, Villa-Lobos, Hindemith and Franck, 8 p.m., at St. Matthew’s Church, 1031 Bienveneda. (See story, page 12.)
WEDNESDAY, APRIL 29
The final event of Palisades Reads features insights from homeless advocates and music by three members of the Young Musicians Foundation, 7 p.m., at the Palisades Presbyterian Church, 15821 Sunset Blvd. The program is free and open to the public. (See story, page 13.) Craig M. Mullaney discusses and signs ‘The Unforgiving Minute: A Soldier’s Education,’ an unforgettable portrait of a young soldier grappling with the weight of his hard-earned knowledge, while at last coming to terms with what it means to be a man, 7:30 p.m. at Village Books on Swarthmore.’ (See story, page 6.)
THURSDAY, APRIL 30
Pacific Palisades resident Paul Cummins discusses and signs ‘Why Poetry? Reflections on Poetry, Writing and Culture,’ 7:30 p.m. at Village Books, 1049 Swarthmore. Cummins was the founder and headmaster at Crossroads School and is founder of the New Visions Foundation, which he now serves as executive director.
Donna B. Betts, 84; Traveler, Volunteer

Donna Breckenridge Betts, a 54-year resident of Pacific Palisades, passed away at her daughter’s home in Manhattan, Kansas, on April 18. Donna was born near Plattsburg, Missouri, in 1924, and graduated from Plattsburg High School. During World War II she attended Central Methodist College in Fayette, Missouri, and later became a flight hostess for TWA, flying on the DC-3. She met and married Ed Betts, who was her pilot on a flight to San Francisco. Living in Concord, California, in the early 1950s, Donna was a qualified civil-defense ‘Gray Lady’ volunteer. In 1955, Ed and Donna moved to Pacific Palisades, where they raised their two sons and one daughter. For 18 years, Donna was a volunteer at the Veterans Hospital in West L.A., serving over 3,000 hours. She also volunteered with Meals on Wheels and was active with the Cub Scouts, Boy Scouts, and numerous events at Marquez Elementary, Paul Revere and Palisades High School. As the wife of an airline captain, Donna was a world traveler. Her map of the world had a pin for each of her thousands of exotic destinations, and her passport had additional pages for all of the ‘stamps’ she collected. Donna never knew an enemy; she leaves friends around the world. Her passions were her family, international travel, birds, dogs, cats, her pet monkey, and volunteering to help others. ’Growing up with the Betts family was a wonderful experience,’ says Palisadian-Post publisher Roberta Donohue, whose family were neighbors of the Betts. ‘Donna was warm and friendly and I loved being around her.’ Preceded in death by her husband Ed, Donna is survived by her brother, George Breckenridge; sons Tom Betts (wife Janis) and Breck Betts (wife Lois); daughter Janet Dean (husband Karl); granddaughters Lori Mattix, Tara Dean, Tiffany Dean, Brianna Dean, and Jessalyn Dean; grandsons Kevin Dean and Ron Betts; and great-grandson Sebastian Mattix. Donna asked that no services be held. Her ashes will be spread over the Pacific.
Donna B. Betts, 84; Traveler, Volunteer

Donna Breckenridge Betts, a 54-year resident of Pacific Palisades, passed away at her daughter’s home in Manhattan, Kansas, on April 18. Donna was born near Plattsburg, Missouri, in 1924, and graduated from Plattsburg High School. During World War II she attended Central Methodist College in Fayette, Missouri, and later became a flight hostess for TWA, flying on the DC-3. She met and married Ed Betts, who was her pilot on a flight to San Francisco. Living in Concord, California, in the early 1950s, Donna was a qualified civil-defense ‘Gray Lady’ volunteer. In 1955, Ed and Donna moved to Pacific Palisades, where they raised their two sons and one daughter. For 18 years, Donna was a volunteer at the Veterans Hospital in West L.A., serving over 3,000 hours. She also volunteered with Meals on Wheels and was active with the Cub Scouts, Boy Scouts, and numerous events at Marquez Elementary, Paul Revere and Palisades High School. As the wife of an airline captain, Donna was a world traveler. Her map of the world had a pin for each of her thousands of exotic destinations, and her passport had additional pages for all of the ‘stamps’ she collected. Donna never knew an enemy; she leaves friends around the world. Her passions were her family, international travel, birds, dogs, cats, her pet monkey, and volunteering to help others. ’Growing up with the Betts family was a wonderful experience,’ says Palisadian-Post publisher Roberta Donohue, whose family were neighbors of the Betts. ‘Donna was warm and friendly and I loved being around her.’ Preceded in death by her husband Ed, Donna is survived by her brother, George Breckenridge; sons Tom Betts (wife Janis) and Breck Betts (wife Lois); daughter Janet Dean (husband Karl); granddaughters Lori Mattix, Tara Dean, Tiffany Dean, Brianna Dean, and Jessalyn Dean; grandsons Kevin Dean and Ron Betts; and great-grandson Sebastian Mattix. Donna asked that no services be held. Her ashes will be spread over the Pacific.
Frank Wagner, Computer Engineer, Entrepreneur

Francis (Frank) V. Wagner, a dynamic member of the community for more than 60 years, died of natural causes on the morning of his 93rd birthday, April 15, at his home in Pacific Palisades. Born in 1916 in New York City, Frank graduated from Regis High School in New York and received bachelor’s and master’s degrees in civil engineering from Manhattan College. He began his career in 1938 designing barges but quickly switched to the budding new industry of aeronautical engineering in 1944. That year, he moved with his wife, Ginny, to Southern California to help design the first jet fighter plane for North American Aviation. Subsequently, he worked on the X-15, which set world records. He moved his family to Pacific Palisades in 1947. Frank entered the computer field with North American Aviation, as this was one of the first industries to widely use mainframe computers to solve engineering problems. He eventually took the lead at NAA’s computer division. He also became one of the first adjunct instructors at UCLA to teach computer concepts to engineering students because nobody on the faculty had this knowledge. Showing his entrepreneurial spirit, Frank joined with four other individuals to create Informatics, Inc., a software company that grew to be the largest independent software company in the world before it went through a series of acquisitions. He was the senior executive vice president of Informatics, and served on the board of directors for many years. In the early days of NASA, Frank succeeded in placing Informatics in partnership with another computer vendor (IBM) for our space program. When Informatics was sold to a public company, he jumped at the chance to become an underwriter for Lloyds of London after it opened its doors to U.S. investors. Frank was virtually a prototype for today’s ‘change your career many times’ generation. He finally retired at the age 70 but remained active for another 20 years. In his community life, Frank was equally dynamic. He and Ginny were founding parishioners of Corpus Christi Catholic Church. When the Palisades Recreation Center first opened, he began coaching in the youth baseball association. His teams never won a championship, but ‘Daddy Wags’ was selected a number of times to coach an all-star team. Frank was committed to his Catholic faith, actively serving in his parish and beyond for many years as a lector, usher and one of the first lay Eucharistic ministers. He served on many committees at Corpus Christi and was a founder of its Legion of Mary. In recognition of his service and commitment to the Catholic Church, Frank was given a pontifical decoration in 2006: the Benemerenti Award. He was also elected as a Knight of Saint Gregory. An avid golfer and bridge player, Frank was also a voracious reader of books on a variety of topics even before his retirement. He enjoyed leisure travel and toured the world numerous times with his wife, Ginny, usually aboard a luxury ocean liner. He enjoyed good food and excellent wines and, together with Ginny, hosted monthly potlucks at their house for decades. Frank was predeceased by Ginny Wagner, his wife of 67 years, who died last October at the age of 92. He is survived by his three children: Trina Pate (husband Bud) of Pacific Palisades, and twin sons, Michael (wife Jolon) of Los Altos Hills and Frank (wife Karen) of West Lynn, Oregon. He also leaves behind six grandchildren and eight great-grandsons. A memorial service will be held at 2 p.m. on Saturday, April 25, at Corpus Christi Church. In lieu of flowers, please say a prayer for the eternal repose of Francis V. Wagner’s soul. His family hopes that in the spirit of Frank’s life and memory, someone will be inclined to ‘pay it forward’ by choosing to act charitably, contributing their time or talents to those in need.
Early Bird Gets the Shot

(Reprinted from January 4, 2007) Although his early morning trips to the Malibu Lagoon have everything to do with birds, Jim Kenney makes it clear that he’s not an official birder. ‘I’ve photographed 80 or 90 species and I know all of these birds thoroughly,’ he says. ‘But I’m not in the same league as a birder, nor do I want to be. I’m primarily a photographer.’ During the past few years, Kenney, a longtime Palisadian, has trailed birds with much the same zeal he had previously devoted to documenting flora in the Santa Monica Mountains. ‘Instead of 30 years photographing wildflowers, it’s only been three years with birds,’ explains Kenney, who is renowned as an expert on local plants. Kenney, a retired dentist, turned his outdoor attentions to the Malibu Lagoon when physical problems made it difficult to continue hiking in the Santa Monica Mountains. ‘When I first started, I knew nothing about birds, I mean zero,’ says Kenney. ‘Now I’ve become obsessed. I go three or four times a week in the early morning.’ Kenney speaks with both authority and enthusiasm about the diverse array of winged creatures he spots at Malibu Lagoon. Teeming with resident shorebirds, the lagoon also attracts more than 200 species that stop during their annual migrations. The snowy egret, a small, delicate all-white heron adorned with showy plumes during breeding season, has come into Kenney’s viewfinder just twice in three years. In one photograph, Kenney captures the bird in full mating dance animation. Kenney is especially pleased with a close-up shot of a sora, lyrically composed to include the bird’s reflection in the water. Though common, the sora, a small marshbird with a yellow bill, is secretive and often hides in the reeds, making it hard to photograph. The brown pelican, always a spectacle for its ability to plunge from the air into water to catch food, has the added attraction of sporting a bright yellow head during breeding season. Double-crested cormorants, known for spreading their wings to dry them, are a common sight, as are four varieties of terns: royal, elegant, Caspian and least. ‘Although winter is the best time to see birds that are here as part of migration, the four terns are here summer and fall,’ Kenney notes. The lagoon, located off Pacific Coast Highway at Cross Creek Road, is where Malibu Creek meets the sea. It empties into the Pacific Ocean at world-famous Malibu Surfrider Beach, a destination for approximately 1.5 million visitors each year. Kenney marvels at how birds continue to thrive at the lagoon despite continued pollution issues and the impact of humans. ‘There used to be 90 percent more estuaries in California,’ he says. Malibu Lagoon has undergone many changes in recent history. Used as a dump site in the 1950s and ’60s, it later was filled in and housed two baseball fields. It was in 1983 that the California Department of Parks and Recreation initiated a restoration of the former wetlands that involved excavation of three channels to reintroduce tidal flow and seeding with salt marsh plants. ‘A lot of photography is happenstance and luck, but you have to be prepared,’ says Kenney, who arrives at the lagoon with his digital camera as early as 7:30 a.m. to take advantage of the early morning light. ‘Rarely do I see birders with a camera,’ he says, noting how there’s a certain element of trust associated with their methods. ‘What surprises me is that more of them are not photographers,’ he adds. ‘It would confirm whatever they saw.’
Maltby Directs ‘Ain’t Misbehavin’

‘Ain’t Misbehavin,’ the Tony Award-winning musical revue, which is a tribute to Thomas ‘Fats’ Waller, opened at the Ahmanson Theatre Saturday and runs through May 31”and baby, ‘The Joint is Jumpin!’ The show sparkles with humor and innuendo, and energy rocks the house. The original show was a slice of American history, and now, almost 30 years later, the show itself has historical Broadway significance. Director Richard Maltby, Jr., who was also the original director for the revue when it was first produced in New York City at the Manhattan Theater Club, discussed how the original show made the jump to Broadway, and compares it to the current Los Angeles show. The Manhattan Theater Club (MTC), located in the Bohemian Benevolent Association National Hall on 73rd Street, had two theaters and a cabaret stage in its early years. ‘The cabaret was under the ‘radar’ and Lynne [Meadow, the artistic director] was trying to figure out if a show could go in that space that had artistic merit,’ said Maltby, who had earlier brought ‘Starting Here and Starting Now’ to MTC’s stage. Meadows asked Maltby if he had another show. He and Murray Horwitz had worked on a show about ‘Fats’ Waller, but hadn’t gotten beyond the first act. After agreeing to go into MTC’s cabaret slot in January, the team began the laborious process of collecting additional songs from the Library of Congress, because many of the early songs were no longer in print or available. After locating the songs, they’d find out who the publisher was. ‘We’d call the publisher and give them a copy of the song,’ said Maltby, who admits they still didn’t have a second act written, but thought that copies of the songs should be available. ‘When we went into rehearsal, we had a terrific cast, a pile of sheet music and good ideas.’ The two men decided that no one person could personify ‘Fats’ Waller, but that all of the performers would embody his personality. They decided to have a cast of five, three women and two men, because it could involve an endless number of plot lines”two couples, one woman left out, the two heavy women ganging up on the thinner woman; all the different combinations made it possible to turn the songs into individual mini-plays. They showed the cast (Nell Carter, Andr’ DeShields, Armelia McQueen, Ken Page and Irene Cara) ‘soundies’ (short movies, kind of like early videos) of Waller from the early 1900s. In one, he was singing to a girl, promising that she was the only one for him, but behind her were two other girls, who obviously had also been his girlfriends. It helped the performers to see that the music implied high comedy, and that in a relationship, ‘never trust what’s said,’ which set the comedic tone for the show. They listened to recordings of Waller’s piano music, in which they heard him talking and teasing the audience, which also helped the performers to find the right balance. Horwitz and Maltby also thought that is was important that the cast be cognizant that in the early part of the 20th century, it was an unfair world where opportunities for talented black artists were limited, but performers like ‘Fats’ Waller, Duke Ellington, and Lena Horne dealt with it through ‘class,’ humor and being so good that they couldn’t be ignored. ‘We created the show in four weeks. It’s entertaining with high and low comedy,’ Maltby said, ‘but underneath it all, there’s an awareness of the world that these artists functioned in.’ He managed to snag Luther Henderson, who adapted Waller’s music for the revue and served as the production’s original pianist, even though Henderson was already committed to another show. Maltby was asked when he knew the show, which opened in a room that had a 6 ft. by 12 ft. stage pushed to the back of the room (no curtain, no wings, and at intermission the actors had to walk through patrons seated around tables, to exit) would be a hit. ‘We were three days into the rehearsal and I knew,’ Maltby said. ‘I went to Lynne’s office and told her, ‘You’d better get ready, there’s going to be an explosion.” The show opened to rave reviews, and word of mouth spread that it was a ‘must-see.’ Fire marshals showed up nightly at the old building, located between First and Second Avenue, to monitor the space and make sure that there were only 65 customers, which was the maximum allowed in the room. The show put MTC on the map and helped to legitimize Off-Broadway and Off-off-Broadway as genuine theater venues. Since that opening, the show has been performed in more than 6,000 theatres, gone on three European tours and been produced in England twice. ‘It’s never lost its popularity,’ Maltby said. ‘It’s successful wherever it goes.’ The Los Angeles cast started rehearsing on March 28, and, once again, Maltby is at the helm. ‘Were reclaiming the ‘tailwork’ that made this show what it is,’ he said. ‘I’m treating the actors as if they were the original cast members.’ Of the original cast, Amelia McQueen returns with Maltby. ‘She’s doing her part again, and it’s richer and more detailed,’ he said. Also returning is original choreographer Arthur Faria. After this show closes at the end of May, does Maltby have plans? ‘The show has never been revived in New York,’ he said. ‘There’s a whole generation of people who don’t know anything about ‘Ain’t Misbehavin.” Call: 213-628-2772 or visit: www.centertheatregroup.org